There is a further difficulty in explaining this part of the “Timaeus”—the natural order of thought is inverted. We begin with the most abstract, and proceed from the abstract to the concrete. We are searching into things which are upon the utmost limit of human intelligence, and then of a sudden we fall rather heavily to the earth. There are no intermediate steps which lead from one to the other. But the abstract is a vacant form to us until brought into relation with man and nature. God and the world are mere names, like the Being of the Eleatics, unless some human qualities are added on to them. Yet the negation has a kind of unknown meaning to us. The priority of God and of the world, which he is imagined to have created, to all other existences, gives a solemn awe to them. And as in other systems of theology and philosophy, that of which we know least has the greatest interest to us.
There is no use in attempting to define or explain the first God in the Platonic system, who has sometimes been thought to answer to God the Father; or the world, in whom the Fathers of the Church seemed to recognize “the firstborn of every creature.” Nor need we discuss at length how far Plato agrees in the later Jewish idea of creation, according to which God made the world out of nothing. For his original conception of matter as something which has no qualities is really a negation. Moreover in the Hebrew Scriptures the creation of the world is described, even more explicitly than in the “Timaeus,” not as a single act, but as a work or process which occupied six days. There is a chaos in both, and it would be untrue to say that the Greek, any more than the Hebrew, had any definite belief in the eternal existence of matter. The beginning of things vanished into the distance. The real creation began, not with matter, but with ideas. According to Plato in the “Timaeus,” God took of the same and the other, of the divided and undivided, of the finite and infinite, and made essence, and out of the three combined created the soul of the world. To the soul he added a body formed out of the four elements. The general meaning of these words is that God imparted determinations of thought, or, as we might say, gave law and variety to the material universe. The elements are moving in a disorderly manner before the work of creation begins; and there is an eternal pattern of the world, which, like the “idea of good,” is not the Creator himself, but not separable from him. The pattern too, though eternal, is a creation, a world of thought prior to the world of sense, which may be compared to the wisdom of God in the book of Ecclesiasticus, or to the “God in the form of a globe” of the old Eleatic philosophers. The visible, which already exists, is fashioned in the likeness of this eternal pattern. On the other hand, there is no truth of which Plato is more firmly convinced than of the priority of the soul to the body, both in the universe and in man. So inconsistent are the forms in which he describes the works which no tongue can utter—his language, as he himself says (29 C), partaking of his own uncertainty about the things of which he is speaking.
We may remark in passing, that the Platonic compared with the Jewish description of the process of creation has less of freedom or spontaneity. The Creator in Plato is still subject to a remnant of necessity which he cannot wholly overcome (compare 35 A). When his work is accomplished he remains in his own nature. Plato is more sensible than the Hebrew prophet of the existence of evil, which he seeks to put as far as possible out of the way of God (compare 42 D). And he can only suppose this to be accomplished by God retiring into himself and committing the lesser works of creation to inferior powers. (Compare, however, Laws X 903 for another solution of the difficulty.)
Nor can we attach any intelligible meaning to his words when he speaks of the visible being in the image of the invisible (28). For how can that which is divided be like that which is undivided? Or that which is changing be the copy of that which is unchanging? All the old difficulties about the ideas come back upon us in an altered form. We can imagine two worlds, one of which is the mere double of the other, or one of which is an imperfect copy of the other, or one of which is the vanishing ideal of the other; but we cannot imagine an intellectual world which has no qualities—“a thing in itself”—a point which has no parts or magnitude, which is nowhere, and nothing. This cannot be the archetype according to which God made the world, and is in reality, whether in Plato or in Kant, a mere negative residuum of human thought.
There is another aspect of the same difficulty which appears to have no satisfactory solution. In what relation does the archetype stand to the Creator himself? For the idea or
