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The method of this man is quite contrary to that of the aristocratic man, who conceives the root idea “good” spontaneously and straight away, that is to say, out of himself, and from that material then creates for himself a concept of “bad”! This “bad” of aristocratic origin and that “evil” out of the cauldron of unsatisfied hatred—the former an imitation, an “extra,” an additional nuance; the latter, on the other hand, the original, the beginning, the essential act in the conception of a slave-morality—these two words “bad” and “evil,” how great a difference do they mark, in spite of the fact that they have an identical contrary in the idea “good.” But the idea “good” is not the same: much rather let the question be asked, “Who is really evil according to the meaning of the morality of resentment?” In all sternness let it be answered thus:—just the good man of the other morality, just the aristocrat, the powerful one, the one who rules, but who is distorted by the venomous eye of resentfulness, into a new colour, a new signification, a new appearance. This particular point we would be the last to deny: the man who learnt to know those “good” ones only as enemies, learnt at the same time not to know them only as “evil enemies” and the same men who inter pares were kept so rigorously in bounds through convention, respect, custom, and gratitude, though much more through mutual vigilance and jealousy inter pares, these men who in their relations with each other find so many new ways of manifesting consideration, self-control, delicacy, loyalty, pride, and friendship, these men are in reference to what is outside their circle (where the foreign element, a foreign country, begins), not much better than beasts of prey, which have been let loose. They enjoy there freedom from all social control, they feel that in the wilderness they can give vent with impunity to that tension which is produced by enclosure and imprisonment in the peace of society, they revert to the innocence of the beast-of-prey conscience, like jubilant monsters, who perhaps come from a ghastly bout of murder, arson, rape, and torture, with bravado and a moral equanimity, as though merely some wild student’s prank had been played, perfectly convinced that the poets have now an ample theme to sing and celebrate. It is impossible not to recognise at the core of all these aristocratic races the beast of prey; the magnificent blonde brute, avidly rampant for spoil and victory; this hidden core needed an outlet from time to time, the beast must get loose again, must return into the wilderness—the Roman, Arabic, German, and Japanese nobility, the Homeric heroes, the Scandinavian Vikings, are all alike in this need. It is the aristocratic races who have left the idea “Barbarian” on all the tracks in which they have marched; nay, a consciousness of this very barbarianism, and even a pride in it, manifests itself even in their highest civilisation (for example, when Pericles says to his Athenians in that celebrated funeral oration, “Our audacity has forced a way over every land and sea, rearing everywhere imperishable memorials of itself for good and for evil.”). This audacity of aristocratic races, mad, absurd, and spasmodic as may be its expression; the incalculable and fantastic nature of their enterprises, Pericles sets in special relief and glory the ῥαθυμία of the Athenians, their nonchalance and contempt for safety, body, life, and comfort, their awful joy and intense delight in all destruction, in all the ecstasies of victory and cruelty—all these features become crystallised, for those who suffered thereby in the picture of the “barbarian,” of the “evil enemy,” perhaps of the “Goth” and of the “Vandal.” The profound, icy mistrust which the German provokes, as soon as he arrives at power—even at the present time—is always still an aftermath of that inextinguishable horror with which for whole centuries Europe has regarded the wrath of the blonde Teuton beast (although between the old Germans and ourselves there exists scarcely a psychological, let alone a physical, relationship). I have once called attention to the embarrassment of Hesiod, when he conceived the series of social ages, and endeavoured to express them in gold, silver, and bronze. He could only dispose of the contradiction, with which he was confronted, by the Homeric world, an age magnificent indeed, but at the same time so awful and so violent, by making two ages out of one, which he henceforth placed one behind each other—first, the age of the heroes and demigods, as that world had remained in the memories of the aristocratic families, who found therein their own ancestors; secondly, the bronze age, as that corresponding age appeared to the descendants of the oppressed, spoiled, ill-treated, exiled, enslaved; namely, as an age of bronze, as I have said, hard, cold, terrible, without feelings and without conscience, crushing everything, and bespattering everything with blood. Granted the truth of the theory now believed to be true, that the very essence of all civilisation is to train out of man, the beast of prey, a tame and civilised animal, a domesticated animal, it follows indubitably that we must regard as the real tools of civilisation all those instincts of reaction and resentment, by the help of which the aristocratic races, together with their ideals, were finally degraded and overpowered; though that has not yet come to be synonymous with saying that the bearers of those tools also represented the civilisation. It is rather the contrary that is not only probable—nay, it is palpable today; these bearers of vindictive instincts that have to be bottled
