Dombey and Son

the Native, who is tigerish in his drink, and who alarms the ladies (Mrs. Perch particularly) by the rolling of his eyes. One of the very tall young men has even proposed a ball after the play, and it presents itself to no one (Mrs. Perch included) in the light of an impossibility. Words have arisen between the housemaid and Mr. Towlinson; she, on the authority of an old saw, asserting marriages to be made in Heaven: he, affecting to trace the manufacture elsewhere; he, supposing that she says so, because she thinks of being married her own self: she, saying, Lord forbid, at any rate, that she should ever marry him. To calm these flying taunts, the silver-headed butler rises to propose the health of Mr. Towlinson, whom to know is to esteem, and to esteem is to wish well settled in life with the object of his choice, wherever (here the silver-headed butler eyes the housemaid) she may be. Mr. Towlinson returns thanks in a speech replete with feeling, of which the peroration turns on foreigners, regarding whom he says they may find favour, sometimes, with weak and inconstant intellects that can be led away by hair, but all he hopes, is, he may never hear of no foreigner never boning nothing out of no travelling chariot. The eye of Mr. Towlinson is so severe and so expressive here, that the housemaid is turning hysterical, when she and all the rest, roused by the intelligence that the Bride is going away, hurry upstairs to witness her departure.

The chariot is at the door; the Bride is descending to the hall, where Mr. Dombey waits for her. Florence is ready on the staircase to depart too; and Miss Nipper, who has held a middle state between the parlour and the kitchen, is prepared to accompany her. As Edith appears, Florence hastens towards her, to bid her farewell.

Is Edith cold, that she should tremble! Is there anything unnatural or unwholesome in the touch of Florence, that the beautiful form recedes and contracts, as if it could not bear it! Is there so much hurry in this going away, that Edith, with a wave of her hand, sweeps on, and is gone!

Mrs. Skewton, overpowered by her feelings as a mother, sinks on her sofa in the Cleopatra attitude, when the clatter of the chariot wheels is lost, and sheds several tears. The Major, coming with the rest of the company from table, endeavours to comfort her; but she will not be comforted on any terms, and so the Major takes his leave. Cousin Feenix takes his leave, and Mr. Carker takes his leave. The guests all go away. Cleopatra, left alone, feels a little giddy from her strong emotion, and falls asleep.

Giddiness prevails below stairs too. The very tall young man whose excitement came on so soon, appears to have his head glued to the table in the pantry, and cannot be detached from it. A violent revulsion has taken place in the spirits of Mrs. Perch, who is low on account of Mr. Perch, and tells cook that she fears he is not so much attached to his home, as he used to be, when they were only nine in family. Mr. Towlinson has a singing in his ears and a large wheel going round and round inside his head. The housemaid wishes it wasn’t wicked to wish that one was dead.

There is a general delusion likewise, in these lower regions, on the subject of time; everybody conceiving that it ought to be, at the earliest, ten o’clock at night, whereas it is not yet three in the afternoon. A shadowy idea of wickedness committed, haunts every individual in the party; and each one secretly thinks the other a companion in guilt, whom it would be agreeable to avoid. No man or woman has the hardihood to hint at the projected visit to the play. Anyone reviving the notion of the ball, would be scouted as a malignant idiot.

Mrs. Skewton sleeps upstairs, two hours afterwards, and naps are not yet over in the kitchen. The hatchments in the dining-room look down on crumbs, dirty plates, spillings of wine, half-thawed ice, stale discoloured heel-taps, scraps of lobster, drumsticks of fowls, and pensive jellies, gradually resolving themselves into a lukewarm gummy soup. The marriage is, by this time, almost as denuded of its show and garnish as the breakfast. Mr. Dombey’s servants moralise so much about it, and are so repentant over their early tea, at home, that by eight o’clock or so, they settle down into confirmed seriousness; and Mr. Perch, arriving at that time from the City, fresh and jocular, with a white waistcoat and a comic song, ready to spend the evening, and prepared for any amount of dissipation, is amazed to find himself coldly received, and Mrs. Perch but poorly, and to have the pleasing duty of escorting that lady home by the next omnibus.

Night closes in. Florence, having rambled through the handsome house, from room to room, seeks her own chamber, where the care of Edith has surrounded her with luxuries and comforts; and divesting herself of her handsome dress, puts on her old simple mourning for dear Paul, and sits down to read, with Diogenes winking and blinking on the ground beside her. But Florence cannot read tonight. The house seems strange and new, and there are loud echoes in it. There is a shadow on her heart: she knows not why or what: but it is heavy. Florence shuts her book, and gruff Diogenes, who takes that for a signal, puts his paws upon her lap, and rubs his ears against her caressing hands. But Florence cannot see him plainly, in a little time, for there is a mist between her eyes and him, and her dead brother and dead mother shine in it like angels. Walter, too, poor wandering shipwrecked boy, oh, where is he?

The Major don’t know; that’s for certain; and don’t care. The