It was a distinct and complete impression, something that I don’t know whether to call a Landfall or a Departure. Certainly he had gazed at times very fixedly before him with the Landfall’s vigilant look, this sea-captain seated incongruously in a deep-backed chair. He had not then talked to me of employment, of ships, of being ready to take another command; but he had discoursed of his early days, in the abundant but thin flow of a wilful invalid’s talk. The women looked worried, but sat still, and I learned more of him in that interview than in the whole eighteen months we had sailed together. It appeared he had “served his time” in the copper-ore trade, the famous copper-ore trade of old days between Swansea and the Chilean coast, coal out and ore in, deep-loaded both ways, as if in wanton defiance of the great Cape Horn seas—a work, this, for staunch ships, and a great school of staunchness for West-Country seamen. A whole fleet of copper-bottomed barques, as strong in rib and planking, as well-found in gear, as ever was sent upon the seas, manned by hardy crews and commanded by young masters, was engaged in that now long defunct trade. “That was the school I was trained in,” he said to me almost boastfully, lying back amongst his pillows with a rug over his legs. And it was in that trade that he obtained his first command at a very early age. It was then that he mentioned to me how, as a young commander, he was always ill for a few days before making land after a long passage. But this sort of sickness used to pass off with the first sight of a familiar landmark. Afterwards, he added, as he grew older, all that nervousness wore off completely; and I observed his weary eyes gaze steadily ahead, as if there had been nothing between him and the straight line of sea and sky, where whatever a seaman is looking for is first bound to appear. But I have also seen his eyes rest fondly upon the faces in the room, upon the pictures on the wall, upon all the familiar objects of that home, whose abiding and clear image must have flashed often on his memory in times of stress and anxiety at sea. Was he looking out for a strange Landfall, or taking with an untroubled mind the bearings for his last Departure?
It is hard to say; for in that voyage from which no man returns Landfall and Departure are instantaneous, merging together into one moment of supreme and final attention. Certainly I do not remember observing any sign of faltering in the set expression of his wasted face, no hint of the nervous anxiety of a young commander about to make land on an uncharted shore. He had had too much experience of Departures and Landfalls! And had he not “served his time” in the famous copper-ore trade out of the Bristol Channel, the work of the staunchest ships afloat, and the school of staunch seamen?
Emblems of Hope
IV
Before an anchor can ever be raised, it must be let go; and this perfectly obvious truism brings me at once to the subject of the degradation of the sea language in the daily press of this country.
Your journalist, whether he takes charge of a ship or a fleet, almost invariably “casts” his anchor. Now, an anchor is never cast, and to take a liberty with technical language is a crime against the clearness, precision, and beauty of perfected speech.
An anchor is a forged piece of iron, admirably adapted to its end, and technical language is an instrument wrought into perfection by ages of experience, a flawless thing for its purpose. An anchor of yesterday (because nowadays there are contrivances like mushrooms and things like claws, of no particular expression or shape—just hooks)—an anchor of yesterday is in its way a most efficient instrument. To its perfection its size bears witness, for there is no other appliance so small for the great work it has to do. Look at the anchors hanging from the cat-heads of a big ship! How tiny they are in proportion to the great size of the hull! Were they made of gold they would look like trinkets, like ornamental toys, no bigger in proportion than a jewelled drop in a woman’s ear. And yet upon them will depend, more than once, the very life of the ship.
An anchor is forged and fashioned for faithfulness; give it ground that it can bite, and it will hold till the cable parts, and then, whatever may afterwards befall its ship, that anchor is “lost.” The honest, rough piece of iron, so simple in appearance, has more parts than the human body has limbs: the ring, the stock, the crown, the flukes, the palms, the shank. All this, according to the journalist, is “cast” when a ship arriving at an anchorage is brought up.
This insistence in using the odious word arises from the fact that a particularly benighted landsman must imagine the act of anchoring as a process of throwing something overboard, whereas the anchor ready for its work
