“There! There is a bandana for you. Did you go into the drawing-room?”
“No.”
“Oh! you might perhaps have been in time to see Lord Grenville.”
“Is he in Paris?”
“It seems so.”
“Oh! I will go at once. The good doctor.”
“But he will have gone by now!” exclaimed Julie.
The Marquis, standing in the middle of the room, was tying the handkerchief over his head. He looked complacently at himself in the glass.
“What has become of the servants is more than I know,” he remarked. “I have rung the bell for Charles, and he has not answered it. And your maid is not here either. Ring for her. I should like another blanket on my bed tonight.”
“Pauline is out,” the Marquise said drily.
“What, at midnight!” exclaimed the General.
“I gave her leave to go to the Opéra.”
“That is funny!” returned her husband, continuing to undress. “I thought I saw her coming upstairs.”
“She has come in then, of course,” said Julie, with assumed impatience, and to allay any possible suspicion on her husband’s part she pretended to ring the bell.
The whole history of that night has never been known, but no doubt it was as simple and as tragically commonplace as the domestic incidents that preceded it.
Next day the Marquise d’Aiglemont took to her bed, nor did she leave it for some days.
“What can have happened in your family so extraordinary that everyone is talking about your wife?” asked M. de Ronquerolles of M. d’Aiglemont a short time after that night of catastrophes.
“Take my advice and remain a bachelor,” said d’Aiglemont. “The curtains of Hélène’s cot caught fire, and gave my wife such a shock that it will be a twelvemonth before she gets over it; so the doctor says. You marry a pretty wife, and her looks fall off; you marry a girl in blooming health, and she turns into an invalid. You think she has a passionate temperament, and find her cold, or else under her apparent coldness there lurks a nature so passionate that she is the death of you, or she dishonors your name. Sometimes the meekest of them will turn out crotchety, though the crotchety ones never grow any sweeter. Sometimes the mere child, so simple and silly at first, will develop an iron will to thwart you and the ingenuity of a fiend. I am tired of marriage.”
“Or of your wife?”
“That would be difficult. By the by, do you feel inclined to go to Saint-Thomas d’Aquin with me to attend Lord Grenville’s funeral?”
“A singular way of spending time.—Is it really known how he came by his death?” added Ronquerolles.
“His man says that he spent a whole night sitting on somebody’s window sill to save some woman’s character, and it has been infernally cold lately.”
“Such devotion would be highly creditable to one of us old stagers; but Lord Grenville was a youngster and—an Englishman. Englishmen never can do anything like anybody else.”
“Pooh!” returned d’Aiglemont, “these heroic exploits all depend upon the woman in the case, and it certainly was not for one that I know, that poor Arthur came by his death.”
II
A Hidden Grief
Between the Seine and the little river Loing lies a wide flat country, skirted on the one side by the Forest of Fontainebleau, and marked out as to its southern limits by the towns of Moret, Montereau, and Nemours. It is a dreary country; little knolls of hills appear only at rare intervals, and a coppice here and there among the fields affords for game; and beyond, upon every side, stretches the endless gray or yellowish horizon peculiar to Beauce, Sologne, and Berri.
In the very centre of the plain, at equal distances from Moret and Montereau, the traveler passes the old château of Saint-Lange, standing amid surroundings which lack neither dignity nor stateliness. There are magnificent avenues of elm-trees, great gardens encircled by the moat, and a circumference of walls about a huge manorial pile which represents the profits of the maltôte, the gains of farmers-general, legalized malversation, or the vast fortunes of great houses now brought low beneath the hammer of the Civil Code.
Should any artist or dreamer of dreams chance to stray along the roads full of deep ruts, or over the heavy land which secures the place against intrusion, he will wonder how it happened that this romantic old place was set down in a savanna of corn-land, a desert of chalk, and sand, and marl, where gaiety dies away, and melancholy is a natural product of the soil. The voiceless solitude, the monotonous horizon line which weigh upon the spirits are negative beauties, which only suit with sorrow that refuses to be comforted.
Hither, at the close of the year 1820, came a woman, still young, well known in Paris for her charm, her fair face, and her wit; and to the immense astonishment of the little village a mile away, this woman of high rank and corresponding fortune took up her abode at Saint-Lange.
From time immemorial, farmers and laborers had seen no gentry at the château. The estate, considerable though it was, had been left in charge of a land-steward and the house to the old servants. Wherefore the appearance of the lady of the manor caused a kind of sensation in the district.
A group had gathered in the yard of the wretched little wineshop at the end of the village (where the road forks to Nemours and Moret) to see the carriage pass. It went by slowly, for the Marquise had come from Paris with her own horses, and those on the lookout had ample opportunity of observing a waiting-maid, who sat with her back to the horses holding a little girl, with a somewhat dreamy look, upon her knee. The child’s mother lay back in the carriage; she looked like a dying woman sent
