seemed like that made by the undrawing of rusty bolts, and often ceased, and was then renewed more gently, as if the hand, that occasioned it, was restrained by a fear of discovery.

While Emily kept her eyes fixed on the spot, she saw the door move, and then slowly open, and perceived something enter the room, but the extreme duskiness prevented her distinguishing what it was. Almost fainting with terror, she had yet sufficient command over herself, to check the shriek, that was escaping from her lips, and, letting the curtain drop from her hand, continued to observe in silence the motions of the mysterious form she saw. It seemed to glide along the remote obscurity of the apartment, then paused, and, as it approached the hearth, she perceived, in the stronger light, what appeared to be a human figure. Certain remembrances now struck upon her heart, and almost subdued the feeble remains of her spirits; she continued, however, to watch the figure, which remained for some time motionless, but then, advancing slowly towards the bed, stood silently at the feet, where the curtains, being a little open, allowed her still to see it; terror, however, had now deprived her of the power of discrimination, as well as of that of utterance.

Having continued there a moment, the form retreated towards the hearth, when it took the lamp, held it up, surveyed the chamber, for a few moments, and then again advanced towards the bed. The light at that instant awakening the dog, that had slept at Emily’s feet, he barked loudly, and, jumping to the floor, flew at the stranger, who struck the animal smartly with a sheathed sword, and, springing towards the bed, Emily discovered⁠—Count Morano!

She gazed at him for a moment in speechless affright, while he, throwing himself on his knee at the bedside, besought her to fear nothing, and, having thrown down his sword, would have taken her hand, when the faculties, that terror had suspended, suddenly returned, and she sprung from the bed, in the dress, which surely a kind of prophetic apprehension had prevented her, on this night, from throwing aside.

Morano rose, followed her to the door, through which he had entered, and caught her hand, as she reached the top of the staircase, but not before she had discovered, by the gleam of a lamp, another man halfway down the steps. She now screamed in despair, and, believing herself given up by Montoni, saw, indeed, no possibility of escape.

The Count, who still held her hand, led her back into the chamber.

“Why all this terror?” said he, in a tremulous voice. “Hear me, Emily: I come not to alarm you; no, by Heaven! I love you too well⁠—too well for my own peace.”

Emily looked at him for a moment, in fearful doubt.

“Then leave me, sir,” said she, “leave me instantly.”

“Hear me, Emily,” resumed Morano, “hear me! I love, and am in despair⁠—yes⁠—in despair. How can I gaze upon you, and know, that it is, perhaps, for the last time, without suffering all the frenzy of despair? But it shall not be so; you shall be mine, in spite of Montoni and all his villainy.”

“In spite of Montoni!” cried Emily eagerly: “what is it I hear?”

“You hear, that Montoni is a villain,” exclaimed Morano with vehemence⁠—“a villain who would have sold you to my love!⁠—Who⁠—”

“And is he less, who would have bought me?” said Emily, fixing on the Count an eye of calm contempt. “Leave the room, sir, instantly,” she continued in a voice, trembling between joy and fear, “or I will alarm the family, and you may receive that from Signor Montoni’s vengeance, which I have vainly supplicated from his pity.” But Emily knew, that she was beyond the hearing of those, who might protect her.

“You can never hope anything from his pity,” said Morano, “he has used me infamously, and my vengeance shall pursue him. And for you, Emily, for you, he has new plans more profitable than the last, no doubt.” The gleam of hope, which the Count’s former speech had revived, was now nearly extinguished by the latter; and, while Emily’s countenance betrayed the emotions of her mind, he endeavoured to take advantage of the discovery.

“I lose time,” said he: “I came not to exclaim against Montoni; I came to solicit, to plead⁠—to Emily; to tell her all I suffer, to entreat her to save me from despair, and herself from destruction. Emily! the schemes of Montoni are insearchable, but, I warn you, they are terrible; he has no principle, when interest, or ambition leads. Can I love you, and abandon you to his power? Fly, then, fly from this gloomy prison, with a lover, who adores you! I have bribed a servant of the castle to open the gates, and, before tomorrow’s dawn, you shall be far on the way to Venice.”

Emily, overcome by the sudden shock she had received, at the moment, too, when she had begun to hope for better days, now thought she saw destruction surround her on every side. Unable to reply, and almost to think, she threw herself into a chair, pale and breathless. That Montoni had formerly sold her to Morano, was very probable; that he had now withdrawn his consent to the marriage, was evident from the Count’s present conduct; and it was nearly certain, that a scheme of stronger interest only could have induced the selfish Montoni to forego a plan, which he had hitherto so strenuously pursued. These reflections made her tremble at the hints, which Morano had just given, which she no longer hesitated to believe; and, while she shrunk from the new scenes of misery and oppression, that might await her in the castle of Udolpho, she was compelled to observe, that almost her only means of escaping them was by submitting herself to the protection of this man, with whom evils more certain and not less terrible appeared⁠—evils, upon which she could not endure to pause for an instant.

Her

Вы читаете The Mysteries of Udolpho
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