Toilers of the Sea

stones, and revolutions men, so families are removed to distant places; human beings come to pass their lives far from their native homes; groups of relatives and friends disperse and decay; strange people fall, as it were, from the clouds⁠—some in Germany, some in England, some in America. The people of the country view them with surprise and curiosity. Whence come these strange faces? Yonder mountain, smoking with revolutionary fires, casts them out. These barren aërolites, these famished and ruined people, these footballs of destiny, are known as refugees, émigrés, adventurers. If they sojourn among strangers, they are tolerated; if they depart, there is a feeling of relief. Sometimes these wanderers are harmless, inoffensive people, strangers⁠—at least, as regards the women⁠—to the events which have led to their exile, objects of persecution, helpless and astonished at their fate. They take root again somewhere as they can. They have done no harm to anyone, and scarcely comprehend the destiny that has befallen them. So thus I have seen a poor tuft of grass uprooted and carried away by the explosion of a mine. No great explosion was ever followed by more of such strays than the first French Revolution.

The strange woman whom the Guernsey folks called “Gilliatt” was, possibly, one of these human strays.

The woman grew older; the child became a youth. They lived alone and avoided by all; but they were sufficient for each other. Louve et louveteau se pourlèchent. This was another of the generous proverbs which the neighbourhood applied to them. Meanwhile, the youth grew to manhood; and then, as the old and withered bark falls from the tree, the mother died. She left to her son the little field of Sergentée, the small property called La Roque Crespel, and the house known as the Bû de la Rue; with the addition, as the official inventory said, of “one hundred guineas in gold in the pid d’une cauche,” that is to say, in the foot of a stocking. The house was already sufficiently furnished with two oaken chests, two beds, six chairs and a table, besides necessary household utensils. Upon a shelf were some books, and in the corner a trunk, by no means of a mysterious character, which had to be opened for the inventory. This trunk was of drab leather, ornamented with brass nails and little stars of white metal, and it contained a bride’s outfit, new and complete, of beautiful Dunkirk linen⁠—chemises and petticoats, and some silk dresses⁠—with a paper on which was written, in the handwriting of the deceased⁠—

“For your wife: when you marry.”

The loss of his mother was a terrible blow for the young man. His disposition had always been unsociable; he became now moody and sullen. The solitude around him was complete. Hitherto it had been mere isolation; now his life was a blank. While we have only one companion, life is endurable; left alone, it seems as if it is impossible to struggle on, and we fall back in the race, which is the first sign of despair. As time rolls on, however, we discover that duty is a series of compromises; we contemplate life, regard its end, and submit; but it is a submission which makes the heart bleed.

Gilliatt was young; and his wound healed with time. At that age sorrows cannot be lasting. His sadness, disappearing by slow degrees, seemed to mingle itself with the scenes around him, to draw him more and more towards the face of nature, and further and further from the need of social converse; and, finally, to assimilate his spirit more completely to the solitude in which he lived.

IV

An Unpopular Man

Gilliatt, as we have said, was not popular in the parish. Nothing could be more natural than that antipathy among his neighbours. The reasons for it were abundant. To begin with, as we have already explained, there was the strange house he lived in; then there was his mysterious origin. Who could that woman have been? and what was the meaning of this child? Country people do not like mysteries, when they relate to strange sojourners among them. Then his clothes were the clothes of a workman, while he had, although certainly not rich, sufficient to live without labour. Then there was his garden, which he succeeded in cultivating, and from which he produced crops of potatoes, in spite of the stormy equinoxes; and then there were the big books which he kept upon a shelf, and read from time to time.

More reasons: why did he live that solitary life? The Bû de la Rue was a kind of lazaretto, in which Gilliatt was kept in a sort of moral quarantine. This, in the popular judgment, made it quite simple that people should be astonished at his isolation, and should hold him responsible for the solitude which society had made around his home.

He never went to chapel. He often went out at nighttime. He held converse with sorcerers. He had been seen, on one occasion, sitting on the grass with an expression of astonishment on his features. He haunted the druidical stones of the Ancresse, and the fairy caverns which are scattered about in that part. It was generally believed that he had been seen politely saluting the Roque qui Chante, or Crowing Rock. He bought all birds which people brought to him, and having bought them, set them at liberty. He was civil to the worthy folks in the streets of St. Sampson, but willingly turned out of his way to avoid them if he could. He often went out on fishing expeditions, and always returned with fish. He trimmed his garden on Sundays. He had a bagpipe which he had bought from one of the Highland soldiers who are sometimes in Guernsey, and on which he played occasionally at twilight, on the rocks by the seashore. He had been seen to make strange gestures, like those of one sowing seeds. What kind of treatment