a stroll. When Cottard proposed to turn back, Ski had replied: “But there is no hurry. It isn’t the local train today, it’s the departmental train.” Delighted by the effect that this refinement of accuracy produced upon Cottard, he added, with reference to himself: “Yes, because Ski loves the arts, because he models in clay, people think he’s not practical. Nobody knows this line better than I do.” Nevertheless they had turned back towards the station when, all of a sudden, catching sight of the smoke of the approaching train, Cottard, with a wild shout, had exclaimed: “We shall have to put our best foot foremost.” They did as a matter of fact arrive with not a moment to spare, the distinction between local and departmental trains having never existed save in the mind of Ski. “But isn’t the Princess on the train?” came in ringing tones from Brichot, whose huge spectacles, resplendent as the reflectors that laryngologists attach to their foreheads to throw a light into the throats of their patients, seemed to have taken their life from the Professor’s eyes, and possibly because of the effort that he was making to adjust his sight to them, seemed themselves, even at the most trivial moments, to be gazing at themselves with a sustained attention and an extraordinary fixity. Brichot’s malady, as it gradually deprived him of his sight, had revealed to him the beauties of that sense, just as, frequently, we have to have made up our minds to part with some object, to make a present of it for instance, before we can study it, regret it, admire it. “No, no, the Princess went over to Maineville with some of Mme. Verdurin’s guests who were taking the Paris train. It is within the bounds of possibility that Mme. Verdurin, who had some business at Saint-Mars, may be with her! In that case, she will be coming with us, and we shall all travel together, which will be delightful. We shall have to keep our eyes skinned at Maineville and see what we shall see! Oh, but that’s nothing, you may say that we came very near to missing the bus. When I saw the train I was dumbfoundered. That’s what is called arriving at the psychological moment. Can’t you picture us missing the train, Mme. Verdurin seeing the carriages come back without us: Tableau!” added the doctor, who had not yet recovered from his emotion. “That would be a pretty good joke, wouldn’t it? Now then, Brichot, what have you to say about our little escapade?” inquired the doctor with a note of pride. “Upon my soul,” replied Brichot, “why, yes, if you had found the train gone, that would have been what the late Villemain used to call a wipe in the eye!” But I, distracted at first by these people who were strangers to me, was suddenly reminded of what Cottard had said to me in the ballroom of the little casino, and, just as though there were an invisible link uniting an organ to our visual memory, the vision of Albertine leaning her breasts against Andrée’s caused my heart a terrible pain. This pain did not last: the idea of Albertine’s having relations with women seemed no longer possible since the occasion, forty-eight hours earlier, when the advances that my mistress had made to Saint-Loup had excited in me a fresh jealousy which had made me forget the old. I was simple enough to suppose that one taste of necessity excludes another. At Harambouville, as the tram was full, a farmer in a blue blouse who had only a third class ticket got into our compartment. The doctor, feeling that the Princess must not be allowed to travel with such a person, called a porter, showed his card, describing him as medical officer to one of the big railway companies, and obliged the stationmaster to make the farmer get out. This incident so pained and alarmed Saniette’s timid spirit that, as soon as he saw it beginning, fearing already lest, in view of the crowd of peasants on the platform, it should assume the proportions of a rising, he pretended to be suffering from a stomachache, and, so that he might not be accused of any share in the responsibility for the doctor’s violence, wandered down the corridor, pretending to be looking for what Cottard called the “water.” Failing to find one, he stood and gazed at the scenery from the other end of the “twister.” “If this is your first appearance at Mme. Verdurin’s, Sir,” I was addressed by Brichot, anxious to show off his talents before a newcomer, “you will find that there is no place where one feels more the ‘amenities of life,’ to quote one of the inventors of dilettantism, of pococurantism, of all sorts of words in -ism that are in fashion among our little snobbesses, I refer to M. le Prince de Talleyrand.” For, when he spoke of these great noblemen of the past, he thought it clever and “in the period” to prefix a “M.” to their titles, and said “M. le Duc de La Rochefoucauld,” “M. le Cardinal de Retz,” referring to these also as “That struggle for lifer de Gondi,” “that Boulangist de Marcillac.” And he never failed to call Montesquieu, with a smile, when he referred to him: “Monsieur le Président Secondat de Montesquieu.” An intelligent man of the world would have been irritated by a pedantry which reeked so of the lecture-room. But in the perfect manners of the man of the world when speaking of a Prince, there is a pedantry also, which betrays a different caste, that in which one prefixes “the Emperor” to the name “William” and addresses a Royal Highness in the third person. “Ah, now that is a man,” Brichot continued, still referring to “Monsieur le Prince de Talleyrand”—“to whom we take off our hats. He is an ancestor.” “It is a charming house,” Cottard told me, “you will find a little
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