wife to go with him; she listened to his report of what he heard, and trembled; it all seemed fantastic and menacing. She lamented the literary peace, the intellectual refinement of the life they had left behind them; and he owned it was very pretty, but he said it was not life⁠—it was death-in-life. She liked to hear him talk in that strain of virtuous self-denunciation, but she asked him, “Which of your prophets are you going to follow?” and he answered: “All⁠—all! And a fresh one every Sunday.” And so they got their laugh out of it at last, but with some sadness at heart, and with a dim consciousness that they had got their laugh out of too many things in life.

What really occupied and compassed his activities, in spite of his strenuous reveries of work beyond it, was his editorship. On its social side it had not fulfilled all the expectations which Fulkerson’s radiant sketch of its duties and relations had caused him to form of it. Most of the contributions came from a distance; even the articles written in New York reached him through the post, and so far from having his valuable time, as they called it, consumed in interviews with his collaborators, he rarely saw any of them. The boy on the stairs, who was to fence him from importunate visitors, led a life of luxurious disoccupation, and whistled almost uninterruptedly. When anyone came, March found himself embarrassed and a little anxious. The visitors were usually young men, terribly respectful, but cherishing, as he imagined, ideals and opinions chasmally different from his; and he felt in their presence something like an anachronism, something like a fraud. He tried to freshen up his sympathies on them, to get at what they were really thinking and feeling, and it was some time before he could understand that they were not really thinking and feeling anything of their own concerning their art, but were necessarily, in their quality of young, inexperienced men, mere acceptants of older men’s thoughts and feelings, whether they were tremendously conservative, as some were, or tremendously progressive, as others were. Certain of them called themselves realists, certain romanticists; but none of them seemed to know what realism was, or what romanticism; they apparently supposed the difference a difference of material. March had imagined himself taking home to lunch or dinner the aspirants for editorial favor whom he liked, whether he liked their work or not; but this was not an easy matter. Those who were at all interesting seemed to have engagements and preoccupations; after two or three experiments with the bashfuller sort⁠—those who had come up to the metropolis with manuscripts in their hands, in the good old literary tradition⁠—he wondered whether he was otherwise like them when he was young like them. He could not flatter himself that he was not; and yet he had a hope that the world had grown worse since his time, which his wife encouraged.

Mrs. March was not eager to pursue the hospitalities which she had at first imagined essential to the literary prosperity of Every Other Week; her family sufficed her; she would willingly have seen no one out of it but the strangers at the weekly table d’hôte dinner, or the audiences at the theatres. March’s devotion to his work made him reluctant to delegate it to anyone; and as the summer advanced, and the question of where to go grew more vexed, he showed a man’s base willingness to shirk it for himself by not going anywhere. He asked his wife why she did not go somewhere with the children, and he joined her in a search for non-malarial regions on the map when she consented to entertain this notion. But when it came to the point she would not go; he offered to go with her then, and then she would not let him. She said she knew he would be anxious about his work; he protested that he could take it with him to any distance within a few hours, but she would not be persuaded. She would rather he stayed; the effect would be better with Mr. Fulkerson; they could make excursions, and they could all get off a week or two to the seashore near Boston⁠—the only real seashore⁠—in August. The excursions were practically confined to a single day at Coney Island; and once they got as far as Boston on the way to the seashore near Boston; that is, Mrs. March and the children went; an editorial exigency kept March at the last moment. The Boston streets seemed very queer and clean and empty to the children, and the buildings little; in the horsecars the Boston faces seemed to arraign their mother with a down-drawn severity that made her feel very guilty. She knew that this was merely the Puritan mask, the cast of a dead civilization, which people of very amiable and tolerant minds were doomed to wear, and she sighed to think that less than a year of the heterogeneous gayety of New York should have made her afraid of it. The sky seemed cold and gray; the east wind, which she had always thought so delicious in summer, cut her to the heart. She took her children up to the South End, and in the pretty square where they used to live they stood before their alienated home, and looked up at its close-shuttered windows. The tenants must have been away, but Mrs. March had not the courage to ring and make sure, though she had always promised herself that she would go all over the house when she came back, and see how they had used it; she could pretend a desire for something she wished to take away. She knew she could not bear it now; and the children did not seem eager. She did not push on to the seaside; it would be forlorn there without their father; she was glad

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