the diversity of the forms of death that circulate invisibly is the cause of the peculiar unexpectedness presented, in the newspapers, by their obituary notices. Then I saw that, with the passage of time, not only do the real talents that may coexist with the most commonplace conversation reveal and impose themselves, but furthermore that mediocre persons arrive at those exalted positions, attached in the imagination of our childhood to certain famous elders, when it never occurred to us that, after a certain number of years, their disciples, become masters, would be famous also, and would inspire the respect and awe that once they felt. But if the names of the faithful were unknown to the pecus, their aspect still singled them out in its eyes. Indeed in the train (when the coincidence of what one or another of them might have been doing during the day, assembled them all together), having to collect at a subsequent station only an isolated member, the carriage in which they were gathered, ticketed with the elbow of the sculptor Ski, flagged with Cottard’s Temps, stood out in the distance like a special saloon, and rallied at the appointed station the tardy comrade. The only one who might, because of his semi-blindness, have missed these welcoming signals, was Brichot. But one of the party would always volunteer to keep a lookout for the blind man, and, as soon as his straw hat, his green umbrella and blue spectacles caught the eye, he would be gently but hastily guided towards the chosen compartment. So that it was inconceivable that one of the faithful, without exciting the gravest suspicions of his being “on the loose,” or even of his not having come “by the train,” should not pick up the others in the course of the journey. Sometimes the opposite process occurred: one of the faithful had been obliged to go some distance down the line during the afternoon and was obliged in consequence to make part of the journey alone before being joined by the group; but even when thus isolated, alone of his kind, he did not fail as a rule to produce a certain effect. The Future towards which he was travelling marked him out to the person on the seat opposite, who would say to himself: “That must be somebody,” would discern, round the soft hat of Cottard or of the sculptor Ski, a vague aureole and would be only half-astonished when at the next station an elegant crowd, if it were their terminal point, greeted the faithful one at the carriage door and escorted him to one of the waiting carriages, all of them reverently saluted by the factotum of Douville station, or, if it were an intermediate station, invaded the compartment. This was what was done, and with precipitation, for some of them had arrived late, just as the train which was already in the station was about to start, by the troop which Cottard led at a run towards the carriage in the window of which he had seen me signalling. Brichot, who was among these faithful, had become more faithful than ever in the course of these years which had diminished the assiduity of others. As his sight became steadily weaker, he had been obliged, even in Paris, to reduce more and more his working hours after dark. Besides he was out of sympathy with the modern Sorbonne, where ideas of scientific exactitude, after the German model, were beginning to prevail over humanism. He now confined himself exclusively to his lectures and to his duties as an examiner; and so had a great deal more time to devote to social pursuits. That is to say, to evenings at the Verdurins’, or to those parties that now and again were offered to the Verdurins by one of the faithful, tremulous with emotion. It is true that on two occasions love had almost succeeded in achieving what his work could no longer do, in detaching Brichot from the little clan. But Mme. Verdurin, who kept her eyes open, and moreover, having acquired the habit in the interests of her salon, had come to take a disinterested pleasure in this sort of drama and execution, had immediately brought about a coolness between him and the dangerous person, being skilled in (as she expressed it) “putting things in order” and “applying the red hot iron to the wound.” This she had found all the more easy in the case of one of the dangerous persons, who was simply Brichot’s laundress, and Mme. Verdurin, having the right of entry into the Professor’s fifth floor rooms, crimson with rage, when she deigned to climb his stairs, had only had to shut the door in the wretched woman’s face. “What!” the Mistress had said to Brichot, “a woman like myself does you the honour of calling upon you, and you receive a creature like that?” Brichot had never forgotten the service that Mme. Verdurin had rendered him by preventing his old age from foundering in the mire, and became more and more strongly attached to her, whereas, in contrast to this revival of affection and possibly because of it, the Mistress was beginning to be tired of a too docile follower, and of an obedience of which she could be certain beforehand. But Brichot derived from his intimacy with the Verdurins a distinction which set him apart from all his colleagues at the Sorbonne. They were dazzled by the accounts that he gave them of dinner-parties to which they would never be invited, by the mention made of him in the reviews, the exhibition of his portrait in the Salon, by some writer or painter of repute whose talent the occupants of the other chairs in the Faculty of Arts esteemed, but without any prospect of attracting his attention, not to mention the elegance of the mundane philosopher’s attire, an elegance which they had mistaken at first for slackness until their colleague
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