Collingwood, left alone, looked at each, other in silence for a moment. Then the solicitor shook his head expressively.

“Well, that’s over!” he exclaimed. “I must go back and hand this will over to the two trustees. But you, Collingwood⁠—stay here a bit⁠—if ever that girl needs company and help, it’s now!”

“I’m stopping,” said Collingwood.


He remained for a time where Eldrick left him; at last he went down to the hall and out into the gardens. And presently Nesta came to him there, and as if with a mutual understanding they walked away into the nearer stretches of the park. Normandale had never looked more beautiful than it did that afternoon, and in the midst of a silence which up to then neither of them had cared to break, Collingwood suddenly turned to the girl who had just lost it.

“Are you sure that you won’t miss all this⁠—greatly?” he asked. “Just think!”

“I’d rather lose more than this, however fond I’d got of it, than go through what I’ve gone through lately,” she answered frankly. “Do you know what I want to do?”

“No⁠—I think not,” he said. “What?”

“If it’s possible⁠—to forget all about this,” she replied. “And⁠—if that’s also possible⁠—to help my mother to forget, too. Don’t think too hardly of her⁠—I don’t suppose any of us know how much all this place⁠—and the money⁠—meant to her.”

“I’ve got no hard thoughts about her,” said Collingwood. “I’m sorry for her. But⁠—is it too soon to talk about the future?”

Nesta looked at him in a way which showed him that she only half comprehended the question. But there was sufficient comprehension in her eyes to warrant him in taking her hands in his.

“You know why I didn’t go to India?” he said, bending his face to hers.

“I⁠—guessed!” she answered shyly.

Then Collingwood, at this suddenly arrived supreme moment, became curiously bereft of speech. And after a period of silence, during which, being in the shadow of a grove of beech-trees which kindly concealed them from the rest of the world, they held each other’s hands, all that he could find to say was one word.

“Well?”

Nesta laughed.

“Well⁠—what?” she whispered.

Collingwood suddenly laughed too and put his arm round her.

“It’s no good!” he said. “I’ve often thought of what I’d to say to you⁠—and now I’ve forgotten all. Shall I say it all at once!”

“Wouldn’t it be best?” she murmured with another laugh.

“Then⁠—you’re going to marry me?” he asked.

“Am I to answer⁠—all at once?” she said.

“One word will do!” he exclaimed, drawing her to him.

“Ah!” she whispered as she lifted her face to his. “I couldn’t say it all in one word. But⁠—we’ve lots of time before us!”

Colophon

The Standard Ebooks logo.

The Talleyrand Maxim
was published in 1920 by
J. S. Fletcher.

This ebook was produced for
Standard Ebooks
by
David Reimer,
and is based on a transcription produced in 2006 by
Juliet Sutherland, Sandra Brown, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans from the
Internet Archive.

The cover page is adapted from
Taiteilija Fahle Basilier,
a painting completed in 1908 by
Antti Favén.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
February 23, 2023, 10:49 a.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/j-s-fletcher/the-talleyrand-maxim.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you that you can’t do something. Unlike them, this Uncopyright page exists to tell you that the writing and artwork in this ebook are believed to be in the United States public domain; that is, they are believed to be free of copyright restrictions in the United States. The United States public domain represents our collective cultural heritage, and items in it are free for anyone in the United States to do almost anything at all with, without having to get permission.

Copyright laws are different all over the world, and the source text or artwork in this ebook may still be copyrighted in other countries. If you’re not located in the United States, you must check your local laws before using this ebook. Standard Ebooks makes no representations regarding the copyright status of the source text or artwork in this ebook in any country other than the United States.

Non-authorship activities performed on items that are in the public domain⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means that nobody can claim a new copyright on an item that is in the public domain for, among other things, work like digitization, markup, or typography. Regardless, the contributors to this ebook release their contributions under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the source text or artwork. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.

Вы читаете The Talleyrand Maxim
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату