“Not as you would know how to play it for me,” urged Theron, pensively. “I feel as if good music tonight would make me well again. I am really very ill and weak—and unhappy!”
The girl seemed moved by the despairing note in his voice. She invited him by a sympathetic gesture to lean even more directly on her arm.
“Come home with me, and I’ll play Chopin to you,” she said, in compassionate friendliness. “He is the real medicine for bruised and wounded nerves. You shall have as much of him as you like.”
The idea thus unexpectedly thrown forth spread itself like some vast and inexpressibly alluring vista before Theron’s imagination. The spice of adventure in it fascinated his mind as well, but for a shrinking moment the flesh was weak.
“I’m afraid your people would—would think it strange,” he faltered—and began also to recall that he had some people of his own who would be even more amazed.
“Nonsense,” said Celia, in fine, bold confidence, and with a reassuring pressure on his arm. “I allow none of my people to question what I do. They never dream of such a preposterous thing. Besides, you will see none of them. Mrs. Madden is at the seaside, and my father and brother have their own part of the house. I shan’t listen for a minute to your not coming. Come, I’m your doctor. I’m to make you well again.”
There was further conversation, and Theron more or less knew that he was bearing a part in it, but his whole mind seemed concentrated, in a sort of delicious terror, upon the wonderful experience to which every footstep brought him nearer. His magnetized fancy pictured a great spacious parlor, such as a mansion like the Maddens’ would of course contain, and there would be a grand piano, and lace curtains, and paintings in gold frames, and a chandelier, and velvet easy-chairs, and he would sit in one of these, surrounded by all the luxury of the rich, while Celia played to him. There would be servants about, he presumed, and very likely they would recognize him, and of course they would talk about it to Tom, Dick and Harry afterward. But he said to himself defiantly that he didn’t care.
He withdrew his arm from hers as they came upon the well-lighted main street. He passed no one who seemed to know him. Presently they came to the Madden place, and Celia, without waiting for the gravelled walk, struck obliquely across the lawn. Theron, who had been lagging behind with a certain circumspection, stepped briskly to her side now. Their progress over the soft, close-cropped turf in the dark together, with the scent of lilies and perfumed shrubs heavy on the night air, and the majestic bulk of the big silent house rising among the trees before them, gave him a thrilling sense of the glory of individual freedom.
“I feel a new man already,” he declared, as they swung along on the grass. He breathed a long sigh of content, and drew nearer, so that their shoulders touched now and again as they walked. In a minute more they were standing on the doorstep, and Theron heard the significant jingle of a bunch of keys which his companion was groping for in her elusive pocket. He was conscious of trembling a little at the sound.
It seemed that, unlike other people, the Maddens did not have their parlor on the ground-floor, opening off the front hall. Theron stood in the complete darkness of this hall, till Celia had lit one of several candles which were in their hand-sticks on a sort of sideboard next the hat-rack. She beckoned him with a gesture of her head, and he followed her up a broad staircase, magnificent in its structural appointments of inlaid woods, and carpeted with what to his feet felt like down. The tiny light which his guide bore before her half revealed, as they passed in their ascent, tall lengths of tapestry, and the dull glint of armor and brazen discs in shadowed niches on the nearer wall. Over the stair-rail lay an open space of such stately dimensions, bounded by terminal lines of decoration so distant in the faint candle-flicker, that the young country minister could think of no word but “palatial” to fit it all.
At the head of the flight, Celia led the way along a wide corridor to where it ended. Here, stretched from side to side, and suspended from broad hoops of a copper-like metal, was a thick curtain, of a uniform color which Theron at first thought was green, and then decided must be blue. She pushed its heavy folds aside, and unlocked another door. He passed under the curtain behind her, and closed the door.
The room into which he had made his way was not at all after the fashion of any parlor he had ever seen. In the obscure light it was difficult to tell what it resembled. He made out what he took to be a painter’s easel, standing forth independently in the centre of things. There were rows of books on rude, low shelves. Against one of the two windows was a big, flat writing-table—or was it a drawing-table?—littered with papers. Under the other window was a carpenter’s bench, with a large mound of something at one end covered with a white cloth. On a table behind the easel rose a tall mechanical contrivance, the chief feature of which was a thick upright spiral screw. The floor was of bare wood stained brown. The walls of this queer room had photographs and pictures, taken apparently from illustrated papers, pinned up at random for their only ornament.
Celia had lighted three or four other candles on the mantel. She caught the dumbfounded expression with which her guest was surveying his surroundings, and gave a merry little laugh.
“This is my
