the childish fear that the soul upon leaving the body may “vanish into thin air,” we have still, so far as the nature of the subject admits, a hope of immortality with which we comfort ourselves on sufficient grounds. The denial of the belief takes the heart out of human life; it lowers men to the level of the material. As Goethe also says, “He is dead even in this world who has no belief in another.”

13. It is well also that we should sometimes think of the forms of thought under which the idea of immortality is most naturally presented to us. It is clear that to our minds the risen soul can no longer be described, as in a picture, by the symbol of a creature half-bird, half-human, nor in any other form of sense. The multitude of angels, as in Milton, singing the Almighty’s praises, are a noble image, and may furnish a theme for the poet or the painter, but they are no longer an adequate expression of the kingdom of God which is within us. Neither is there any mansion, in this world or another, in which the departed can be imagined to dwell and carry on their occupations. When this earthly tabernacle is dissolved, no other habitation or building can take them in: it is in the language of ideas only that we speak of them.

First of all there is the thought of rest and freedom from pain; they have gone home, as the common saying is, and the cares of this world touch them no more. Secondly, we may imagine them as they were at their best and brightest, humbly fulfilling their daily round of duties⁠—selfless, childlike, unaffected by the world; when the eye was single and the whole body seemed to be full of light; when the mind was clear and saw into the purposes of God. Thirdly, we may think of them as possessed by a great love of God and man, working out His will at a further stage in the heavenly pilgrimage. And yet we acknowledge that these are the things which eye hath not seen nor ear heard and therefore it hath not entered into the heart of man in any sensible manner to conceive them. Fourthly, there may have been some moments in our own lives when we have risen above ourselves, or been conscious of our truer selves, in which the will of God has superseded our wills, and we have entered into communion with Him, and been partakers for a brief season of the Divine truth and love, in which like Christ we have been inspired to utter the prayer, “I in them, and thou in me, that we may be all made perfect in one.” These precious moments, if we have ever known them, are the nearest approach which we can make to the idea of immortality.


14. Returning now to the earlier stage of human thought which is represented by the writings of Plato, we find that many of the same questions have already arisen: there is the same tendency to materialism; the same inconsistency in the application of the idea of mind; the same doubt whether the soul is to be regarded as a cause or as an effect; the same falling back on moral convictions. In the “Phaedo” the soul is conscious of her divine nature, and the separation from the body which has been commenced in this life is perfected in another. Beginning in mystery, Socrates, in the intermediate part of the Dialogue, attempts to bring the doctrine of a future life into connection with his theory of knowledge. In proportion as he succeeds in this, the individual seems to disappear in a more general notion of the soul; the contemplation of ideas “under the form of eternity” takes the place of past and future states of existence. His language may be compared to that of some modern philosophers, who speak of eternity, not in the sense of perpetual duration of time, but as an ever-present quality of the soul. Yet at the conclusion of the Dialogue, having “arrived at the end of the intellectual world” (Republic VII 532 B), he replaces the veil of mythology, and describes the soul and her attendant genius in the language of the mysteries or of a disciple of Zoroaster. Nor can we fairly demand of Plato a consistency which is wanting among ourselves, who acknowledge that another world is beyond the range of human thought, and yet are always seeking to represent the mansions of heaven or hell in the colours of the painter, or in the descriptions of the poet or rhetorician.

15. The doctrine of the immortality of the soul was not new to the Greeks in the age of Socrates, but, like the unity of God, had a foundation in the popular belief. The old Homeric notion of a gibbering ghost flitting away to Hades; or of a few illustrious heroes enjoying the isles of the blest; or of an existence divided between the two; or the Hesiodic, of righteous spirits, who become guardian angels⁠—had given place in the mysteries and the Orphic poets to representations, partly fanciful, of a future state of rewards and punishments. (Laws IX 870.) The reticence of the Greeks on public occasions and in some part of their literature respecting this “underground” religion, is not to be taken as a measure of the diffusion of such beliefs. If Pericles in the funeral oration is silent on the consolations of immortality, the poet Pindar and the tragedians on the other hand constantly assume the continued existence of the dead in an upper or under world. Darius and Laius are still alive; Antigone will be dear to her brethren after death; the way to the palace of Cronos is found by those who “have thrice departed from evil.” The tragedy of the Greeks is not “rounded” by this life, but is deeply set

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