figure, who stood still higher, appeared alike unmoved by the storm, as by the spectacle. Melmoth’s surtout, in spite of his efforts to wrap it round him, was fluttering in rags⁠—not a thread of the stranger’s garments seemed ruffled by the blast. But this did not strike him so much as his obvious insensibility to the distress and terror around him, and he exclaimed aloud, “Good God! is it possible that anything bearing the human form should stand there without making an effort, without expressing a feeling, for those perishing wretches!”

A pause ensued, or the blast carried away the sound; but a few moments after, Melmoth distinctly heard the words, “Let them perish.”

He looked up, the figure still stood unmoved, the arms folded across the breast, the foot advanced, and fixed as in defiance of the white and climbing spray of the wave, and the stern profile caught in the glimpses of the stormy and doubtful moonlight, seeming to watch the scene with an expression formidable, revolting, and unnatural. At this moment, a tremendous wave breaking over the deck of the hulk, extorted a cry of horror from the spectators; they felt as if they were echoing that of the victims whose corses were in a few moments to be dashed against their feet, mangled and lifeless.

When the cry had ceased, Melmoth heard a laugh that chilled his blood. It was from the figure that stood above him. Like lightning then glanced on his memory the recollection of that night in Spain, when Stanton first encountered that extraordinary being, whose charmed life, “defying space and time,” held such fatal influence over his, and when he first recognised his supposed demoniac character by the laugh with which he hailed the spectacle of the blasted lovers. The echo of that laugh rung in Melmoth’s ears; he believed it was indeed that mysterious being who was standing so near him. His mind, by its late intense and bewildering pursuits, at once heated and darkened, like the atmosphere under an incumbent thundercloud, had now no power of inquiry, of conjecture, or of calculation. He instantly began to climb the rock⁠—the figure was but a few feet above him⁠—the object of his daily and nightly dreams was at last within the reach of his mind and his arm⁠—was almost tangible. Fang and Snare12 themselves, in all the enthusiasm of professional zeal, never uttered, “If I but once get him within my vice,” with more eagerness than did Melmoth, as he scrambled up his steep and perilous path, to the ledge of the rock where the figure stood so calm and dark. Panting from the fury of the storm, the vehemence of his own exertions, and the difficulty of the task, he was now almost foot to foot, and face to face, with the object of his pursuit, when, grasping at the loosened fragment of a stone whose fall could not have hurt a child, though on its tottering insecurity hung the life-grasp of a man, his hold failed⁠—he fell backwards⁠—the roaring deep was beneath, seeming to toss its ten thousand arms to receive and devour him. He did not feel the instantaneous giddiness of his fall, but as he sunk he felt the splash, he heard the roar. He was engulfed, then for a moment thrown to the surface. He struggled with nothing to grasp at. He sunk with a vague thought, that if he could reach the bottom, if he could arrive at anything solid, he was safe. Ten thousand trumpets then seemed to ring in his ears; lights flashed from his eyes. “He seemed to go through fire and water,” and remembered no more till several days afterwards, when he found himself in bed, the old governante beside him, and uttered faintly, “What a horrid dream!” then sinking back as he felt his exhaustion, “and how weak it has left me!”

V

“I have heard,” said the Squire, “that from hell there is no retention.”

Cervantes

For some hours after this exclamation, Melmoth lay silent, his memory returning⁠—his senses gradually defecated⁠—the intellectual lord slowly returning to his abdicated throne.⁠—

“I remember all now,” he cried, starting up in his bed with a sudden vehemence, that terrified his old nurse with the apprehension of returning insanity; but when she approached the bed, candle in hand, cautiously veiling her eyes with the other, while she threw the full glare of the light on the face of the patient, she saw in a moment the light of sanity in his eyes, and the strength of health in his movements. To his eager inquiries of how he had been saved, how the storm had terminated, and whether any but himself had survived the wreck, she could not deny herself the gratification of answering, though conscious of his weakness, and solemnly charged neither to let him speak or hear, as she valued the recovery of his reason. She had faithfully observed the charge for several days⁠—a dreadful trial!⁠—and now she felt like Fatima in Cymon, who, when threatened by the magician with the loss of speech, exclaims, “Barbarian, will not my death then satisfy you?”

She began her narrative, the effect of which was, to lull Melmoth into a profound repose before half of it was concluded; he felt the full benefit of the invalids mentioned in Spenser, who used to hire Irish storytellers, and found those indefatigable persons still pursuing the tale when they awoke. At first Melmoth listened with eager attention; soon he was in the situation of him described by Miss Baillie,

“Who, half asleep, but faintly hears,
The gossip’s tale hum in his ears.”

Soon after his lengthened respiration gave token that she was only “vexing the dull ear of a drowsy man;” while, as she closed the curtain, and shaded the light, the images of her story were faintly painted on his dream, that still seemed half a waking one.

In the morning Melmoth sat up, gazed round,

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