to find that, unlike John Burroughs, John Muir cared little for birds or bird songs, and knew little about them. The hermit-thrushes meant nothing to him, the trees and the flowers and the cliffs everything. The only birds he noticed or cared for were some that were very conspicuous, such as the water-ousels⁠—always particular favorites of mine too. The second night we camped in a snowstorm, on the edge of the canyon walls, under the spreading limbs of a grove of mighty silver fir; and next day we went down into the wonderland of the valley itself. I shall always be glad that I was in the Yosemite with John Muir and in the Yellowstone with John Burroughs.

Like most Americans interested in birds and books, I know a good deal about English birds as they appear in books. I know the lark of Shakespeare and Shelley and the Ettrick Shepherd; I know the nightingale of Milton and Keats; I know Wordsworth’s cuckoo; I know mavis and merle singing in the merry green wood of the old ballads; I know Jenny Wren and Cock Robin of the nursery books. Therefore I had always much desired to hear the birds in real life; and the opportunity offered in June, 1910, when I spent two or three weeks in England. As I could snatch but a few hours from a very exciting round of pleasures and duties, it was necessary for me to be with some companion who could identify both song and singer. In Sir Edward Grey, a keen lover of outdoor life in all its phases, and a delightful companion, who knows the songs and ways of English birds as very few do know them, I found the best possible guide.

We left London on the morning of June 9, twenty-four hours before I sailed from Southampton. Getting off the train at Basingstoke, we drove to the pretty, smiling valley of the Itchen. Here we tramped for three or four hours, then again drove, this time to the edge of the New Forest, where we first took tea at an inn, and then tramped through the forest to an inn on its other side, at Brockenhurst. At the conclusion of our walk my companion made a list of the birds we had seen, putting an asterisk (*) opposite those which we had heard sing. There were forty-one of the former and twenty-three of the latter, as follows:

*Thrush, *blackbird, *lark, *yellowhammer, *robin, *wren, *golden-crested wren, *goldfinch, *chaffinch, *greenfinch, pied wagtail, sparrow, * dunnock (hedge, accentor), missel thrush, starling, rook, jackdaw, *blackcap, *garden warbler, *willow warbler, *chiffchaff, *wood warbler, tree-creeper, *reed bunting, *sedge warbler, coot, water hen, little grebe (dabchick), tufted duck, wood pigeon, stock dove, *turtle dove, peewit, tit (? coal-tit), *cuckoo, *nightjar, *swallow, martin, swift, pheasant, partridge.

The valley of the Itchen is typically the England that we know from novel and story and essay. It is very beautiful in every way, with a rich, civilized, fertile beauty⁠—the rapid brook twisting among its reed beds, the rich green of trees and grass, the stately woods, the gardens and fields, the exceedingly picturesque cottages, the great handsome houses standing in their parks. Birds were plentiful; I know but few places in America where one would see such an abundance of individuals, and I was struck by seeing such large birds as coots, water hens, grebes, tufted ducks, pigeons, and peewits. In places in America as thickly settled as the valley of the Itchen, I should not expect to see any like number of birds of this size; but I hope that the efforts of the Audubon societies and kindred organizations will gradually make themselves felt until it becomes a point of honor not only with the American man, but with the American small boy, to shield and protect all forms of harmless wild life. True sportsmen should take the lead in such a movement, for if there is to be any shooting there must be something to shoot; the prime necessity is to keep, and not kill out, even the birds which in legitimate numbers may be shot.

The New Forest is a wild, uninhabited stretch of heath and woodland, many of the trees gnarled and aged, and its very wildness, the lack of cultivation, the ruggedness, made it strongly attractive in my eyes, and suggested my own country. The birds of course were much less plentiful than beside the Itchen.

The bird that most impressed me on my walk was the blackbird. I had already heard nightingales in abundance near Lake Como, and had also listened to larks, but I had never heard either the blackbird, the song thrush, or the blackcap warbler; and while I knew that all three were good singers, I did not know what really beautiful singers they were. Blackbirds were very abundant, and they played a prominent part in the chorus which we heard throughout the day on every hand, though perhaps loudest the following morning at dawn. In its habits and manners the blackbird strikingly resembles our American robin, and indeed looks exactly like a robin, with a yellow bill and coal-black plumage. It hops everywhere over the lawns, just as our robin does, and it lives and nests in the gardens in the same fashion. Its song has a general resemblance to that of our robin, but many of the notes are far more musical, more like those of our wood thrush. Indeed, there were individuals among those we heard certain of whose notes seemed to me almost to equal in point of melody the chimes of the wood thrush; and the highest possible praise for any songbird is to liken its song to that of the wood thrush or hermit thrush. I certainly do not think that the blackbird has received full justice in the books. I knew that he was a singer, but I really had no idea how fine a singer he was. I suppose one of his troubles has been his name, just as

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