A brief sketch of the person and the career of the lady in whose presence the doctor and the judge now found themselves is necessary for an understanding of her interview with Popinot.
Madame d’Espard had, for the last seven years, been very much the fashion in Paris, where Fashion can raise and drop by turns various personages who, now great and now small, that is to say, in view or forgotten, are at last quite intolerable—as discarded ministers are, and every kind of decayed sovereignty. These flatterers of the past, odious with their stale pretensions, know everything, speak ill of everything, and, like ruined profligates, are friends with all the world. Since her husband had separated from her in 1815, Madame d’Espard must have married in the beginning of 1812. Her children, therefore, were aged respectively fifteen and thirteen. By what luck was the mother of a family, about three-and-thirty years of age, still the fashion?
Though Fashion is capricious, and no one can foresee who shall be her favorites, though she often exalts a banker’s wife, or some woman of very doubtful elegance and beauty, it certainly seems supernatural when Fashion puts on constitutional airs and gives promotion for age. But in this case Fashion had done as the world did, and accepted Madame d’Espard as still young.
The Marquise, who was thirty-three by her register of birth, was twenty-two in a drawing-room in the evening. But by what care, what artifice! Elaborate curls shaded her temples. She condemned herself to live in twilight, affecting illness so as to sit under the protecting tones of light filtered through muslin. Like Diane de Poitiers, she used cold water in her bath, and, like her again, the Marquise slept on a horsehair mattress, with morocco-covered pillows to preserve her hair; she ate very little, only drank water, and observed monastic regularity in the smallest actions of her life.
This severe system has, it is said, been carried so far as to the use of ice instead of water, and nothing but cold food, by a famous Polish lady of our day who spends a life, now verging on a century old, after the fashion of a town belle. Fated to live as long as Marion Delorme, whom history has credited with surviving to be a hundred and thirty, the old vice-queen of Poland, at the age of nearly a hundred, has the heart and brain of youth, a charming face, an elegant shape; and in her conversation, sparkling with brilliancy like faggots in the fire, she can compare the men and books of our literature with the men and books of the eighteenth century. Living in Warsaw, she orders her caps of Herbault in Paris. She is a great lady with the amiability of a mere girl; she swims, she runs like a schoolboy, and can sink on to a sofa with the grace of a young coquette; she mocks at death, and laughs at life. After having astonished the Emperor Alexander, she can still amaze the Emperor Nicholas by the splendor of her entertainments. She can still bring tears to the eyes of a youthful lover, for her age is whatever she pleases, and she has the exquisite self-devotion of a grisette. In short, she is herself a fairy tale, unless, indeed, she is a fairy.
Had Madame d’Espard known Madame Zayonseck? Did she mean to imitate her career? Be that as it may, the Marquise proved the merits of the treatment; her complexion was clear, her brow unwrinkled, her figure, like that of Henri II’s ladylove, preserved the litheness, the freshness, the covered charms which bring a woman love and keep it alive. The simple precautions of this course, suggested by art and nature, and perhaps by experience, had met in her with a general system which confirmed the results. The Marquise was absolutely indifferent to everything that was not herself: men amused her, but no man had ever caused her those deep agitations which stir both natures to their depths, and wreck one on the other. She knew neither hatred nor love. When she was offended, she avenged herself coldly, quietly, at her leisure, waiting for the opportunity to gratify the ill-will she cherished against anybody who dwelt in her unfavorable remembrance. She made no fuss, she did not excite herself, she talked, because she knew that by two words a woman may cause the death of three men.
She had parted from M. d’Espard with the greatest satisfaction. Had he not taken with him two children who at present were troublesome, and in the future would stand in the way of her pretensions? Her most intimate friends, as much as her least persistent admirers, seeing about her none of Cornelia’s jewels, who come and go, and unconsciously betray their mother’s age, took her for quite a young woman. The two boys, about whom she seemed so anxious in her petition, were, like their father, as unknown in the world as the northwest passage is unknown to navigators. M. d’Espard was supposed to be an eccentric personage who had deserted his wife without having the smallest cause for complaint against her.
Mistress of herself at two-and-twenty, and mistress of her fortune of twenty-six thousand francs a year, the Marquise hesitated long before deciding on a course of action and ordering her life. Though she benefited by the expenses her husband had incurred in his house, though she had all the furniture, the carriages, the horses, in short, all the details of a handsome establishment, she lived a retired life during the years 1816, 17, and 18, a time when families were recovering from the disasters resulting from political tempests. She belonged to one of the most important and illustrious families of the Faubourg Saint-Germain, and her parents advised her to live with them as much as possible after the separation forced upon her by her husband’s inexplicable caprice.
In 1820 the Marquise
