Dialogues

drives them to extremity, causing all varieties of disease, until at length the desire and love of the man and the woman, bringing them together294 and as it were plucking the fruit from the tree, sow in the womb, as in a field, animals unseen by reason of their smallness and without form; these again are separated and matured within; they are then finally brought out into the light, and thus the generation of animals is completed.

Thus were created women and the female sex in general. But the race of birds was created out of innocent light-minded men, who, although their minds were directed toward heaven, imagined, in their simplicity, that the clearest demonstration of the things above was to be obtained by sight; these were remodelled and transformed into birds, and they grew feathers instead of hair. The race of wild pedestrian animals, again, came from those who had no philosophy in any of their thoughts, and never considered at all about the nature of the heavens, because they had ceased to use the courses of the head, but followed the guidance of those parts of the soul which are in the breast. In consequence of these habits of theirs they had their front-legs and their heads resting upon the earth to which they were drawn by natural affinity; and the crowns of their heads were elongated and of all sorts of shapes, into which the courses of the soul were crushed by reason of disuse. And this was the reason why they were created quadrupeds and polypods: God gave the more senseless of them the more support that they might be more attracted to the earth. And the most foolish of them, who trail their bodies entirely upon the ground and have no longer any need of feet, he made without feet to crawl upon the earth. The fourth class were the inhabitants of the water: these were made out of the most entirely senseless and ignorant of all, whom the transformers did not think any longer worthy of pure respiration, because they possessed a soul which was made impure by all sorts of transgression; and instead of the subtle and pure medium of air, they gave them the deep and muddy sea to be their element of respiration; and hence arose the race of fishes and oysters, and other aquatic animals, which have received the most remote habitations as a punishment of their outlandish ignorance. These are the laws by which animals pass into one another, now, as ever, changing as they lose or gain wisdom and folly.

We may now say that our discourse about the nature of the universe has an end. The world has received animals, mortal and immortal, and is fulfilled with them, and has become a visible animal containing the visible⁠—the sensible God who is the image of the intellectual,295 the greatest, best, fairest, most perfect⁠—the one only-begotten heaven.

Critias

Introduction and Analysis

The “Critias” is a fragment which breaks off in the middle of a sentence. It was designed to be the second part of a trilogy, which, like the other great Platonic trilogy of the “Sophist,” “Statesman,” “Philosopher,” was never completed. “Timaeus” had brought down the origin of the world to the creation of man, and the dawn of history was now to succeed the philosophy of nature. The “Critias” is also connected with the Republic. Plato, as he has already told us (“Timaeus” 19, 20), intended to represent the ideal state engaged in a patriotic conflict. This mythical conflict is prophetic or symbolical of the struggle of Athens and Persia, perhaps in some degree also of the wars of the Greeks and Carthaginians, in the same way that the Persian is prefigured by the Trojan war to the mind of Herodotus, or as the narrative of the first part of the Aeneid is intended by Virgil to foreshadow the wars of Carthage and Rome. The small number of the primitive Athenian citizens (20,000), “which is about their present number” (“Critias” 112 D), is evidently designed to contrast with the myriads and barbaric array of the Atlantic hosts. The passing remark in the “Timaeus” (25 C) that Athens was left alone in the struggle, in which she conquered and became the liberator of Greece, is also an allusion to the later history. Hence we may safely conclude that the entire narrative is due to the imagination of Plato, who has used the name of Solon and introduced the Egyptian priests to give verisimilitude to his story. To the Greek such a tale, like that of the earthborn men, would have seemed perfectly accordant with the character of his mythology, and not more marvellous than the wonders of the East narrated by Herodotus and others: he might have been deceived into believing it. But it appears strange that later ages should have been imposed upon by the fiction. As many attempts have been made to find the great island of Atlantis, as to discover the country of the lost tribes. Without regard to the description of Plato, and without a suspicion that the whole narrative is a fabrication, interpreters have looked for the spot in every part of the globe, America, Arabia Felix, Ceylon, Palestine, Sardinia, Sweden.

Timaeus concludes with a prayer that his words may be acceptable to the God whom he has revealed, and Critias, whose turn follows, begs that a larger measure of indulgence may be conceded to him, because he has to speak of men whom we know and not of gods whom we do not know. Socrates readily grants his request, and anticipating that Hermocrates will make a similar petition, extends by anticipation a like indulgence to him.

Critias returns to his story, professing only to repeat what Solon was told by the priests. The war of which he was about to speak had occurred 9,000 years ago.296 One