Vilely bound up? What would he say? Or how
Should I, in these my borrow’d flaunts, behold
The sternness of his presence?
Apprehend
Nothing but jollity. The gods themselves,
Humbling their deities to love, have taken
The shapes of beasts upon them: Jupiter
Became a bull, and bellow’d; the green Neptune
A ram, and bleated; and the fire-robed god,
Golden Apollo, a poor humble swain,
As I seem now. Their transformations
Were never for a piece of beauty rarer,
Nor in a way so chaste, since my desires
Run not before mine honour, nor my lusts
Burn hotter than my faith.
O, but, sir,
Your resolution cannot hold, when ’tis
Opposed, as it must be, by the power of the king:
One of these two must be necessities,
Which then will speak, that you must change this purpose,
Or I my life.
Thou dearest Perdita,
With these forced thoughts, I prithee, darken not
The mirth o’ the feast. Or I’ll be thine, my fair,
Or not my father’s. For I cannot be
Mine own, nor any thing to any, if
I be not thine. To this I am most constant,
Though destiny say no. Be merry, gentle;
Strangle such thoughts as these with any thing
That you behold the while. Your guests are coming:
Lift up your countenance, as it were the day
Of celebration of that nuptial which
We two have sworn shall come.
O lady Fortune,
Stand you auspicious!
See, your guests approach:
Address yourself to entertain them sprightly,
And let’s be red with mirth.
Fie, daughter! when my old wife lived, upon
This day she was both pantler, butler, cook,
Both dame and servant; welcomed all, served all;
Would sing her song and dance her turn; now here,
At upper end o’ the table, now i’ the middle;
On his shoulder, and his; her face o’ fire
With labour and the thing she took to quench it,
She would to each one sip. You are retired,
As if you were a feasted one and not
The hostess of the meeting: pray you, bid
These unknown friends to’s welcome; for it is
A way to make us better friends, more known.
Come, quench your blushes and present yourself
That which you are, mistress o’ the feast: come on,
And bid us welcome to your sheep-shearing,
As your good flock shall prosper.
To Polixenes. Sir, welcome:
It is my father’s will I should take on me
The hostess-ship o’ the day. To Camillo. You’re welcome, sir.
Give me those flowers there, Dorcas. Reverend sirs,
For you there’s rosemary and rue; these keep
Seeming and savour all the winter long:
Grace and remembrance be to you both,
And welcome to our shearing!
Shepherdess—
A fair one are you—well you fit our ages
With flowers of winter.
Sir, the year growing ancient,
Not yet on summer’s death, nor on the birth
Of trembling winter, the fairest flowers o’ the season
Are our carnations and streak’d gillyvors,
Which some call nature’s bastards: of that kind
Our rustic garden’s barren; and I care not
To get slips of them.
Wherefore, gentle maiden,
Do you neglect them?
For I have heard it said
There is an art which in their piedness shares
With great creating nature.
Say there be;
Yet nature is made better by no mean
But nature makes that mean: so, over that art
Which you say adds to nature, is an art
That nature makes. You see, sweet maid, we marry
A gentler scion to the wildest stock,
And make conceive a bark of baser kind
By bud of nobler race: this is an art
Which does mend nature, change it rather, but
The art itself is nature.
Then make your garden rich in gillyvors,
And do not call them bastards.
I’ll not put
The dibble in earth to set one slip of them;
No more than were I painted I would wish
This youth should say ’twere well and only therefore
Desire to breed by me. Here’s flowers for you;
Hot lavender, mints, savoury, marjoram;
The marigold, that goes to bed wi’ the sun
And with him rises weeping: these are flowers
Of middle summer, and I think they are given
To men of middle age. You’re very welcome.
I should leave grazing, were I of your flock,
And only live by gazing.
Out, alas!
You’ld be so lean, that blasts of January
Would blow you through and through. Now, my fair’st friend,
I would I had some flowers o’ the spring that might
Become your time of day; and yours, and yours,
That wear upon your virgin branches yet
Your maidenheads growing: O Proserpina,
For the flowers now, that frighted thou let’st fall
From Dis’s waggon! daffodils,
That come before the swallow dares, and take
The winds of March with beauty; violets dim,
But sweeter than the lids of Juno’s eyes
Or Cytherea’s breath; pale primroses,
That die unmarried, ere they can behold
Bight Phoebus in his strength—a malady
Most incident to maids; bold oxlips and
The crown imperial; lilies of all kinds,
The flower-de-luce being one! O, these I lack,
To make you garlands of, and my sweet friend,
To strew him o’er and o’er!
No, like a bank for love to lie and play on;
Not like a corse; or if, not to be buried,
But quick and in mine arms. Come, take your flowers:
Methinks I play as I have seen them do
In Whitsun pastorals: sure this robe of mine
Does change my disposition.
What you do
Still betters what is done. When you speak, sweet,
I’ld have you do it ever: when you sing,
I’ld have you buy and sell so, so give alms,
Pray so; and, for the ordering your affairs,
To sing them too: when you do dance, I wish you
A wave o’ the sea, that you might ever do
Nothing but that; move still, still so,
And own no other function: each your doing,
So singular in each particular,
Crowns what you are doing in the present deed,
That all your acts are queens.
O Doricles,
Your praises are too large: but that your youth,
And the true blood which peepeth fairly through’t,
Do plainly give you out an unstain’d shepherd,
With wisdom I might fear, my Doricles,
You woo’d me the false way.
I think you have
As little skill to fear as I have purpose
To put you to’t. But come; our
