a magnifying glass to show their finish. His countenance was buried, as it were, under these numerous furrows produced by an open-air life, by the habit of scanning the horizon in the sunshine, at sunrise, and at the fall of day. But the sympathetic observer could still discern the imperishable forms of the human face, which always speak to the soul even when the eye sees no more than a death’s head. The firm modeling of the features, the high brow, the sternness of outline, the severe nose, the form of the bones which wounds alone can alter, expressed disinterested courage, boundless faith, implicit obedience, incorruptible fidelity, unchanging affection. In him the granite of Brittany was made man.

The Baron had no teeth. His lips, once red, but now blue, were supported only by the hardened gums with which he ate the bread his wife took care first to soften by wrapping it in a damp cloth, and they were sunk in his face while preserving a proud and threatening smile. His chin aimed at touching his nose; but the character of that nose⁠—high in the middle⁠—showed his Breton vigor and power of resistance. His complexion, marbled with red that showed through the wrinkles, was that of a full-blooded, high-tempered man, able to endure the fatigues which had often, no doubt, saved him from apoplexy. The head was crowned with hair as white as silver, falling in curls on his shoulders. This face, that seemed partly extinct, still lived by the brightness of a pair of black eyes, sparkling in their dark, sunken sockets, and flashing with the last fires of a generous and loyal soul. The eyebrows and eyelashes were gone. The skin had set, and would not yield; the difficulty of shaving compelled the old man to grow a fan-shaped beard.

What a painter would most have admired in this old lion of Brittany, with his broad shoulders and sinewy breast, was the hands, splendid soldier’s hands⁠—hands such as du Guesclin’s must have been, broad, firm, and hairy; the hands that had seized the sword never to relinquish it⁠—any more than Joan of Arc’s⁠—till the day when the royal standard floated in the Cathedral at Reims; hands that had often streamed with blood from the thorns of the Bocage⁠—the thickets of la Vendée⁠—that had pulled the oar in the Marais to steal upon the “blues,” or on the open sea to help Georges to land; the hands of a partisan and of a gunner, of a private and of a captain; hands that were now white, though the Bourbons of the elder branch were in exile; but if you looked at them, you could see certain recent marks revealing that the Baron, not so long ago, had joined Madame in la Vendée, since the truth may now be told. These hands were a living commentary on the noble motto to which no Guénic had ever been false, “Fac!

The forehead attracted attention by the golden tone on the temples, in contrast with the tan of that narrow, hard, set brow to which baldness had given height enough to add majesty to the noble ruin. The whole countenance, somewhat unintellectual it must be owned⁠—and how should it be otherwise?⁠—had, like the other Breton faces grouped about it, a touch of savagery, a stolid calm, like the impassibility of Huron Indians, an indescribable stupidity, due perhaps to the complete reaction that follows on excessive fatigue when the animal alone is left evident. Thought was rare there; it was visibly an effort; its seat was in the heart rather than the head; and its outcome was action rather than an idea. But on studying this fine old man with sustained attention, the mystery could be detected of this practical antagonism to the spirit of the age. His feelings and beliefs were, so to speak, intuitive, and saved him all thought. He had learnt his duties by dint of living. Religion and Institutions thought for him. Hence he and his kindred reserved their powers of mind for action, without frittering them on any of the things they thought useless, though others considered them important. He brought his thought out of his mind as he drew his sword from the scabbard, dazzling with rectitude like the hand in its ermine sleeve on his coat-of-arms. As soon as this secret was understood everything was clear. It explained the depth of the resolutions due to clear, definite, loyal ideas, as immaculate as ermine. It accounted for the sale to his sister before the war, though to him it had meant everything⁠—death, confiscation, exile. The beauty of these two old persons’ characters⁠—for the sister lived only in and for her brother⁠—cannot be fully appreciated by the selfish habits which lie at the root of the uncertainty and changefulness of our day. An archangel sent down to read their hearts would not have found in them a single thought bearing the stamp of self. In 1814, when the priest of Guérande hinted to Baron du Guénic that he should go to Paris to claim his reward, the old sister, though avaricious for the family, exclaimed:

“Shame! Need my brother go begging like a vagrant?”

“It would be supposed that I had served the King from interested motives,” said the old man. “Besides, it is his business to remember. And, after all, the poor King has enough to do with all who are harassing him. If he were to give France away piecemeal, he would still be asked for more.”

This devoted servant, who cared so loyally for Louis XVIII, received a colonelcy, the Cross of Saint-Louis, and a pension of two thousand francs.

“The King has remembered!” he exclaimed, on receiving his letters patent.

No one undeceived him. The business had been carried through by the Duc de Feltre from the lists of the Army of la Vendée, in which he found the name of du Guénic with a few other Breton names ending in ic.

And so, in gratitude to the King,

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