poet wove us in his thought) remains
Of nature and the universe no part
Nor vestige but the poet’s dreams. This dread,
Unspeakable land about thy feet, with all
Its desolation and its terrors—lo!
’Tis but a phantom world. So long ago
That God and all the angels since have died
That poet lived—yourself long dead—his mind
Filled with the light of a prophetic fire,
And standing by the Western sea, above
The youngest, fairest city in the world,
Named in another tongue than his for one
Ensainted, saw its populous domain
Plague-smitten with a nameless shame. For there
Red-handed murder rioted; and there
The people gathered gold, nor cared to loose
The assassin’s fingers from the victim’s throat,
But said, each in his vile pursuit engrossed:
‘Am I my brother’s keeper? Let the Law
Look to the matter.’ But the Law did not.
And there, O pitiful! the babe was slain
Within its mother’s breast and the same grave
Held babe and mother; and the people smiled,
Still gathering gold, and said: ‘The Law, the Law.’
Then the great poet, touched upon the lips
With a live coal from Truth’s high altar, raised
His arms to heaven and sang a song of doom—
Sang of the time to be, when God should lean
Indignant from the Throne and lift His hand,
And that foul city be no more!—a tale,
A dream, a desolation and a curse!
No vestige of its glory should survive
In fact or memory: its people dead,
Its site forgotten, and its very name
Disputed.”
“Was the prophecy fulfilled?”
The sullen disc of the declining sun
Was crimson with a curse and a portent,
And scarce his angry ray lit up the land
Freaked with a moving mist, which, reeking up
From dim tarns hateful with a horrid ban,
Took shapes forbidden and without a name.
And bodiless voices babbled in the gloom.
But not to me came any voice again;
And, covering my face with thin, dead hands,
I wept, and woke, and cried aloud to God!
Professor dear, I think it queer
That all these good religions
(’Twixt you and me, some two or three
Are schemes for plucking pigeons)—
I mean ’tis strange that every change
Our poor minds to unfetter
Entails a new religion—true
As t’ other one, and better.
From each in turn the truth we learn,
That wood or flesh or spirit
May justly boast it rules the roast
Until we cease to fear it.
Nay, once upon a time long gone
Man worshipped Cat and Lizard:
His God he’d find in any kind
Of beast, from a to izzard.
When risen above his early love
Of dirt and blood and slumber,
He pulled down these vain deities,
And made one out of lumber.
“Far better that than even a cat,”
The Howisons all shouted;
“When God is wood religion’s good!”
But one poor cynic doubted.
“A timber God—that’s very odd!”
Said Progress, and invented
The simple plan to worship Man,
Who, kindly soul! consented.
But soon our eye we lift asky,
Our vows all unregarded,
And find (at least so says the priest)
The Truth—and Man’s discarded.
Along our line of march recline
Dead gods devoid of feeling;
And thick about each sun-cracked lout
Dried Howisons are kneeling.
The Fall of Miss Larkin
Hear me sing of Sally Larkin who, I’d have you understand,
Played accordions as well as any lady in the land;
And I’ve often heard it stated that her fingering was such
That Professor Schweinenhauer was enchanted with her touch;
And that beasts were so affected when her apparatus rang
That they dropped upon their haunches and deliriously sang.
This I know from testimony, though a critic, I opine,
Needs an ear that is dissimilar in some respects to mine.
She could sing, too, like a jaybird, and they say all eyes were wet
When Sally and the ranch-dog were performing a duet—
Which I take it is a song that has to be so loudly sung
As to overtax the strength of any single human lung.
That, at least, would seem to follow from the tale I have to tell,
Which (I’ve told you how she flourished) is how Sally Larkin fell.
One day there came to visit Sally’s dad as sleek and smart
A chap as ever wandered there from any foreign part.
Though his gentle birth and breeding he did not at all obtrude
It was somehow whispered round he was a simon-pure Dude.
Howsoe’er that may have been, it was conspicuous to see
That he was a real Gent of an uncommon high degree.
That Sally cast her tender and affectionate regards
On this exquisite creation was, of course, upon the cards;
But he didn’t seem to notice, and was variously blind
To her many charms of person and the merits of her mind,
And preferred, I grieve to say it, to play poker with her dad,
And acted in a manner that in general was bad.
One evening—’twas in summer—she was holding in her lap
Her accordion, and near her stood that melancholy chap,
Leaning up against a pillar with his lip in grog imbrued,
Thinking, maybe, of that ancient land in which he was a Dude.
Then Sally, who was melancholy too, began to hum
And elongate the accordion with a preluding thumb.
Then sighs of amorosity she painfully exhaled,
And her music apparatus sympathetically wailed.
“In the gloaming, O my darling!” rose that wild impassioned strain,
And her eyes were fixed on his with an intensity of pain,
Till the ranch-dog from his kennel at the postern gate came round,
And going into session strove to magnify the sound.
He lifted up his spirit till the gloaming rang and rang
With the song that to his darling he impetuously sang!
Then that musing youth, recalling all his soul from other scenes,
Where his fathers all were Dudes and his mothers all Dudines,
From his lips removed the beaker and politely, o’er the grog,
Said: “Miss Larkin, please be quiet: you will interrupt the dog.”
A Rendezvous
Nightly I put up this humble petition:
“Forgive me, O Father of Glories,
My sins of commission, my sins of omission,
My sins of the Mission Dolores!”
Yorick
Hard by an excavated street one sat
In solitary session on the sand;
And ever and anon he spake and spat
And spake again—a yellow skull in hand,
To which that retrospective
