Clarissa

not merely subjects of amusement; but greatly interesting to both: yet many ladies there are who now laudably correspond, when at distance from each other, on occasions that far less affect their mutual welfare and friendships, than those treated of by these ladies. The two principal gentlemen had motives of gaiety and vainglory for their inducements. It will generally be found, that persons who have talents for familiar writing, as these correspondents are presumed to have, will not forbear amusing themselves with their pens on less arduous occasions than what offer to these. These four, (whose stories have a connection with each other), out of the great number of characters who are introduced in this History, are only eminent in the epistolary way: the rest appear but as occasional writers, and as drawn in rather by necessity than choice, from the different relations in which they stand with the four principal persons.

The length of the piece has been objected to by some, who perhaps looked upon it as a mere novel or romance; and yet of these there are not wanting works of equal length.

They were of opinion, that the story moved too slowly, particularly in the first and second volumes, which are chiefly taken up with the altercations between Clarissa and the several persons of her family.

But is it not true, that those altercations are the foundation of the whole, and therefore a necessary part of the work? The letters and conversations, where the story makes the slowest progress, are presumed to be characteristic. They give occasion, likewise, to suggest many interesting personalities, in which a good deal of the instruction essential to a work of this nature is conveyed. And it will, moreover, be remembered, that the author, at his first setting out, apprized the reader, that the story (interesting as it is generally allowed to be) was to be principally looked upon as the vehicle to the instruction.

To all which we may add, that there was frequently a necessity to be very circumstantial and minute, in order to preserve and maintain that air of probability, which is necessary to be maintained in a story designed to represent real life; and which is rendered extremely busy and active by the plots and contrivances formed and carried on by one of the principal characters.

Some there are, and ladies too! who have supposed that the excellencies of the heroine are carried to an improbable, and even to an impracticable, height in this history. But the education of Clarissa, from early childhood, ought to be considered as one of her very great advantages; as, indeed, the foundation of all her excellencies: and, it is to be hoped, for the sake of the doctrine designed to be inculcated by it, that it will.

She had a pious, a well-read, a not meanly-descended woman for her nurse, who with her milk, as Mrs. Harlowe says,457 gave her that nurture which no other nurse could give her. She was very early happy in the conversation-visits of her learned and worthy Dr. Lewen, and in her correspondencies, not with him only, but with other divines mentioned in her last will. Her mother was, upon the whole, a good woman, who did credit to her birth and fortune; and both delighted in her for those improvements and attainments which gave her, and them in her, a distinction that caused it to be said, that when she was out of the family it was considered but as a common family.458 She was, moreover, a country lady; and, as we have seen in Miss Howe’s character of her,459 took great delight in rural and household employments; though qualified to adorn the brightest circle.

It must be confessed that we are not to look for Clarissa’s name among the constant frequenters of Ranelagh and Vauxhall, nor among those who may be called Daughters of the card-table. If we do, the character of our heroine may then, indeed, only be justly thought not improbable, but unattainable. But we have neither room in this place, nor inclination, to pursue a subject so invidious. We quit it, therefore, after we have repeated that we know there are some, and we hope there are many, in the British dominions, (or they are hardly anywhere in the European world), who, as far as occasion has called upon them to exert the like humble and modest, yet steady and useful, virtues, have reached the perfections of a Clarissa.

Having thus briefly taken notice of the most material objections that have been made to different parts of this history, it is hoped we may be allowed to add, that had we thought ourselves at liberty to give copies of some of the many letters that have been written on the other side of the question, that is to say, in approbation of the catastrophe, and of the general conduct and execution of the work, by some of the most eminent judges of composition in every branch of literature; most of what has been written in this Postscript might have been spared.

But as the principal objection with many has lain against the length of the piece, we shall add to what we have said above on that subject, in the words of one of those eminent writers: “That if, in the history before us, it shall be found that the spirit is duly diffused throughout; that the characters are various and natural; well distinguished and uniformly supported and maintained; if there be a variety of incidents sufficient to excite attention, and those so conducted as to keep the reader always awake! the length then must add proportionably to the pleasure that every person of taste receives from a well-drawn picture of nature. But where the contrary of all these qualities shock the understanding, the extravagant performance will be judged tedious, though no longer than a fairytale.”

Endnotes

1. Her grandfather, in order to invite her to him