Swift’s notion that the universe is a suit of clothes, Tale of a Tub, section 2). The fiction seems to have involved Plato in the necessity of supposing that the soul retained a sort of corporeal likeness after death (524). (3) The appeal of the authority of Homer, who says that Odysseus saw Minos in his court “holding a golden sceptre,” which gives verisimilitude to the tale (526).

It is scarcely necessary to repeat that Plato is playing “both sides of the game,” and that in criticising the characters of Gorgias and Polus, we are not passing any judgment on historical individuals, but only attempting to analyze the “dramatis personae” as they were conceived by him. Neither is it necessary to enlarge upon the obvious fact that Plato is a dramatic writer, whose real opinions cannot always be assumed to be those which he puts into the mouth of Socrates, or any other speaker who appears to have the best of the argument; or to repeat the observation that he is a poet as well as a philosopher; or to remark that he is not to be tried by a modern standard, but interpreted with reference to his place in the history of thought and the opinion of his time.

It has been said that the most characteristic feature of the “Gorgias” is the assertion of the right of dissent, or private judgment. But this mode of stating the question is really opposed both to the spirit of Plato and of ancient philosophy generally. For Plato is not asserting any abstract right or duty of toleration, or advantage to be derived from freedom of thought; indeed, in some other parts of his writings (e.g. Laws, X), he has fairly laid himself open to the charge of intolerance. No speculations had as yet arisen respecting the “liberty of prophesying”; and Plato is not affirming any abstract right of this nature: but he is asserting the duty and right of the one wise and true man to dissent from the folly and falsehood of the many. At the same time he acknowledges the natural result, which he hardly seeks to avert, that he who speaks the truth to a multitude, regardless of consequences, will probably share the fate of Socrates.


The irony of Plato sometimes veils from us the height of idealism to which he soars. When declaring truths which the many will not receive, he puts on an armour which cannot be pierced by them. The weapons of ridicule are taken out of their hands and the laugh is turned against themselves. The disguises which Socrates assumes are like the parables of the New Testament, or the oracles of the Delphian God; they half conceal, half reveal, his meaning. The more he is in earnest, the more ironical he becomes; and he is never more in earnest or more ironical than in the “Gorgias.” He hardly troubles himself to answer seriously the objections of Gorgias and Polus, and therefore he sometimes appears to be careless of the ordinary requirements of logic. Yet in the highest sense he is always logical and consistent with himself. The form of the argument may be paradoxical; the substance is an appeal to the higher reason. He is uttering truths before they can be understood, as in all ages the words of philosophers, when they are first uttered, have found the world unprepared for them. A further misunderstanding arises out of the wildness of his humour; he is supposed not only by Callicles, but by the rest of mankind, to be jesting when he is profoundly serious. At length he makes even Polus (468) in earnest. Finally, he drops the argument, and heedless any longer of the forms of dialectic, he loses himself in a sort of triumph, while at the same time he retaliates upon his adversaries. From this confusion of jest and earnest, we may now return to the ideal truth, and draw out in a simple form the main theses of the dialogue.

First Thesis:⁠—

It is a greater evil to do than to suffer injustice.

Compare the New Testament⁠—

“It is better to suffer for well doing than for evil doing.”

—⁠1 Peter 3:17

And the Sermon on the Mount⁠—

“Blessed are they that are persecuted for righteousness’ sake.”

—⁠Matthew 5:10

The words of Socrates are more abstract than the words of Christ, but they equally imply that the only real evil is moral evil. The righteous may suffer or die, but they have their reward; and even if they had no reward, would be happier than the wicked. The world, represented by Polus, is ready, when they are asked, to acknowledge that injustice is dishonourable, and for their own sakes men are willing to punish the offender (compare Republic II 360 D). But they are not equally willing to acknowledge that injustice, even if successful, is essentially evil, and has the nature of disease and death. Especially when crimes are committed on the great scale⁠—the crimes of tyrants, ancient or modern⁠—after a while, seeing that they cannot be undone, and have become a part of history, mankind are disposed to forgive them, not from any magnanimity or charity, but because their feelings are blunted by time, and “to forgive is convenient to them.” The tangle of good and evil can no longer be unravelled; and although they know that the end cannot justify the means, they feel also that good has often come out of evil. But Socrates would have us pass the same judgment on the tyrant now and always; though he is surrounded by his satellites, and has the applauses of Europe and Asia ringing in his ears; though he is the civilizer or liberator of half a continent, he is, and always will be, the most miserable of men. The greatest consequences for good or for evil cannot alter a hair’s breadth the morality of actions which are right or wrong in themselves. This is the standard which

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