Pioneer
Addressed the few remarks that follow here:
“Who are you? Did you come ‘der blains agross,’
Or ‘Horn aroundt’? In days o’ ’49
Did them thar eye-holes see the Southern Cross
From the Antarctic Sea git up an’ shine?
Or did you drive a bull team ‘all the way
From Pike,’ with Mr. Joseph Bowers?—say!
“Was you in Frisco when the water came
Up to Montgum’ry street? and do you mind
The time when Peters run the faro game—
Jim Peters from old Mississip—behind
Wells Fargo’s, where he subsequent was bust
By Sandy, as regards both bank and crust?
“I wonder was you here when Casey shot
James King o’ William? And did you attend
The neck-tie dance ensuin’? I did not,
But j’ined the rush to Go Creek with my friend
Ed’ard McGowan; for we was resolved
In sech diversions not to be involved.
“Maybe I knowed you; seems to me I’ve seed
Your face afore. I don’t forget a face,
But names I disremember—I’m that breed
Of owls. I’m talking some’at into space,
An’ maybe my remarks is too derned free,
Seein’ yer name is unbeknown to me.
“Ther’ was a time, I reckon, when I knowed
Nigh onto every dern galoot in town.
That was as late as ’50. Now she’s growed
Surprisin’! Yes, me an’ my pardner, Brown,
Was wide acquainted. If ther’ was a cuss
We didn’t know, the cause was—he knowed us.
“Maybe you had that claim adjoinin’ mine
Up thar in Calaveras. Was it you
To which Long Mary took a mighty shine,
An’ throwed squar’ off on Jake the Kangaroo?
I guess if she could see ye now she’d take
Her chance o’ happiness along o’ Jake.
“You ain’t so purty now as you was then:
Yer eyes is nothin’ but two prospect holes,
An’ women which are hitched to better men
Would hardly for sech glances damn their souls,
As Lengthie did. By God! I hope it’s you,
For” (kicks the skull) “I’m Jake the Kangaroo.”
Stanford’s Welcome
“O son of mine age, these eyes lose their fire:
Be eyes, I pray, to thy dying sire.”
“O father, fear not, for mine eyes are bright—
I read through a millstone at dead of night.”
“My son, O tell me, who are those men,
Rushing, like pigs to the feeding-pen?”
“Welcomers they of a statesman grand.
They’ll shake, and then they will pocket, his hand.”
“Sagacious youth with the wondrous eye.
They seem to throw up their headgear. Why?”
“Because they’ve thrown up their hands until, O,
They’re so tired!—and dinners they’ve none to throw.”
“My son, my son, though dull are mine ears,
I hear a great sound like the people’s cheers.”
“He’s thanking them, father, with tears in his eyes,
For giving him lately that fine surprise.”
“My memory fails as I near mine end;
How did they astonish their grateful friend?”
“By letting him buy, like apples or oats,
With that which has made him so good, the votes
Which make him so wise and grand and great.
Now, father, please die, for ’tis growing late.”
Posterity’s Award
I’d long been dead, but I returned to earth.
Some small affairs posterity was making
A mess of, and I came to see that worth
Received its dues. I’d hardly finished waking,
The grave-mould still upon me, when my eye
Perceived a statue standing straight and high.
’Twas a colossal figure—bronze and gold—
Nobly designed, in attitude commanding.
A toga from its shoulders, fold on fold,
Fell to the pedestal on which ’twas standing.
Nobility it had and splendid grace,
And all it should have had—except a face!
It showed no features: not a trace nor sign
Of any eyes or nose could be detected—
On the smooth oval of its front no line
Where sites for mouths are commonly selected.
All blank and blind its faulty head it reared.
Let this be said: ’twas generously eared.
Seeing these things, I straight began to guess
For whom this mighty image was intended.
“The head,” I cried, “is Upton’s, and the dress
Is Parson Bartlett’s own.” True, his cloak ended
Flush with his lowest vertebra, but no
Sane sculptor ever made a toga so.
Then on the pedestal these words I read:
“Erected Eighteen Hundred Ninety-seven”
(Saint Christofer! how fast the time had sped!
Of course it naturally does in Heaven)
“To ⸻” (here a blank space for the name began)
“The Nineteenth Century’s Great Foremost Man!”
“Completed” the inscription ended, “in
The Year Three Thousand“—which was just arriving.
By Jove! thought I, ’twould make the founders grin
To learn whose fame so long has been surviving—
To read the name posterity will place
In that blank void, and view the finished face.
Even as I gazed, the year Three Thousand came,
And then by acclamation all the people
Decreed whose was our century’s best fame;
Then scaffolded the statue like a steeple,
To make the likeness; and the name was sunk
Deep in the pedestal’s metallic trunk.
Whose was it? Gentle reader, pray excuse
The seeming rudeness, but I can’t consent to
Be so forehanded with important news.
’Twas neither yours nor mine—let that content you.
If not, the name I must surrender, which,
Upon a dead man’s word, was Deacon Fitch!
An Art Critic
Ira P. Rankin, you’ve a nasal name—
I’ll sound it through “the speaking-trump of fame,”
And wondering nations, hearing from afar
The brazen twang of its resounding jar,
Shall say: “These bards are an uncommon class—
They blow their noses with a tube of brass!”
So you object to Cytherea! Do,
The picture was not painted, sir, for you!
Your mind to gratify and taste address,
The masking dove had been a dove the less.
Provincial censor! all untaught in art,
With mind indecent and indecent heart,
Do you not know—nay, why should I explain?
Instruction, argument alike were vain—
I’ll show you reasons when you show me brain.
The Spirit of a Sponge
I dreamed one night that Stephen Massett died,
And for admission up at Heaven applied.
“Who are you?” asked St. Peter. Massett said:
“Jeems Pipes, of Pipesville.” Peter bowed his head,
Opened the gates and said: “I’m glad to know you,
And wish we’d something better, sir, to show you.”
“Don’t mention it,” said Stephen, looking bland,
And was about to enter, hat in hand,
When from a cloud below such fumes arose
As tickled tenderly his conscious nose.
He paused, replaced his hat upon his head,
Turned back and to the saintly warden said,
O’er his already sprouting wings: “I swear
I smell some
