a fit of spleen, and at the pace I mean to go, in three months I shall be Prince Paz, or dead. Farewell; though I have drawn sixty thousand francs out of Nucingen’s, we are quits.

“Thaddeus.”

“Idiot that I am! I very nearly betrayed myself just now by speaking of the circus-rider!” said Adam to himself.


Thaddeus has been gone three years, and the papers do not as yet mention any Prince Paz. Countess Laginski takes a keen interest in the Emperor Nicholas’ expeditions; she is a Russian at heart, and reads with avidity all the news from that country. Once or twice a year she says to the Ambassador, with an affectation of indifference, “Do you know what has become of our poor friend Paz?”

Alas! most Parisian women, keen-eyed and subtle as they are supposed to be, pass by⁠—and always will pass by⁠—such an one as Paz without observing him. Yes, more than one Paz remains misunderstood; but, fearful thought! some are misunderstood even when they are loved. The simplest woman in the world requires some little coxcombry in the greatest man; and the most heroic love counts for nothing if it is uncut; it needs the arts of the polisher and the jeweler.


In the month of January 1842 Countess Laginski, beautified by gentle melancholy, inspired a mad passion in the Comte de la Palférine, one of the most audacious bucks of Paris at this day. La Palférine understood the difficulty of conquering a woman guarded by a chimera; to triumph over this bewitching woman, he trusted to a surprise, and to the assistance of a woman who, being a little jealous of Clémentine, would lend herself to plot the chances of the adventure.

Clémentine, incapable with all her wit of suspecting such treachery, was so imprudent as to go with this false friend to the masked ball at the opera. At about three in the morning, carried away by the excitement of the ball, Clémentine, for whom La Palférine had exhausted himself in attentions, consented to sup with him, and was getting into the lady’s carriage. At this critical moment she was seized by a strong arm, and in spite of her cries placed in her own carriage, which was standing with the door open, though she did not know that it was waiting.

“He has not left Paris!” she exclaimed, recognizing Thaddeus, who ran off when he saw the carriage drive away with the Countess.

Had ever another woman such a romance in her life?

Clémentine is always hoping to see Paz again.

The Message

To M. le Marquis Damaso Pareto.

I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other’s heart, as two children cling together at the sight of a snake by a woodside. At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity. Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

In 1819 I was traveling from Paris to Moulins. The state of my finances obliged me to take an outside place. Englishmen, as you know, regard those airy perches on the top of the coach as the best seats; and for the first few miles I discovered abundance of excellent reasons for justifying the opinion of our neighbors. A young fellow, apparently in somewhat better circumstances, who came to take the seat beside me from preference, listened to my reasoning with inoffensive smiles. An approximate nearness of age, a similarity in ways of thinking, a common love of fresh air, and of the rich landscape scenery through which the coach was lumbering along⁠—these things, together with an indescribable magnetic something, drew us before long into one of those short-lived traveler’s intimacies, in which we unbend with the more complacency because the intercourse is by its very nature transient, and makes no implicit demands upon the future.

We had not come thirty leagues before we were talking of women and love. Then, with all the circumspection demanded in such matters, we proceeded naturally to the topic of our ladyloves. Young as we both were, we still admired “the woman of a certain age,” that is to say, the woman between thirty-five and forty. Oh! any poet who should have listened to our talk, for heaven knows how many stages beyond Montargis, would have reaped a harvest of flaming epithet, rapturous description, and very tender confidences. Our bashful fears, our silent interjections, our blushes, as we met each other’s eyes, were expressive with an eloquence, a boyish charm, which I have ceased to feel. One must remain young, no doubt, to understand youth.

Well, we understood one another to admiration on all the essential points of passion. We had laid it down as an axiom at the very outset, that in theory and practice there was no such piece of driveling nonsense in this world as a certificate of birth; that plenty of women were younger at forty than many a girl of twenty; and, to come to the point, that a woman is no older than she looks.

This theory set no limits to the age of love, so we struck out, in all good faith, into a boundless sea. At length, when we had portrayed our mistresses as young, charming, and devoted to us, women of rank, women of taste, intellectual and clever; when we had endowed them with little feet, a satin, nay, a delicately fragrant skin, then came the admission⁠—on his part that Madame Such-an-one was thirty-eight years old, and on mine that I worshiped a woman of forty. Whereupon, as if released on either side from some

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