Theron was grateful to the old bookseller for remaining at his desk in the rear. There was a tacit compliment in the suggestion that he was not a mere customer, demanding instant attention. Besides, there was no keeping Thurston’s out of conversations in this place.
Loitering along the shelves, the young minister’s eye suddenly found itself arrested by a name on a cover. There were a dozen narrow volumes in uniform binding, huddled together under a cardboard label of “Eminent Women Series.” Oddly enough, one of these bore the title “George Sand.” Theron saw there must be some mistake, as he took the book down, and opened it. His glance hit by accident upon the name of Chopin. Then he read attentively until almost the stroke of eleven.
“We have to make ourselves acquainted with all sorts of queer phases of life,” he explained in self-defence to the old bookseller, then counting out the money for the book from his lean purse. He smiled as he added, “There seems something almost wrong about taking advantage of the clergyman’s discount for a life of George Sand.”
“I don’t know,” answered the other, pleasantly. “Guess she wasn’t so much different from the rest of ’em—except that she didn’t mind appearances. We know about her. We don’t know about the others.”
“I must hurry,” said Theron, turning on his heel. The haste with which he strode out of the store, crossed the street, and made his way toward Thurston’s, did not prevent his thinking much upon the astonishing things he had encountered in this book. Their relation to Celia forced itself more and more upon his mind. He could recall the twinkle in her eye, the sub-mockery in her tone, as she commented with that half-contemptuous “Yes—George something!” upon his blundering ignorance. His mortification at having thus exposed his dull rusticity was swallowed up in conjectures as to just what her tolerant familiarity with such things involved. He had never before met a young unmarried woman who would have confessed to him any such knowledge. But then, of course, he had never known a girl who resembled Celia in any other way. He recognized vaguely that he must provide himself with an entire new set of standards by which to measure and comprehend her. But it was for the moment more interesting to wonder what her standards were. Did she object to George Sand’s behavior? Or did she sympathize with that sort of thing? Did those statues, and the loose-flowing diaphonous toga and unbound hair, the cigarettes, the fiery liqueur, the deliberately sensuous music—was he to believe that they signified—?
“Good morning, Mr. Ware. You have managed by a miracle to hit on one of my punctual days,” said Celia.
She was standing on the doorstep, at the entrance to the musical department of Thurston’s. He had not noticed before the fact that the sun was shining. The full glare of its strong light, enveloping her figure as she stood, and drawing the dazzled eye for relief to the bower of softened color, close beneath her parasol of creamy silk and lace, was what struck him now first of all. It was as if Celia had brought the sun with her.
Theron shook hands with her, and found joy in the perception, that his own hand trembled. He put boldly into words the thought that came to him.
“It was generous of you,” he said, “to wait for me out here, where all might delight in the sight of you, instead of squandering the privilege on a handful of clerks inside.”
Miss Madden beamed upon him, and nodded approval.
“Alcibiades never turned a prettier compliment,” she remarked. They went in together at this, and Theron made a note of the name.
During the ensuing half-hour, the young minister followed about even more humbly than the clerks in Celia’s commanding wake. There were a good many pianos in the big showroom overhead, and Theron found himself almost awed by their size and brilliancy of polish, and the thought of the tremendous sum of money they represented altogether. Not so with the organist. She ordered them rolled around this way or that, as if they had been so many checkers on a draught-board. She threw back their covers with the scant ceremony of a dispensary dentist opening paupers’ mouths. She exploited their several capacities with masterful hands, not deigning to seat herself, but just slightly bending forward, and sweeping her fingers up and down their keyboards—able, domineering fingers which pounded, tinkled, meditated, assented, condemned, all in a flash, and amid what affected the layman’s ears as a hopelessly discordant hubbub.
Theron moved about in the group, nursing her parasol in his arms, and watching her. The exaggerated deference which the clerks and salesmen showed to her as the rich Miss Madden, seemed to him to be mixed with a certain assertion of the claims of good-fellowship on the score of her being a musician. There undoubtedly was a sense of freemasonry between them. They alluded continually in technical terms to matters of which he knew nothing, and were amused at remarks of hers which to him carried no meaning whatever. It was evident that the young men liked her, and that their liking pleased her. It thrilled him to think that she knew he liked her, too, and to recall what abundant proofs she had given that here, also, she had pleasure in the fact. He clung insistently to the memory of these evidences. They helped him to resist a disagreeable tendency to feel himself an intruder, an outsider, among these pianoforte experts.
When it was all over, Celia waved the others aside, and talked with Theron. “I suppose you want me to tell you the truth,” she said. “There’s nothing here really good. It is always much better to buy
