stood so I know not, but when next I lifted up my eyes they fell upon the form of Charmion, whom, indeed, I had altogether forgotten. And though at the moment I thought but little of it, I noted vaguely that she was flushed as though with anger, and beat her foot upon the floor.

“Oh, it is thou, Charmion!” I said. “What ails thee? Art thou cramped with standing so long in thy hiding-place? Why didst not thou slip hence when Cleopatra led me to the balcony?”

“Where is my kerchief?” she asked, shooting an angry glance at me. “I let fall my broidered kerchief.”

“Thy kerchief!⁠—why, didst thou not see? Cleopatra twitted me about it, and I flung it from the balcony.”

“Yes, I saw,” answered the girl, “I saw but too well. Thou didst fling away my kerchief, but the wreath of roses⁠—that thou wouldst not fling away. It was ‘a Queen’s gift,’ forsooth, and therefore the royal Harmachis, the Priest of Isis, the chosen of the Gods, the crowned Pharaoh wed to the weal of Khem, cherished it and saved it. But my kerchief, stung by the laughter of that light Queen, he cast away!”

“What meanest thou?” I asked, astonished at her bitter tone. “I cannot read thy riddles.”

“What mean I?” she answered, tossing up her head and showing the white curves of her throat. “Nay, I mean naught, or all; take it as thou wilt. Wouldst know what I mean, Harmachis, my cousin and my Lord?” she went on in a hard, low voice. “Then I will tell thee⁠—thou art in danger of the great offence. This Cleopatra has cast her fatal wiles about thee, and thou goest near to loving her, Harmachis⁠—to loving her whom tomorrow thou must slay! Ay, stand and stare at that wreath in thy hand⁠—the wreath thou couldst not send to join my kerchief⁠—sure Cleopatra wore it but tonight! The perfume of the hair of Caesar’s mistress⁠—Caesar’s and others’⁠—yet mingles with the odour of its roses! Now, prithee, Harmachis, how far didst thou carry the matter on yonder balcony? for in that hole where I lay hid I could not hear or see. ’Tis a sweet spot for lovers, is it not?⁠—ay, and a sweet hour, too? Venus surely rules the stars tonight?”

All of this she said so quietly and in so soft and modest a way, though her words were not modest, and yet so bitterly, that every syllable cut me to the heart, and angered me till I could find no speech.

“Of a truth thou hast a wise economy,” she went on, seeing her advantage: “tonight thou dost kiss the lips that tomorrow thou shalt still forever! It is frugal dealing with the occasion of the moment; ay, worthy and honourable dealing!”

Then at last I broke forth. “Girl,” I cried, “how darest thou speak thus to me? Mindest thou who and what I am that thou loosest thy peevish gibes upon me?”

“I mind what it behoves thee to be,” she answered quick. “What thou art, that I mind not now. Surely thou knowest alone⁠—thou and Cleopatra!”

“What meanest thou?” I said. “Am I to blame if the Queen⁠—”

“The Queen! What have we here? Pharaoh owns a Queen!”

“If Cleopatra wills to come hither of a night and talk⁠—”

“Of stars, Harmachis⁠—surely of stars and roses, and naught beside!”

After that I know not what I said; for, troubled as I was, the girl’s bitter tongue and quiet way drove me well-nigh to madness. But this I know: I spoke so fiercely that she cowered before me as she had cowered before my uncle Sepa when he rated her because of her Grecian garb. And as she wept then, so she wept now, only more passionately and with great sobs.

At length I ceased, half-shamed but still angry and smarting sorely. For even while she wept she could find a tongue to answer with⁠—and a woman’s shafts are sharp.

“Thou shouldst not speak to me thus!” she sobbed; “it is cruel⁠—it is unmanly! But I forget thou art but a priest, not a man⁠—except, mayhap, for Cleopatra!”

“What right hast thou?” I said. “What canst thou mean?”

“What right have I?” she asked, looking up, her dark eyes all aflood with tears that ran down her sweet face like the dew of morning down a lily’s heart. “What right have I? O Harmachis! art thou blind? Didst thou not know by what right I speak thus to thee? Then I must tell thee. Well, it is the fashion in Alexandria! By that first and holy right of woman⁠—by the right of the great love I bear thee, and which, it seems, thou hast no eyes to see⁠—by the right of my glory and my shame. Oh, be not wroth with me, Harmachis, nor set me down as light, because the truth at last has burst from me; for I am not so. I am what thou wilt make me. I am the wax within the moulder’s hands, and as thou dost fashion me so I shall be. There breathes within me now a breath of glory, blowing across the waters of my soul, that can waft me to ends more noble than ever I have dreamed afore, if thou wilt be my pilot and my guide. But if I lose thee, then I lose all that holds me from my worse self⁠—and let shipwreck come! Thou knowest me not, Harmachis! thou canst not see how big a spirit struggles in this frail form of mine! To thee I am a girl, clever, wayward, shallow. But I am more! Show me thy loftiest thought and I will match it, the deepest puzzle of thy mind and I will make it clear. Of one blood we are, and love can ravel up our little difference and make us grow one indeed. One end we have, one land we love, one vow binds us both. Take me to thy heart, Harmachis, set me by thee on the Double Throne, and I swear that I

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