Mademoiselle de Watteville, to whom her enormous prospective fortune at that time lent considerable importance, had been brought up exclusively within the precincts of the Hôtel de Rupt—which her mother rarely quitted, so devoted was she to her dear Archbishop—and severely repressed by an exclusively religious education, and by her mother’s despotism, which held her rigidly to principles. Rosalie knew absolutely nothing. Is it knowledge to have learned geography from Guthrie, sacred history, ancient history, the history of France, and the four rules all passed through the sieve of an old Jesuit? Dancing and music were forbidden, as being more likely to corrupt life than to grace it. The Baroness taught her daughter every conceivable stitch in tapestry and women’s work—plain sewing, embroidery, netting. At seventeen Rosalie had never read anything but the Lettres édifiantes and some works on heraldry. No newspaper had ever defiled her sight. She attended Mass at the Cathedral every morning, taken there by her mother, came back to breakfast, did needlework after a little walk in the garden, and received visitors, sitting with the baroness until dinnertime. Then, after dinner, excepting on Mondays and Fridays, she accompanied Madame de Watteville to other houses to spend the evening, without being allowed to talk more than the maternal rule permitted.
At eighteen Mademoiselle de Watteville was a slight, thin girl with a flat figure, fair, colorless, and insignificant to the last degree. Her eyes, of a very light blue, borrowed beauty from their lashes, which, when downcast, threw a shadow on her cheeks. A few freckles marred the whiteness of her forehead, which was shapely enough. Her face was exactly like those of Albert Dürer’s saints, or those of the painters before Perugino; the same plump, though slender modeling, the same delicacy saddened by ecstasy, the same severe guilelessness. Everything about her, even to her attitude, was suggestive of those virgins, whose beauty is only revealed in its mystical radiance to the eyes of the studious connoisseur. She had fine hands though red, and a pretty foot, the foot of an aristocrat.
She habitually wore simple checked cotton dresses; but on Sundays and in the evening her mother allowed her silk. The cut of her frocks, made at Besançon, almost made her ugly, while her mother tried to borrow grace, beauty, and elegance from Paris fashions; for through Monsieur de Soulas she procured the smallest trifles of her dress from thence. Rosalie had never worn a pair of silk stockings or thin boots, but always cotton stockings and leather shoes. On high days she was dressed in a muslin frock, her hair plainly dressed, and had bronze kid shoes.
This education, and her own modest demeanor, hid in Rosalie a spirit of iron. Physiologists and profound observers will tell you, perhaps to your astonishment, that tempers, characteristics, wit, or genius reappear in families at long intervals, precisely like what are known as hereditary diseases. Thus talent, like the gout, sometimes skips over two generations. We have an illustrious example of this phenomenon in George Sand, in whom are resuscitated the force, the power, and the imaginative faculty of the Marechal de Saxe, whose natural granddaughter she is.
The decisive character and romantic daring of the famous Watteville had reappeared in the soul of his grandniece, reinforced by the tenacity and pride of blood of the Rupts. But these qualities—or faults, if you will have it so—were as deeply buried in this young girlish soul, apparently so weak and yielding, as the seething lavas within a hill before it becomes a volcano. Madame de Watteville alone, perhaps, suspected this inheritance from two strains. She was so severe to her Rosalie, that she replied one day to the Archbishop, who blamed her for being too hard on the child, “Leave me to manage her, monseigneur. I know her! She has more than one Beelzebub in her skin!”
The Baroness kept all the keener watch over her daughter, because she considered her honor as a mother to be at stake. After all, she had nothing else to do. Clotilde de Rupt, at this time five-and-thirty, and as good as widowed, with a husband who turned eggcups in every variety of wood, who set his mind on making wheels with six spokes out of ironwood, and manufactured snuffboxes for everyone of his acquaintance, flirted in strict propriety with Amédée de Soulas. When this young man was in the house, she alternately dismissed and recalled her daughter, and tried to detect symptoms of jealousy in that youthful soul, so as to have occasion to repress them. She imitated the police in its dealings with the republicans; but she labored in vain. Rosalie showed no symptoms of rebellion. Then the arid bigot accused her daughter of perfect insensibility. Rosalie knew her mother well enough to be sure that if she had thought young Monsieur de Soulas nice, she would have drawn down on herself a smart reproof. Thus, to all her mother’s incitement she replied merely by such phrases as are wrongly called Jesuitical—wrongly, because the Jesuits were strong, and such reservations are the chevaux de frise behind which weakness takes refuge. Then the mother regarded the girl as a dissembler. If by mischance a spark of the true nature of the Wattevilles and the Rupts blazed out, the mother armed herself with the respect due from children to their parents to reduce Rosalie to passive obedience.
This covert battle was carried on in the most secret seclusion of domestic life, with closed doors. The Vicar-General, the dear Abbé Grancey, the friend of
