The other reason for the friendliness shown me by the Princesse de Parme was of a more personal kind. It was that she was convinced beforehand that everything that she saw at the Duchesse de Guermantes’s, people and things alike, was of a quality superior to that of anything that she had at home. It is true that in all the other houses of her acquaintance she behaved as if this had been the case; over the simplest dish, the most ordinary flowers, she was not satisfied with going into ecstasies, she would ask leave to send round next morning, to copy the recipe or to examine the variety of blossom, her head cook or head gardener, gentlemen with large salaries who kept their own carriages and were deeply humiliated at having to come to inquire after a dish they despised or to take notes of a kind of carnation that was not half so fine, had not such ornamental streaks, did not produce so large a blossom as those which they had long been growing for her at home. But if in the Princess, wherever she went, this astonishment at the sight of the most commonplace things was assumed, and intended to show that she did not derive from the superiority of her rank and riches a pride forbidden by her early instructors, habitually dissembled by her mother and intolerable in the sight of her Creator, it was, on the other hand, in all sincerity that she regarded the drawing-room of the Duchesse de Guermantes as a privileged place in which she could pass only from surprise to delight. To a certain extent, for that matter, though not nearly enough to justify this state of mind, the Guermantes were different from the rest of noble society, they were rarer and more refined. They had given me at first sight the opposite impression; I had found them vulgar, similar to all other men and women, but because before meeting them I had seen in them, as in Balbec, in Florence, in Parma, only names. Evidently, in this drawing-room, all the women whom I had imagined as being like porcelain figures were even more like the great majority of women. But, in the same way as Balbec or Florence, the Guermantes, after first disappointing the imagination because they resembled their fellow-creatures rather than their name, could subsequently, though to a less degree, appeal to the intellect by certain distinctive characteristics. Their bodily structure, the colour—a peculiar pink that merged at times into violet—of their skins, a certain almost flashing fairness of the finely spun hair, even in the men, on whom it was massed in soft golden tufts, half a wall-growing lichen, half a catlike fur (a luminous sparkle to which corresponded a certain brilliance of intellect, for if people spoke of the Guermantes complexion, the Guermantes hair, they spoke also of the wit of the Guermantes, as of the wit of the Mortemarts—a certain social quality whose superior fineness was famed even before the days of Louis XIV and all the more universally recognised since they published the fame of it themselves), all this meant that in the material itself, precious as that might be, in which one found them embedded here and there, the Guermantes remained recognisable, easy to detect and to follow, like the veins whose paleness streaks a block of jasper or onyx, or, better still, like the pliant waving of those tresses of light whose loosened hairs run like flexible rays along the sides of a moss-agate.
The Guermantes—those at least who were worthy of the name—were not only of a quality of flesh, or hair, of transparency of gaze that was exquisite, but had a way of holding themselves, of walking, of bowing, of looking at one before they shook one’s hand, of shaking hands, which made them as different in all these respects from an ordinary person in society as he in turn was from a peasant in a smock. And despite their friendliness one asked oneself: “Have they not indeed the right, though they waive it, when they see us walk, bow, leave a room, do any of those things which when performed by them become as graceful as the flight of a swallow or the bending of a rose on its stem, to think: ‘These people are of another race than ours, and we are, we, the true lords of creation.’?” Later on, I realised that the Guermantes did indeed regard me as being of another race, but one that aroused their envy because I possessed merits of which I knew nothing and which they professed to regard as alone important. Later still I came to feel that this profession of faith was only half sincere and that in them scorn or surprise could be coexistent with admiration and envy. The physical flexibility essential to the Guermantes was twofold; thanks to one of its forms, constantly in action, at any moment and if, for example, a male Guermantes were about to salute a lady, he produced a silhouette of himself made from the unstable equilibrium of a series of asymmetrical movements with nervous compensations, one leg dragging a little, either on purpose or because, having been broken so often in the hunting-field, it imparted to his trunk in its effort to keep pace with the other
