As for Professor Cottard, we shall meet him again and can study him at our leisure, much later in the course of our story, with the “Mistress,” Mme. Verdurin, in her country house La Raspelière. For the present, the following observations must suffice; first of all, in the case of Swann the alteration might indeed be surprising, since it had been accomplished and yet was not suspected by me when I used to see Gilberte’s father in the Champs-Élysées, where, moreover, as he never spoke to me, he could not very well have made any display of his political relations. It is true that, if he had done so, I might not at once have discerned his vanity, for the idea that one has long held of a person is apt to stop one’s eyes and ears; my mother, for three whole years, had no more noticed the salve with which one of her nieces used to paint her lips than if it had been wholly and invisibly dissolved in some clear liquid; until one day a streak too much, or possibly something else, brought about the phenomenon known as super-saturation; all the paint that had hitherto passed unperceived was now crystallised, and my mother, in the face of this sudden riot of colour, declared, in the best Combray manner, that it was a perfect scandal, and almost severed relations with her niece. With Cottard, on the contrary, the epoch in which we have seen him assisting at the first introduction of Swann to the Verdurins was now buried in the past; whereas honours, offices and titles come with the passage of years; moreover, a man may be illiterate, and make stupid puns, and yet have a special gift, which no amount of general culture can replace—such as the gift of a great strategist or physician. And so it was not merely as an obscure practitioner, who had attained in course of time to European celebrity, that the rest of his profession regarded Cottard. The most intelligent of the younger doctors used to assert—for a year or two, that is to say, for fashions, being themselves begotten of the desire for change, are quick to change also—that if they themselves ever fell ill Cottard was the only one of the leading men to whom they would entrust their lives. No doubt they preferred, socially, to meet certain others who were better read, more artistic, with whom they could discuss Nietzsche and Wagner. When there was a musical party at Mme. Cottard’s, on the evenings when she entertained—in the hope that it might one day make him Dean of the Faculty—the colleagues and pupils of her husband, he, instead of listening, preferred to play cards in another room. Yet everybody praised the quickness, the penetration, the unerring confidence with which, at a glance, he could diagnose disease. Thirdly, in considering the general impression which Professor Cottard must have made on a man like my father, we must bear in mind that the character which a man exhibits in the latter half of his life is not always, even if it is often his original character developed or withered, attenuated or enlarged; it is sometimes the exact opposite, like a garment that has been turned. Except from the Verdurins, who were infatuated with him, Cottard’s hesitating manner, his excessive timidity and affability had, in his young days, called down upon him endless taunts and sneers. What charitable friend counselled that glacial air? The importance of his professional standing made it all the more easy to adopt. Wherever he went, save at the Verdurins’, where he instinctively became himself again, he would assume a