Can You Forgive Her?

never yet ascertained; and now he thought that the same influence must be at work to keep her again away from his aunt’s house. He had settled in his mind no accurate plan of a campaign; he had in his thoughts no fixed arrangement by which he might do the thing which he meditated. He had attempted to make some such plan; but, as is the case with all men to whom thinking is an unusual operation, concluded at last that he had better leave it to the course of events. It was, however, obviously necessary that he should see Lady Glencora before the course of events could be made to do anything for him. He had written to her, making his proposition in bold terms, and he felt that if she were utterly decided against him, her anger at his suggestion, or at least her refusal, would have been made known to him in some way. Silence did not absolutely give consent, but it seemed to show that consent was not impossible. From ten o’clock to past eleven he stood about on the staircase of his aunt’s house, waiting for the name which he was desirous of hearing, and which he almost feared to hear. Men spoke to him, and women also, but he hardly answered. His aunt once called him into her room, and with a cautionary frown on her brow, bade him go dance. “Don’t look so dreadfully preoccupied,” she said to him in a whisper. But he shook his head at her, almost savagely, and went away, and did not dance. Dance! How was he to dance with such an enterprise as that upon his mind? Even to Burgo Fitzgerald the task of running away with another man’s wife had in it something which prevented dancing. Lady Monk was older, and was able to regulate her feelings with more exactness. But Burgo, though he could not dance, went down into the dining-room and drank. He took a large beer-glass full of champagne and soon after that another. The drink did not flush his cheeks or make his forehead red, or bring out the sweat-drops on his brow, as it does with some men; but it added a peculiar brightness to his blue eyes. It was by the light of his eyes that men knew when Burgo had been drinking.

At last, while he was still in the supper room, he heard Lady Glencora’s name announced. He had already seen Mr. Palliser come in and make his way upstairs some quarter of an hour before; but as to that he was indifferent. He had known that the husband was to be there. When the long-expected name reached his ears, his heart seemed to jump within him. What, on the spur of the moment, should he do? As he had resolved that he would be doing⁠—that something should be done, let it be what it might⁠—he hurried to the dining-room door, and was just in time to see and be seen as Lady Glencora was passing up the stairs. She was just above him as he got himself out into the hall, so that he could not absolutely greet her with his hand; but he looked up at her, and caught her eye. He looked up, and moved his hand to her in token of salutation. She looked down at him, and the expression of her face altered visibly as her glance met his. She barely bowed to him⁠—with her eyes rather than with her head, but he flattered himself that there was, at any rate, no anger in her countenance. How beautiful he was as he gazed up at her, leaning against the wall as he stood, and watching her as she made her slow way up the stairs! She felt that his eyes were on her, and where the stairs turned she could not restrain herself from one other glance. As her eyes fell on his again, his mouth opened, and she fancied that she could hear the faint sigh that he uttered. It was a glorious mouth, such as the old sculptors gave to their marble gods! And Burgo, if it was so that he had not heart enough to love truly, could look as though he loved. It was not in him deceit⁠—or what men call acting. The expression came to him naturally, though it expressed so much more than there was within; as strong words come to some men who have no knowledge that they are speaking strongly. At this moment Burgo Fitzgerald looked as though it were possible that he might die of love.

Lady Glencora was met at the top of the stairs by Lady Monk, who came out to her, almost into the gallery, with her sweetest smile⁠—so that the newly-arrived guest, of course, entered into the small room. There sat the Duchess of St. Bungay on her stool in the corner, and there, next to the Duchess, but at the moment engaged in no conversation, stood Mr. Bott. There was another lady there, who stood very high in the world, and whom Lady Monk was very glad to welcome⁠—the young Marchioness of Hartletop. She was in slight mourning; for her father-in-law, the late Marquis, had died not yet quite six months since. Very beautiful she was, and one whose presence at their houses ladies and gentlemen prized alike. She never said silly things, like the Duchess, never was troublesome as to people’s conduct to her, was always gracious, yet was never led away into intimacies, was without peer the best-dressed woman in London, and yet gave herself no airs;⁠—and then she was so exquisitely beautiful. Her smile was loveliness itself. There were, indeed, people who said that it meant nothing; but then, what should the smile of a young married woman mean? She had not been born in the purple, like Lady Glencora, her father being a country clergyman who had never reached a higher grade than that of an archdeacon; but