Tantum ergo sacramentum veneremur cernui:
Et antiquum documentum
Novo cedat ritui.
XXIII
Divine Service
“Wisdom hath builded herself a house: she hath mingled her wine: she hath also prepared for herself a table.”
The more highly favoured ages of imaginative art present instances of the summing up of an entire world of complex associations under some single form, like the Zeus of Olympia, or the series of frescoes which commemorate The Acts of Saint Francis, at Assisi, or like the play of Hamlet or Faust. It was not in an image, or series of images, yet still in a sort of dramatic action, and with the unity of a single appeal to eye and ear, that Marius about this time found all his new impressions set forth, regarding what he had already recognised, intellectually, as for him at least the most beautiful thing in the world.
To understand the influence upon him of what follows the reader must remember that it was an experience which came amid a deep sense of vacuity in life. The fairest products of the earth seemed to be dropping to pieces, as if in men’s very hands, around him. How real was their sorrow, and his! “His observation of life” had come to be like the constant telling of a sorrowful rosary, day after day; till, as if taking infection from the cloudy sorrow of the mind, the eye also, the very senses, were grown faint and sick. And now it happened as with the actual morning on which he found himself a spectator of this new thing. The long winter had been a season of unvarying sullenness. At last, on this day he awoke with a sharp flash of lightning in the earliest twilight: in a little while the heavy rain had filtered the air: the clear light was abroad; and, as though the spring had set in with a sudden leap in the heart of things, the whole scene around him lay like some untarnished picture beneath a sky of delicate blue. Under the spell of his late depression, Marius had suddenly determined to leave Rome for a while. But desiring first to advertise Cornelius of his movements, and failing to find him in his lodgings, he had ventured, still early in the day, to seek him in the Cecilian villa. Passing through its silent and empty courtyard he loitered for a moment, to admire. Under the clear but immature light of winter morning after a storm, all the details of form and colour in the old marbles were distinctly visible, and with a kind of severity or sadness—so it struck him—amid their beauty: in them, and in all other details of the scene—the cypresses, the bunches of pale daffodils in the grass, the curves of the purple hills of Tusculum, with the drifts of virgin snow still lying in their hollows.
The little open door, through which he passed from the courtyard, admitted him into what was plainly the vast Lararium, or domestic sanctuary, of the Cecilian family, transformed in many particulars, but still richly decorated, and retaining much of its ancient furniture in metalwork and costly stone. The peculiar half-light of dawn seemed to be lingering beyond its hour upon the solemn marble walls; and here, though at that moment in absolute silence, a great company of people was assembled. In that brief period of peace, during which the church emerged for awhile from her jealously-guarded subterranean life, the rigour of an earlier rule of exclusion had been relaxed. And so it came to pass that, on this morning Marius saw for the first time the wonderful spectacle—wonderful, especially, in its evidential power over himself, over his own thoughts—of those who believe.
There were noticeable, among those present, great varieties of rank, of age, of personal type. The Roman ingenuus, with the white toga and gold ring, stood side by side with his slave; and the air of the whole company was, above all, a grave one, an air of recollection. Coming thus unexpectedly upon this large assembly, so entirely united, in a silence so profound, for purposes unknown to him, Marius felt for a moment as if he had stumbled by chance upon some great conspiracy. Yet that could scarcely be, for the people here collected might have figured as the earliest handsel, or pattern, of a new world, from the very face of which discontent had passed away. Corresponding to the variety of human type there present, was the various expression of every form of human sorrow assuaged. What desire, what fulfilment of desire, had wrought so pathetically on the features of these ranks of aged men and women of humble condition? Those young men, bent down so discreetly on the details of their sacred service, had faced life and were glad, by some science, or light of knowledge they had, to which there had certainly been no parallel in the older world. Was some credible message from beyond “the flaming rampart of the world”—a message of hope, regarding the place of men’s souls and their interest in the sum of things—already moulding anew their very bodies, and looks, and voices, now and here? At least, there was a cleansing and kindling flame at work in them, which seemed to make everything else Marius
