He wrote to inform her that an apartment and an allowance worthy of his sister awaited her at the castle of Grianta. The Contessa’s volatile mind embraced with enthusiasm the idea of this new mode of life; it was twenty years since she had lived in that venerable castle that rose majestically from among its old chestnuts planted in the days of the Sforza. “There,” she told herself, “I shall find repose, and, at my age, is not that in itself happiness?” (Having reached one-and-thirty, she imagined that the time had come for her to retire.) “On that sublime lake by which I was born, there awaits me at last a happy and peaceful existence.”
I cannot say whether she was mistaken, but one thing certain is that this passionate soul, which had just refused so lightly the offer of two vast fortunes, brought happiness to the castle of Grianta. Her two nieces were wild with joy. “You have renewed the dear days of my youth,” the Marchesa told her, as she took her in her arms; “before you came, I was a hundred.” The Contessa set out to revisit, with Fabrizio, all those enchanting spots in the neighbourhood of Grianta, which travellers have made so famous: the Villa Melzi on the other shore of the lake, opposite the castle, and commanding a fine view of it; higher up, the sacred wood of the Sfrondata, and the bold promontory which divides the two arms of the lake, that of Como, so voluptuous, and the other which runs towards Lecco, grimly severe: sublime and charming views which the most famous site in the world, the Bay of Naples, may equal, but does not surpass. It was with ecstasy that the Contessa recaptured the memories of her earliest childhood and compared them with her present sensations. “The Lake of Como,” she said to herself, “is not surrounded, like the Lake of Geneva, by wide tracts of land enclosed and cultivated according to the most approved methods, which suggest money and speculation. Here, on every side, I see hills of irregular height covered with clumps of trees that have grown there at random, which the hand of man has never yet spoiled and forced to yield a return. Standing among these admirably shaped hills which run down to the lake at such curious angles, I can preserve all the illusions of Tasso’s and Ariosto’s descriptions. All is noble and tender, everything speaks of love, nothing recalls the ugliness of civilisation. The villages halfway up their sides are hidden in tall trees, and above the treetops rises the charming architecture of their picturesque belfries. If some little field fifty yards across comes here and there to interrupt the clumps of chestnuts and wild cherries, the satisfied eye sees growing on it plants more vigorous and happier than elsewhere. Beyond these hills, the crests of which offer one hermitages in all of which one would like to dwell, the astonished eye perceives the peaks of the Alps, always covered in snow, and their stern austerity recalls to one so much of the sorrows of life as is necessary to enhance one’s immediate pleasure. The imagination is touched by the distant sound of the bell of some little village hidden among the trees: these sounds borne across the waters which soften their tone, assume a tinge of gentle melancholy and resignation, and seem to be saying to man: ‘Life is fleeting: do not therefore show yourself so obdurate towards the happiness that is offered you, make haste to enjoy it.’ ” The language of these enchanting spots, which have not their like in the world, restored to the Contessa the heart of a girl of sixteen. She could not conceive how she could have spent all these years without revisiting the lake. “Is it then to the threshold of old age,” she asked herself, “that our happiness takes flight?” She bought a boat which Fabrizio, the Marchesa and she decorated with their own hands, having no money to spend on anything, in the midst of this most luxurious establishment; since his disgrace the Marchese del Dongo had doubled his aristocratic state. For example, in order to reclaim ten yards of land from the lake, near the famous plane avenue, in the direction of Cadenabbia, he had an embankment built the estimate for which ran to 80,000 francs. At the end of this embankment there rose, from the plans of the famous Marchese Cagnola, a chapel built entirely of huge blocks of granite, and in this chapel Marchesi, the sculptor then in fashion at Milan, built him a tomb on which a number of bas-reliefs were intended to represent the gallant deeds of his ancestors.
Fabrizio’s elder brother, the Marchesino Ascanio, sought to join the ladies in their excursions; but his aunt flung water over his powdered hair, and found some fresh dart every day with which to puncture his solemnity. At length he delivered from the sight of his fat, pasty face the merry troop who did not venture to laugh in his presence. They supposed him to be the spy of the Marchese his father, and care had to be taken in handling that stern despot, always in a furious temper since his enforced retirement.
Ascanio swore to be avenged on Fabrizio.
There was a storm in which they were all in danger; although they were infinitely short of money, they paid the two boatmen generously not to say anything to the Marchese, who already was showing great ill humour at their taking his two daughters with them. They encountered a second storm; the storms on this lake are terrible and unexpected: gusts of wind sweep out suddenly from the two mountain gorges which run down into it on opposite sides and join battle on the water. The Contessa wished to land in the midst of the hurricane and pealing thunder; she insisted that, if she were to
