any good to anybody it relented and conceded his sanity. Mortlake, who occasionally stumbled across him in the passage, did not trouble himself to think about him at all. He was too full of other troubles and cares. Though he worked harder than ever, the spirit seemed to have gone out of him. Sometimes he forgot himself in a fine rapture of eloquence⁠—lashing himself up into a divine resentment of injustice or a passion of sympathy with the sufferings of his brethren⁠—but mostly he plodded on in dull, mechanical fashion. He still made brief provincial tours, starring a day here and a day there, and everywhere his admirers remarked how jaded and overworked he looked. There was talk of starting a subscription to give him a holiday on the Continent⁠—a luxury obviously unobtainable on the few pounds allowed him per week. The new lodger would doubtless have been pleased to subscribe, for he seemed quite to like occupying Mortlake’s chamber the nights he was absent, though he was thoughtful enough not to disturb the hardworked landlady in the adjoining room by unseemly noise. Wimp was always a quiet man.

Meantime the 21st of the month approached, and the East End was in excitement. Mr. Gladstone had consented to be present at the ceremony of unveiling the portrait of Arthur Constant, presented by an unknown donor to the Bow Break o’ Day Club, and it was to be a great function. The whole affair was outside the lines of party politics, so that even Conservatives and Socialists considered themselves justified in pestering the committee for tickets. To say nothing of ladies. As the committee desired to be present themselves, nine-tenths of the applications for admission had to be refused, as is usual on these occasions. The committee agreed among themselves to exclude the fair sex altogether as the only way of disposing of their womankind who were making speeches as long as Mr. Gladstone’s. Each committeeman told his sisters, female cousins and aunts that the other committeemen had insisted on divesting the function of all grace; and what could a man do when he was in a minority of one?

Crowl, who was not a member of the Break o’ Day Club, was particularly anxious to hear the great orator whom he despised; fortunately Mortlake remembered the cobbler’s anxiety to hear himself, and on the eve of the ceremony sent him a ticket. Crowl was in the first flush of possession when Denzil Cantercot returned, after a sudden and unannounced absence of three days. His clothes were muddy and tattered, his cocked hat was deformed, his cavalier beard was matted, and his eyes were bloodshot. The cobbler nearly dropped the ticket at the sight of him. “Hullo, Cantercot!” he gasped. “Why, where have you been all these days?”

“Terribly busy!” said Denzil. “Here, give me a glass of water. I’m dry as the Sahara.”

Crowl ran inside and got the water, trying hard not to inform Mrs. Crowl of their lodger’s return. “Mother” had expressed herself freely on the subject of the poet during his absence, and not in terms which would have commended themselves to the poet’s fastidious literary sense. Indeed, she did not hesitate to call him a sponger and a low swindler, who had run away to avoid paying the piper. Her fool of a husband might be quite sure he would never set eyes on the scoundrel again. However, Mrs. Crowl was wrong. Here was Denzil back again. And yet Mr. Crowl felt no sense of victory. He had no desire to crow over his partner and to utter that “See! didn’t I tell you so?” which is a greater consolation than religion in most of the misfortunes of life. Unfortunately, to get the water, Crowl had to go to the kitchen; and as he was usually such a temperate man, this desire for drink in the middle of the day attracted the attention of the lady in possession. Crowl had to explain the situation. Mrs. Crowl ran into the shop to improve it. Mr. Crowl followed in dismay, leaving a trail of spilled water in his wake.

“You good-for-nothing, disreputable scarecrow, where have⁠—”

“Hush, mother. Let him drink. Mr. Cantercot is thirsty.”

“Does he care if my children are hungry?”

Denzil tossed the water greedily down his throat almost at a gulp, as if it were brandy.

“Madam,” he said, smacking his lips, “I do care. I care intensely. Few things in life would grieve me more deeply than to hear that a child, a dear little child⁠—the Beautiful in a nutshell⁠—had suffered hunger. You wrong me.” His voice was tremulous with the sense of injury. Tears stood in his eyes.

“Wrong you? I’ve no wish to wrong you,” said Mrs. Crowl. “I should like to hang you.”

“Don’t talk of such ugly things,” said Denzil, touching his throat nervously.

“Well, what have you been doin’ all this time?”

“Why, what should I be doing?”

“How should I know what became of you? I thought it was another murder.”

“What!” Denzil’s glass dashed to fragments on the floor. “What do you mean?”

But Mrs. Crowl was glaring too viciously at Mr. Crowl to reply. He understood the message as if it were printed. It ran: “You have broken one of my best glasses. You have annihilated threepence, or a week’s school fees for half the family.” Peter wished she would turn the lightning upon Denzil, a conductor down whom it would run innocuously. He stooped down and picked up the pieces as carefully as if they were cuttings from the Koh-i-noor. Thus the lightning passed harmlessly over his head and flew toward Cantercot.

“What do I mean?” Mrs. Crowl echoed, as if there had been no interval. “I mean that it would be a good thing if you had been murdered.”

“What unbeautiful ideas you have, to be sure!” murmured Denzil.

“Yes; but they’d be useful,” said Mrs. Crowl, who had not lived with Peter all these years for nothing. “And if you haven’t been murdered what have you been doing?”

“My dear, my dear,” put

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