“Killed soldiers can’t run away,” Bruno thoughtfully remarked.
“ ‘Killed’ is a technical word,” replied Mein Herr. “In the little planet I speak of, the bullets were made of soft black stuff, which marked everything it touched. So, after a battle, all you had to do was to count how many soldiers on each side were ‘killed’—that means ‘marked on the back,’ for marks in front didn’t count.”
“Then you couldn’t ‘kill’ any, unless they ran away?” I said.
“My scientific friend found out a better plan than that. He pointed out that, if only the bullets were sent the other way round the world, they would hit the enemy in the back. After that, the worst marksmen were considered the best soldiers; and the very worst of all always got First Prize.”
“And how did you decide which was the very worst of all?”
“Easily. The best possible shooting is, you know, to hit what is exactly in front of you: so of course the worst possible is to hit what is exactly behind you.”
“They were strange people in that little planet!” I said.
“They were indeed! Perhaps their method of government was the strangest of all. In this planet, I am told, a Nation consists of a number of Subjects, and one King: but, in the little planet I speak of, it consisted of a number of Kings, and one Subject!”
“You say you are ‘told’ what happens in this planet,” I said. “May I venture to guess that you yourself are a visitor from some other planet?”
Bruno clapped his hands in his excitement. “Is oo the Man-in-the-Moon?” he cried.
Mein Herr looked uneasy. “I am not in the Moon, my child,” he said evasively. “To return to what I was saying. I think that method of government ought to answer well. You see, the Kings would be sure to make Laws contradicting each other: so the Subject could never be punished, because, whatever he did, he’d be obeying some Law.”
“And, whatever he did, he’d be disobeying some Law!” cried Bruno. “So he’d always be punished!”
Lady Muriel was passing at the moment, and caught the last word. “Nobody’s going to be punished here!” she said, taking Bruno in her arms. “This is Liberty-Hall! Would you lend me the children for a minute?”
“The children desert us, you see,” I said to Mein Herr, as she carried them off: “so we old folk must keep each other company!”
The old man sighed. “Ah, well! We’re old folk now; and yet I was a child myself, once—at least I fancy so.”
It did seem a rather unlikely fancy, I could not help owning to myself—looking at the shaggy white hair, and the long beard—that he could ever have been a child. “You are fond of young people?” I said.
“Young men,” he replied. “Not of children exactly. I used to teach young men—many a year ago—in my dear old University!”
“I didn’t quite catch its name?” I hinted.
“I did not name it,” the old man replied mildly. “Nor would you know the name if I did. Strange tales I could tell you of all the changes I have witnessed there! But it would weary you, I fear.”
“No, indeed!” I said. “Pray go on. What kind of changes?”
But the old man seemed to be more in a humour for questions than for answers. “Tell me,” he said, laying his hand impressively on my arm, “tell me something. For I am a stranger in your land, and I know little of your modes of education: yet something tells me we are further on than you in the eternal cycle of change—and that many a theory we have tried and found to fail, you also will try, with a wilder enthusiasm: you also will find to fail, with a bitterer despair!”
It was strange to see how, as he talked, and his words flowed more and more freely, with a certain rhythmic eloquence, his features seemed to glow with an inner light, and the whole man seemed to be transformed, as if he had grown fifty years younger in a moment of time.
XII
Fairy-Music
The silence that ensued was broken by the voice of the musical young lady, who had seated herself near us, and was conversing with one of the newly-arrived guests. “Well!” she said in a tone of scornful surprise. “We are to have something new in the way of music, it appears!”
I looked round for an explanation, and was nearly as much astonished as the speaker herself: it was Sylvie whom Lady Muriel was leading to the piano!
“Do try it, my darling!” she was saying. “I’m sure you can play very nicely!”
Sylvie looked round at me, with tears in her eyes. I tried to give her an encouraging smile, but it was evidently a great strain on the nerves of a child so wholly unused to be made an exhibition of, and she was frightened and unhappy. Yet here came out the perfect sweetness of her disposition: I could see that she was resolved to forget herself, and do her best to give pleasure to Lady Muriel and her friends. She seated herself at the instrument, and began instantly. Time and expression, so far as one could judge, were perfect: but her touch was one of such extraordinary lightness that it was at first scarcely possible, through