“ ‘Often it is some girl in love, some gray-headed merchant on the verge of bankruptcy, some mother with a son’s wrongdoing to conceal, some starving artist, some great man whose influence is on the wane, and, for lack of money, is like to lose the fruit of all his labors—the power of their pleading has made me shudder. Sublime actors such as these play for me, for an audience of one, and they cannot deceive me. I can look into their inmost thoughts, and read them as God reads them. Nothing is hidden from me. Nothing is refused to the holder of the purse-strings to loose and to bind. I am rich enough to buy the consciences of those who control the action of ministers, from their office boys to their mistresses. Is not that power?—I can possess the fairest women, receive their softest caresses; is not that Pleasure? And is not your whole social economy summed up in terms of Power and Pleasure?
“ ‘There are ten of us in Paris, silent, unknown kings, the arbiters of your destinies. What is life but a machine set in motion by money? Know this for certain—methods are always confounded with results; you will never succeed in separating the soul from the senses, spirit from matter. Gold is the spiritual basis of existing society.—The ten of us are bound by the ties of common interest; we meet on certain days of the week at the Café Thémis near the Pont Neuf, and there, in conclave, we reveal the mysteries of finance. No fortune can deceive us; we are in possession of family secrets in all directions. We keep a kind of Black Book, in which we note the most important bills issued, drafts on public credit, or on banks, or given and taken in the course of business. We are the Casuists of the Paris Bourse, a kind of Inquisition weighing and analyzing the most insignificant actions of every man of any fortune, and our forecasts are infallible. One of us looks out over the judicial world, one over the financial, another surveys the administrative, and yet another the business world. I myself keep an eye on eldest sons, artists, people in the great world, and gamblers—on the most sensational side of Paris. Everyone who comes to us lets us into his neighbor’s secrets. Thwarted passion and mortified vanity are great babblers. Vice and disappointment and vindictiveness are the best of all detectives. My colleagues, like myself, have enjoyed all things, are sated with all things, and have reached the point when power and money are loved for their own sake.
“ ‘Here,’ he said, indicating his bare, chilly room, ‘here the most high-mettled gallant, who chafes at a word and draws swords for a syllable elsewhere will entreat with clasped hands. There is no city merchant so proud, no woman so vain of her beauty, no soldier of so bold a spirit, but that they entreat me here, one and all, with tears of rage or anguish in their eyes. Here they kneel—the famous artist, and the man of letters, whose name will go down to posterity. Here, in short’ (he lifted his hand to his forehead), ‘all the inheritances and all the concerns of all Paris are weighed in the balance. Are you still of the opinion that there are no delights behind the blank mask which so often has amazed you by its impassiveness?’ he asked, stretching out that livid face which reeked of money.
“I went back to my room, feeling stupefied. The little, wizened old man had grown great. He had been metamorphosed under my eyes into a strange visionary symbol; he had come to be the power of gold personified. I shrank, shuddering, from life and my kind.
“ ‘Is it really so?’ I thought; ‘must everything be resolved into gold?’
“I remember that it was long before I slept that night. I saw heaps of gold all about me. My thoughts were full of the lovely Countess; I confess, to my shame, that the vision completely eclipsed another quiet, innocent figure, the figure of the woman who had entered upon a life of toil and obscurity; but on the morrow, through the clouds of slumber, Fanny’s sweet face rose before me in all its beauty, and I thought of nothing else.”
“Will you take a glass of
