The following day she heard the music again, faint and thin, wonderfully sweet and as wild as the song of a bird, but it was a melody which no bird would adhere to. A theme was repeated again and again. In the middle of trills, grace notes, runs and catches it recurred with a strange, almost holy, solemnity—a hushing, slender melody full of austerity and aloofness. There was something in it to set her heart beating. She yearned to it with her ears and her lips. Was it joy, menace, carelessness? She did not know, but this she did know, that however terrible it was personal to her. It was her unborn thought strangely audible and felt rather than understood.
On that day she did not see anybody either. She drove her charges home in the evening listlessly and the beasts also were very quiet.
When the music came again she made no effort to discover where it came from. She only listened, and when the tune was ended she saw a figure rise from the fold of a little hill. The sunlight was gleaming from his arms and shoulders but the rest of his body was hidden by the bracken, and he did not look at her as he went away playing softly on a double pipe.
The next day he did look at her. He stood waist-deep in greenery fronting her squarely. She had never seen so strange a face before. Her eyes almost died on him as she gazed and he returned her look for a long minute with an intent, expressionless regard. His hair was a cluster of brown curls, his nose was little and straight, and his wide mouth drooped sadly at the corners. His eyes were wide and most mournful, and his forehead was very broad and white. His sad eyes and mouth almost made her weep.
When he turned away he smiled at her, and it was as though the sun had shone suddenly in a dark place, banishing all sadness and gloom. Then he went mincingly away. As he went he lifted the slender double reed to his lips and blew a few careless notes.
The next day he fronted her as before, looking down to her eyes from a short distance. He played for only a few moments, and fitfully, and then he came to her. When he left the bracken the girl suddenly clapped her hands against her eyes affrighted. There was something different, terrible about him. The upper part of his body was beautiful, but the lower part. … She dared not look at him again. She would have risen and fled away but she feared he might pursue her, and the thought of such a chase and the inevitable capture froze her blood. The thought of anything behind us is always terrible. The sound of pursuing feet is worse than the murder from which we fly—so she sat still and waited but nothing happened. At last, desperately, she dropped her hands. He was sitting on the ground a few paces from her. He was not looking at her but far away sidewards across the spreading hill. His legs were crossed; they were shaggy and hoofed like the legs of a goat: but she would not look at these because of his wonderful, sad, grotesque face. Gaiety is good to look upon and an innocent face is delightful to our souls, but no woman can resist sadness or weakness, and ugliness she dare not resist. Her nature leaps to be the comforter. It is her reason. It exalts her to an ecstasy wherein nothing but the sacrifice of herself has any proportion. Men are not fathers by instinct but by chance, but women are mothers beyond thought, beyond instinct which is the father of thought. Motherliness, pity, self-sacrifice—these are the charges of her primal cell, and not even the discovery that men are comedians, liars, and egotists will wean her from this. As she looked at the pathos of his face she repudiated the hideousness of his body. The beast which is in all men is glossed by women; it is his childishness, the destructive energy inseparable from youth and high spirits, and it is always forgiven by women, often forgotten, sometimes, and not rarely, cherished and fostered.
After a few moments of this silence he placed the reed to his lips and played a plaintive little air, and then he spoke to her in a strange voice, coming like a wind from distant places.
“What is your name, Shepherd Girl?” said he.
“Caitilin, Ingin Ni Murrachu,” she whispered.
“Daughter of Murrachu,” said he, “I have come from a far place where there are high hills. The men and maidens who follow their flocks in that place know me and love me for I am the Master of the Shepherds. They sing and dance and are glad when I come to them in the sunlight; but in this country no people have done any reverence to me. The shepherds fly away when they hear my pipes in the pastures; the maidens scream in fear when I dance to them in the meadows. I am very lonely in this strange country. You also, although you danced to the music of my pipes, have covered your face against
