A sacrifice also—a sacrifice, it might seem, like the most primitive, the most natural and enduringly significant of old pagan sacrifices, of the simplest fruits of the earth. And in connection with this circumstance again, as in the actual stones of the building so in the rite itself, what Marius observed was not so much new matter as a new spirit, moulding, informing, with a new intention, many observances not witnessed for the first time today. Men and women came to the altar successively, in perfect order, and deposited below the latticework of pierced white marble, their baskets of wheat and grapes, incense, oil for the sanctuary lamps; bread and wine especially—pure wheaten bread, the pure white wine of the Tusculan vineyards. There was here a veritable consecration, hopeful and animating, of the earth’s gifts, of old dead and dark matter itself, now in some way redeemed at last, of all that we can touch or see, in the midst of a jaded world that had lost the true sense of such things, and in strong contrast to the wise emperor’s renunciant and impassive attitude towards them. Certain portions of that bread and wine were taken into the bishop’s hands; and thereafter, with an increasing mysticity and effusion the rite proceeded. Still in a strain of inspired supplication, the antiphonal singing developed, from this point, into a kind of dialogue between the chief minister and the whole assisting company—
Sursum corda!
Habemus ad dominum.
Gratias agamus domino deo nostro!—
It might have been thought the business, the duty or service of young men more particularly, as they stood there in long ranks, and in severe and simple vesture of the purest white—a service in which they would seem to be flying for refuge, as with their precious, their treacherous and critical youth in their hands, to one—Yes! one like themselves, who yet claimed their worship, a worship, above all, in the way of Aurelius, in the way of imitation. Adoramus te Christe, quia per crucem tuam redemisti mundum!—they cry together. So deep is the emotion that at moments it seems to Marius as if some there present apprehend that prayer prevails, that the very object of this pathetic crying himself draws near. From the first there had been the sense, an increasing assurance, of one coming:—actually with them now, according to the oft-repeated affirmation or petition, Dominus vobiscum! Some at least were quite sure of it; and the confidence of this remnant fired the hearts, and gave meaning to the bold, ecstatic worship, of all the rest about them.
Prompted especially by the suggestions of that mysterious old Jewish psalmody, so new to him—lesson and hymn—and catching therewith a portion of the enthusiasm of those beside him, Marius could discern dimly, behind the solemn recitation which now followed, at once a narrative and a prayer, the most touching image truly that had ever come within the scope of his mental or physical gaze. It was the image of a young man giving up voluntarily, one by one, for the greatest of ends, the greatest gifts; actually parting with himself, above all, with the serenity, the divine serenity, of his own soul; yet from the midst of his desolation crying out upon the greatness of his success, as if foreseeing this very worship.23 As centre of the supposed facts which for these people were become so constraining a motive of hopefulness, of activity, that image seemed to display itself with an overwhelming claim on human gratitude. What Saint Lewis of France discerned, and found so irresistibly touching, across the dimness of many centuries, as a painful thing done for love of him by one he had never seen, was to them almost as a thing of yesterday; and their hearts were whole with it. It had the force, among their interests, of an almost recent event in the career of one whom their fathers’ fathers might have known. From memories so sublime, yet so close at hand, had the narrative descended in which these acts of worship centered; though again the names of some more recently dead were mingled in it. And it seemed as if the very dead were aware; to be stirring beneath the slabs of the sepulchres which lay so near, that they might associate themselves to this enthusiasm—to this exalted worship of Jesus.
One by one, at last, the faithful approach to receive from the chief minister morsels of the great, white, wheaten cake, he had taken into his hands—Perducat vos ad vitam aeternam! he prays, half-silently, as they depart again, after discreet embraces. The Eucharist of those early days was, even more entirely than at any later or happier time, an act of thanksgiving; and while the remnants of the feast are borne away for the reception of the sick, the sustained gladness of the rite reaches its highest point in the singing of a hymn: a hymn like the spontaneous product of two opposed militant companies, contending accordantly together, heightening, accumulating, their witness, provoking one another’s worship, in a kind of sacred rivalry.
Ite! Missa est!—cried the young deacons: and Marius departed from that strange scene along with the
