Yet, again, to be measureless, to weigh like this upon body and soul, the trouble should befall when soul and body have just come to their full strength, and smite down a heart that beats high with life. Then it is that great scars are made. Terrible is the anguish. None, it may be, can issue from this soul-sickness without undergoing some dramatic change. Those who survive it, those who remain on earth, return to the world to wear an actor’s countenance and to play an actor’s part. They know the side-scenes where actors may retire to calculate chances, shed their tears, or pass their jests. Life holds no inscrutable dark places for those who have passed through this ordeal; their judgments are Rhadamanthine.
For young women of the Marquise d’Aiglemont’s age, this first, this most poignant pain of all, is always referable to the same cause. A woman, especially if she is a young woman, greatly beautiful, and by nature great, never fails to stake her whole life as instinct and sentiment and society all unite to bid her. Suppose that that life fails her, suppose that she still lives on, she cannot but endure the most cruel pangs, inasmuch as a first love is the loveliest of all. How comes it that this catastrophe has found no painter, no poet? And yet, can it be painted? Can it be sung? No; for the anguish arising from it eludes analysis and defies the colors of art. And more than this, such pain is never confessed. To console the sufferer, you must be able to divine the past which she hugs in bitterness to her soul like a remorse; it is like an avalanche in a valley; it laid all waste before it found a permanent resting-place.
The Marquise was suffering from this anguish, which will for long remain unknown, because the whole world condemns it, while sentiment cherishes it, and the conscience of a true woman justifies her in it. It is with such pain as with children steadily disowned of life, and therefore bound more closely to the mother’s heart than other children more bounteously endowed. Never, perhaps, was the awful catastrophe in which the whole world without dies for us, so deadly, so complete, so cruelly aggravated by circumstance as it had been for the Marquise. The man whom she had loved was young and generous; in obedience to the laws of the world, she had refused herself to his love, and he had died to save a woman’s honor, as the world calls it. To whom could she speak of her misery? Her tears would be an offence against her husband, the origin of the tragedy. By all laws written and unwritten she was bound over to silence. A woman would have enjoyed the story; a man would have schemed for his own benefit. No; such grief as hers can only weep freely in solitude and in loneliness; she must consume her pain or be consumed by it; die or kill something within her—her conscience, it may be.
Day after day she sat gazing at the flat horizon. It lay out before her like her own life to come. There was nothing to discover, nothing to hope. The whole of it could be seen at a glance. It was the visible presentment in the outward world of the chill sense of desolation which was gnawing restlessly at her heart. The misty mornings, the pale, bright sky, the low clouds scudding under the gray dome of heaven, fitted with the moods of her soul-sickness. Her heart did not contract, was neither more nor less seared, rather it seemed as if her youth, in its full blossom, was slowly turned to stone by an anguish intolerable because it was barren. She suffered through herself and for herself. How could it end save in self-absorption? Ugly torturing thoughts probed her conscience. Candid self-examination pronounced that she was double, there were two selves within her; a woman who felt and a woman who thought; a self that suffered and a self that could fain suffer no longer. Her mind traveled back to the joys of childish days; they had gone by, and she had never known how happy they were. Scenes crowded up in her memory as in a bright mirror glass, to demonstrate the deception of a marriage which, all that it should be in the eyes of the world, was in reality wretched. What had the delicate pride of young womanhood done for her—the bliss foregone, the sacrifices made to the world? Everything in her expressed love, awaited love; her movements still were full of perfect grace; her smile, her charm, were hers as before; why? she asked herself. The sense of her own youth and physical loveliness no more affected her than some meaningless reiterated sound. Her very beauty had grown intolerable to her as a useless thing. She shrank aghast from the thought that through the rest of life she must remain an incomplete creature; had not the inner self lost its power of receiving impressions with that zest, that exquisite sense of freshness which is the spring of so much of life’s gladness? The
