neither pencil nor pen can do justice to. Beautiful still at forty-two, many a man would have been happy to marry her as he looked at the charms of this glorious, richly-toned autumn, full of flower and fruit, and renewed by dews from heaven. The Baroness held the newspaper in a hand soft with dimples, and turned-up fingertips with squarely-cut nails like those of an antique statue. She leaned back in her chair, without awkwardness or affectation, her feet thrust forward to get warm; and she wore a black velvet dress, for the wind had turned cold these last few days. The bodice, fitting tight to the throat, covered shoulders of noble outline and a bosom which had suffered no disfigurement from having nursed an only child. Her hair fell in ringlets on each side of her face, close to her cheeks, in the English fashion; a simple twist on the top of her head was held by a tortoiseshell comb; and the mass, instead of being of a doubtful hue, glittered in the light like threads of brownish gold. She had made a plait of the loose, short hairs that grow low down and are a mark of fine breeding. This tiny tress, lost in the rest of her hair that was combed high on her head, allowed the eye to note with pleasure the flowing line from her neck to her beautiful shoulders. This little detail shows the care she always gave to her toilet. She persisted in charming the old man’s eye. What a delightful and touching attention!

When you see a woman lavishing in her home life the care for appearance which other women find for one feeling only, you may be sure that she is a noble mother, as she is a noble wife, the joy and flower of the household; she understands her duties as a woman, the elegance of her appearance dwells in her soul and her affections, she does good in secret, she knows how to love truly without ulterior motives, she loves her neighbor as she loves God for Himself. And it really seemed as though the Virgin in Paradise, under whose protection she lived, had rewarded her chaste girlhood and saintly womanhood by the side of the noble old man by throwing over her a sort of glory that preserved her from the ravages of time.

Plato would perhaps have honored the fading of her beauty as so much added grace. Her skin, once so white, had acquired those warm and pearly tones that painters delight in. Her forehead, broad and finely moulded, seemed to love the light that played on it with sheeny touches. Her eyes of turquoise-blue gleamed with wonderful softness under light, velvety lashes. The drooping lids and pathetic temples suggested some unspeakable, silent melancholy; below the eyes her cheeks were dead white, faintly veined with blue to the bridge of the nose. The nose, aquiline and thin, had a touch of royal dignity, a reminder of her noble birth. Her lips, pure and delicately cut, were graced by a smile, the natural outcome of inexhaustible good humor. Her teeth were small and white. She had grown a little stout, but her shapely hips and slender waist were not disfigured by it; the autumn of her beauty displayed still some bright flowers forgotten by spring and the warmer glories of summer. Her finely moulded arms, her smooth, lustrous skin had gained a finer texture; the forms had filled out. And her open, serene countenance, with its faint color, the purity of her blue eyes, to which too rude a gaze would have been an offence, expressed unchanging gentleness, the infinite tenderness of the angels.

At the other side of the fireplace, in another armchair, sat the old sister of eighty, in every particular but dress the exact image of her brother; she listened to the paper while knitting stockings, for which sight is not needed. Her eyes were darkened by cataract, and she obstinately refused to be operated on, in spite of her sister-in-law’s entreaties. She alone knew the secret motive of her determination; she ascribed it to lack of courage, but in fact she did not choose that twenty-five louis should be spent on her; there would have been so much less in the house. Nevertheless, she would have liked to see her brother again. These two old people were an admirable foil to the Baroness’ beauty. What woman would not have seemed young and handsome between Monsieur du Guénic and his sister?

Mademoiselle Zéphirine, deprived of sight, knew nothing of the changes that her eighty years had wrought in her looks. Her pallid, hollow face, to which the fixity of her white and sightless eyes gave a look of death, while three or four projecting teeth added an almost threatening expression; in which the deep eye-sockets were circled with red lines, and a few manly hairs, long since white, were visible on the chin and lips⁠—this cold, calm face was framed in a little brown cotton hood quilted like a counterpane, edged with a cambric frill, and tied under her chin with ribbons that were never fresh. She wore a short upper skirt of stout cloth over a quilted petticoat, a perfect mattress, within which lurked double louis d’or; and she had pockets sewn to a waistband, which she took off at night and put on in the morning as a garment. Her figure was wrapped in the usual jacket bodice of Breton women, made of cloth like the skirt, and finished with a close pleated frill, of which the washing formed the only subject of difference between her and the Baroness; she insisted on changing it but once a week. Out of the wadded sleeves of this jacket came a pair of withered but sinewy arms, and two ever-busy hands, somewhat red, which made her arms look as white as poplar wood. These fingers, claw-like from the contraction induced by the habit of knitting, were like a stocking-machine

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