“And so this is you, you dear little Rose!” said Lucilla, “and I have never seen you before since I came home—and you always were such a pet of mine at Mount Pleasant! I can’t think why you never came to see me before; as for me, you know, I never have any time. Poor papa has nobody else to take care of him, and it always was the object of my life to be a comfort to papa.”
“Yes,” said Rose, who was a straightforward little woman, and not given to compliments. “I have a great deal to do too,” she said; “and then all my spare moments I am working at my design. Papa always says that society accepts artists for what they can give, and does not expect them to sacrifice their time,” Rose continued, with her little air of dignity. Miss Marjoribanks knew very well that society was utterly unconscious of the existence of the Lake family; but then there is always something imposing in such a perfectly innocent and superb assumption as that to which the young Preraphaelite had just given utterance; and it began to dawn upon Lucilla that here was another imperfectly understood but effective instrument lying ready to her hand.
“I should like to see your design,” said Miss Marjoribanks graciously. “You made such a pretty little wreath for the corner of my handkerchief—don’t you remember?—all frogs’ legs and things. It looked so sweet in the old satin stitch. What is the matter with poor Barbara? I felt sure she would catch cold and lose her voice. I shall tell papa to go and see her. As for tonight, it will be a dreadful loss to be sure, for I never could find a voice that went so well with mine. But if you are sure she can’t come—”
“When people have not a sense of duty,” said Rose, with an indignant sigh, “nor any proper pride—Some are so different. Barbara ought to have been some rich person’s daughter, with nothing to do. She would not mind being of no use in the world. It is a kind of temperament I don’t understand,” continued the little artist. All this, it is true, was novel to Miss Marjoribanks, who had a kind of prejudice in favour of the daughters of rich persons who had nothing to do; but Lucilla’s genius was broad and catholic, and did not insist upon comprehending everything. She gave Rose a sudden scrutinising look, and measured her mentally against the gap she had to fill. No doubt it was an experiment, and might fail signally; but then Miss Marjoribanks was always at hand to cover deficiencies, and she had that confidence in herself and her good fortune which is necessary to everybody who greatly dares.
“You must come yourself this evening, you dear old Rose,” said Lucilla. “You know I always was fond of you. Oh, yes, I know you can’t sing like Barbara. But the Archdeacon is coming, who understands about art; and if you would like to bring your design—My principle has always been, that there should be a little of everything in society,” said Miss Marjoribanks. “I dare say you will feel a little strange at first with not knowing the people, but that will soon pass off—and you must come.”
When she had said this, Lucilla bestowed upon little Rose a friendly schoolfellow kiss, putting her hands upon the little artist’s shoulders, and looking her full in the face as she did so. “I am sure you can talk,” said Miss Marjoribanks. She did not say “Go away now, and leave me to my arrangements;” but Rose, who was quick-witted, understood that the salute was a dismissal, and she went away accordingly, tingling with pride and excitement and pleasure and a kind of pain. The idea of practically exemplifying, in her own person, the kind of demeanour which society ought to expect from an artist had not occurred to Rose; but destiny having arranged it so, she was not the woman to withdraw from her responsibilities. She said to herself that it would be shabby for her who was known to have opinions on this subject, to shrink from carrying them out; and stimulated her courage by recourse to her principles, as people do who feel themselves bound to lay sacrifices on the altar of duty. Notwithstanding this elevated view of the emergency, it must be admitted that a sudden thought of what she would wear had flushed to Rose’s very fingertips, with a heat and tingle of which the little heroine was ashamed. For it was Thursday morning, and there was not a moment to be lost. However, after the first thrill which this idea had given her, Rose bethought herself once more of her principles, and stilled her beating heart. It was not for her to think of what she was to put on, she who had so often proclaimed the exemption of “a family of artists” from the rules which weigh so hard upon the common world. “We have a rank of our own,” she said to herself, but with that tremor which always accompanies the transference of a purely theoretical and even fantastic rule of conduct into practical ground—“We are everybody’s equal, and we are nobody’s equal—and when papa begins to be appreciated as he ought to be, and Willie has made a Name—” This was always the point at which Rose broke off, falling
