“Say no more about that,” said the king.
“Well!” continued Mazarin, “I shall give you something in exchange for these forty millions you have refused so royally.”
Louis XIV indicated by a movement that these flatteries were displeasing to him. “I shall give you a piece of advice,” continued Mazarin; “yes, a piece of advice—advice more precious than the forty millions.”
“My Lord Cardinal!” interrupted Louis.
“Sire, listen to this advice.”
“I am listening.”
“Come nearer, sire, for I am weak!—nearer, sire, nearer!”
The king bent over the dying man. “Sire,” said Mazarin, in so low a tone that the breath of his words arrived only like a recommendation from the tomb in the attentive ears of the king—“Sire, never have a prime minister.”
Louis drew back astonished. The advice was a confession—a treasure, in fact, was that sincere confession of Mazarin. The legacy of the cardinal to the young king was composed of six words only, but those six words, as Mazarin had said, were worth forty millions. Louis remained for an instant bewildered. As for Mazarin, he appeared only to have said something quite natural. A little scratching was heard along the curtains of the alcove. Mazarin understood: “Yes, yes!” cried he, warmly, “yes, sire, I recommend to you a wise man, an honest man, and a clever man.”
“Tell me his name, my lord.”
“His name is yet almost unknown, sire; it is M. Colbert, my attendant. Oh! try him,” added Mazarin, in an earnest voice; “all that he has predicted has come to pass; he has a safe glance, he is never mistaken either in things or in men—which is more surprising still. Sire, I owe you much, but I think I acquit myself of all towards you in giving you M. Colbert.”
“So be it,” said Louis, faintly, for, as Mazarin had said, the name of Colbert was quite unknown to him, and he thought the enthusiasm of the cardinal partook of the delirium of a dying man. The cardinal sank back on his pillows.
“For the present, adieu, sire! adieu,” murmured Mazarin. “I am tired, and I have yet a rough journey to take before I present myself to my new Master. Adieu, sire!”
The young king felt the tears rise to his eyes; he bent over the dying man, already half a corpse, and then hastily retired.
49
The First Appearance of Colbert
The whole night was passed in anguish, common to the dying man and to the king: the dying man expected his deliverance, the king awaited his liberty. Louis did not go to bed. An hour after leaving the chamber of the cardinal, he learned that the dying man, recovering a little strength, had insisted upon being dressed, adorned and painted, and seeing the ambassadors. Like Augustus, he no doubt considered the world a great stage, and was desirous of playing out the last act of the comedy. Anne of Austria reappeared no more in the cardinal’s apartments; she had nothing more to do there. Propriety was the pretext for her absence. On his part, the cardinal did not ask for her: the advice the queen had given her son rankled in his heart.
Towards midnight, while still painted, Mazarin’s mortal agony came on. He had revised his will, and as this will was the exact expression of his wishes, and as he feared that some interested influence might take advantage of his weakness to make him change something in it, he had given orders to Colbert, who walked up and down the corridor which led to the cardinal’s bedchamber, like the most vigilant of sentinels. The king, shut up in his own apartment, dispatched his nurse every hour to Mazarin’s chamber, with orders to bring him back an exact bulletin of the cardinal’s state. After having heard that Mazarin was dressed, painted, and had seen the ambassadors, Louis herd that the prayers for the dying were being read for the cardinal. At one o’clock in the morning, Guénaud had administered the last remedy. This was a relic of the old customs of that fencing time, which was about to disappear to give place to another time, to believe that death could be kept off by some good secret thrust. Mazarin, after having taken the remedy, respired freely for nearly ten minutes. He immediately gave orders that the news should be spread everywhere of a fortunate crisis. The king, on learning this, felt as if a cold sweat were passing over his brow;—he had had a glimpse of the light of liberty; slavery appeared to him more dark and less acceptable than ever. But the bulletin which followed entirely changed the face of things. Mazarin could no longer breathe at all, and could scarcely follow the prayers which the curé of Saint-Nicholas-des-Champs recited near him. The king resumed his agitated walk about his chamber, and consulted, as he walked, several papers drawn from a casket of which he alone had the key. A third time the nurse returned. M. de Mazarin had just uttered a joke, and had ordered his “Flora,” by Titian, to be revarnished. At length, towards two o’clock in the morning, the king could no longer resist his weariness: he had not slept for twenty-four hours. Sleep, so powerful at his age, overcame him for about an hour. But he did not go to bed for that hour; he slept in a fauteuil. About four o’clock his nurse awoke him by entering the room.
“Well?” asked the king.
“Well, my dear sire,” said the nurse, clasping her hands with an air of commiseration. “Well; he is dead!”
The king arose at a bound, as if a steel spring had been applied to his legs. “Dead!” cried he.
“Alas! yes.”
“Is it quite certain?”
“Yes.”
“Official?”
“Yes.”
“Has the news been made public?”
“Not yet.”
“Who told
