Approvingly he watched his young mulatto son come over the lawn with lazy cat-speed, noting with satisfaction the grace and quickness of his movements, the slender barrel strength of his torso, his smallboned resiliency. Also the well-shaped intelligent head, the eager black eyes, the sensitive oval face, and the beautiful copprous olive of the skin. He was very like a better-class Spaniard. Quod potui perfeci. By this fusion, perhaps, men like men.
By the river the reed-pipes, the muse’s temple, the sacred wood again. Why not? As in this cove. I, too, have lived in Arcady.
He took off his glasses for a moment and looked at the ptotic malevolence of his left eye, and the large harlequinesque wart in the cheek below it. The black glasses gave the suggestion that he was half-masked; they added a touch of unsearchable mystery to the subtle, sensual and disquieting intelligence of his face. His negro man appeared at this moment and told him his bath was ready. He drew the long thin nightgown over his freckled Fitzsimmons body and stepped vigorously into tepid water. Then for ten minutes he was sponged, scraped, and kneaded, upon a long table by the powerful plastic hands of the negro. He dressed in fresh laundered underwear and newly pressed clothes of black. He tied a black string carelessly below the wide belt of starched collar and buttoned across his straight long figure a frock coat that reached his knees. He took a cigarette from a box on his table and lighted it.
Bouncing tinnily down the coiling road that came through the Gap from the town, a flivver glinted momently through the trees. Two men were in it. His face hardened against it, he watched it go by his gates on the road with a scuffle of dust. Dimly he saw their lewd red mountain faces, and completed the image with sweat and corduroy. And in the town their city cousins. Brick, stucco, the white little eczema of Suburbia. Federated Half-Breeds of the World.
Into my Valley next with lawnmowers and front lawns. He ground out the life of the cigarette against an ashtray, and began a rapid window calculation of his horses, asses, kine, swine, and hens; the stored plenitude of his great barn, the heavy fruitage of his fields and orchards. A man came toward the house with a bucket of eggs in one hand and a bucket of butter in the other; each cake was stamped with a sheaf of wheat and wrapped loosely in clean white linen cloths. He smiled grimly: if attacked he could withstand a prolonged siege.
At Dixieland, Eliza slept soundly in a small dark room with a window opening on the uncertain light of the back porch. Her chamber was festooned with a pendant wilderness of cord and string; stacks of old newspapers and magazines were piled in the corners; and every shelf was loaded with gummed, labelled, half-filled medicine bottles. There was a smell in the air of mentholatum, Vick’s Pneumonia Cure, and sweet glycerine. The negress arrived, coming under the built-up house and climbing lazily the steep tunnel of back steps. She knocked at the door.
“Who’s there!” cried Eliza sharply, waking at once, and coming forward to the door. She wore a gray flannel nightgown over a heavy woollen undershirt that Ben had discarded: the pendant string floated gently to and fro as she opened the door, like some strange seamoss floating below the sea. Upstairs, in the small front room with the sleeping-porch, slept Miss Billie Edwards, twenty-four, of Missouri, the daring and masterful lion-tamer of Johnny L. Jones Combined Shows, then playing in the field on the hill behind the Plum Street School. Next to her, in the large airy room at the corner, Mrs. Marie Pert, forty-one, the wife of an itinerant and usually absent drug salesman, lay deep in the pit of alcoholic slumber. Upon each end of the mantel was a small snapshot in a silver frame—one of her absent daughter, Louise, eighteen, and one of Benjamin Gant, lying on the grass-bank in front of the house, propped on his elbow and wearing a wide straw hat that shaded all his face except his mouth. Also, in other chambers, front and back, Mr. Conway Richards, candy-wheel concessionaire with the Johnny L. Jones Combined Shows, Miss Lily Mangum, twenty-six, trained nurse, Mr. William H. Baskett, fifty-three, of Hattiesburg, Mississippi, cotton grower, banker, and sufferer from malaria, and his wife; in the large room at the head of the stairs Miss Annie Mitchell, nineteen, of Valdosta, Georgia, Miss Thelma Cheshire, twenty-one, of Florence, South Carolina, and Mrs. Rose Levin, twenty-eight, of Chicago, Illinois, all members of the chorus of “Molasses” Evans and His Broadway Beauties, booked out of Atlanta, Georgia, by the Piedmont Amusement Agency.
“O G‑hirls! The Duke of Gorgonzola and the Count of Limburger are on their way here now. I want all you girls to be nice to them and to show them a good time when they arrive.”
“You bet we will.”
“And keep your eye on the little one—he’s the one with all the money.”
“I’ll say we will. Hurrah, Hurrah, Hurrah!”
“We are the girls that have the fun,
We’re snappy and happy everyone;
We’re jolly and gay
And ready to play,
And that is why we say‑ee—”
Behind a bill-plastered fence-boarding on upper Valley Street, opposite the Y.M.I. (colored), and in the very heart of the crowded amusement and commercial centre of Altamont’s colored population, Moses Andrews, twenty-six, colored, slept the last great sleep of white and black. His pockets, which only the night before had been full of the money
