you. It is a crazy wooden structure, the spiral balusters are brown with age, and the steps themselves take a new angle at every turn. The great old-fashioned paneled dining-room, floored with square white tiles from Château-Regnault, is on your right; to the left is the sitting-room, equally large, but here the walls are not paneled; they have been covered instead with a saffron-colored paper, bordered with green. The walnut-wood rafters are left visible, and the intervening spaces filled with a kind of white plaster.

The first story consists of two large whitewashed bedrooms with stone chimneypieces, less elaborately carved than those in the rooms beneath. Every door and window is on the south side of the house, save a single door to the north, contrived behind the staircase to give access to the vineyard. Against the western wall stands a supplementary timber-framed structure, all the woodwork exposed to the weather being fledged with slates, so that the walls are checkered with bluish lines. This shed (for it is little more) is the kitchen of the establishment. You can pass from it into the house without going outside; but, nevertheless, it boasts an entrance door of its own, and a short flight of steps that brings you to a deep well, and a very rustical-looking pump, half hidden by water-plants and savin bushes and tall grasses. The kitchen is a modern addition, proving beyond doubt that La Grenadière was originally nothing but a simple vendangeoir⁠—a vintage-house belonging to townsfolk in Tours, from which Saint-Cyr is separated by the vast riverbed of the Loire. The owners only came over for the day for a picnic, or at the vintage-time, sending provisions across in the morning, and scarcely ever spent the night there except during the grape harvest; but the English settled down on Touraine like a cloud of locusts, and La Grenadière must, of course, be completed if it was to find tenants. Luckily, however, this recent appendage is hidden from sight by the first two trees of a lime-tree avenue planted in a gully below the vineyards.

There are only two acres of vineyard at most, the ground rising at the back of the house so steeply that it is no very easy matter to scramble up among the vines. The slope, covered with green trailing shoots, ends within about five feet of the house wall in a ditch-like passage always damp and cold and full of strong growing green things, fed by the drainage of the highly cultivated ground above, for rainy weather washes down the manure into the garden on the terrace.

A vinedresser’s cottage also leans against the western gable, and is in some sort a continuation of the kitchen. Stone walls or espaliers surround the property, and all sorts of fruit-trees are planted among the vines; in short, not an inch of this precious soil is wasted. If by chance man overlooks some dry cranny in the rocks, Nature puts in a fig-tree, or sows wildflowers or strawberries in sheltered nooks among the stones.

Nowhere else in all the world will you find a human dwelling so humble and yet so imposing, so rich in fruit, and fragrant scents, and wide views of country. Here is a miniature Touraine in the heart of Touraine⁠—all its flowers and fruits and all the characteristic beauty of the land are fully represented. Here are grapes of every district, figs and peaches and pears of every kind; melons are grown out of doors as easily as licorice plants, Spanish broom, Italian oleanders, and jessamines from the Azores. The Loire lies at your feet. You look down from the terrace upon the ever-changing river nearly two hundred feet below; and in the evening the breeze brings a fresh scent of the sea, with the fragrance of far-off flowers gathered upon its way. Some cloud wandering in space, changing its color and form at every moment as it crosses the pure blue of the sky, can alter every detail in the widespread wonderful landscape in a thousand ways, from every point of view. The eye embraces first of all the south bank of the Loire, stretching away as far as Amboise, then Tours with its suburbs and buildings, and the Plessis rising out of the fertile plain; further away, between Vouvray and Saint-Symphorien, you see a sort of crescent of gray cliff full of sunny vineyards; the only limits to your view are the low, rich hills along the Cher, a bluish line of horizon broken by many a château and the wooded masses of many a park. Out to the west you lose yourself in the immense river, where vessels come and go, spreading their white sails to the winds which seldom fail them in the wide Loire basin. A prince might build a summer palace at La Grenadière, but certainly it will always be the home of a poet’s desire, and the sweetest of retreats for two young lovers⁠—for this vintage house, which belongs to a substantial burgess of Tours, has charms for every imagination, for the humblest and dullest as well as for the most impassioned and lofty. No one can dwell there without feeling that happiness is in the air, without a glimpse of all that is meant by a peaceful life without care or ambition. There is that in the air and the sound of the river that sets you dreaming; the sands have a language, and are joyous or dreary, golden or wan; and the owner of the vineyard may sit motionless amid perennial flowers and tempting fruit, and feel all the stir of the world about him.

If an Englishman takes the house for the summer, he is asked a thousand francs for six months, the produce of the vineyard not included. If the tenant wishes for the orchard fruit, the rent is doubled; for the vintage, it is doubled again. What can La Grenadière be worth, you wonder; La Grenadière, with its stone staircase, its beaten path

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