Duchessa’s anger was rekindled. “The Prince has betrayed me,” she said to herself, “and in how dastardly a way! There is no excuse for the man: he has brains, discernment, he is capable of reasoning; there is nothing base in him but his passions. The Conte and I have noticed it a score of times; his mind becomes vulgar only when he imagines that someone has tried to insult him. Well, Fabrizio’s crime has nothing to do with politics, it is a trifling homicide, just like a hundred others that are reported every day in his happy States, and the Conte has sworn to me that he has taken pains to procure the most accurate information, and that Fabrizio is innocent. That Giletti was certainly not lacking in courage: finding himself within a few yards of the frontier, he suddenly felt the temptation to rid himself of an attractive rival.”

The Duchessa paused for a long time to consider whether it were possible to believe in Fabrizio’s guilt, not that she felt that it would have been a very grave sin in a gentleman of her nephew’s rank to rid himself of the impertinence of a mummer; but, in her despair, she was beginning to feel vaguely that she would be obliged to fight to prove Fabrizio’s innocence. “No,” she told herself finally, “here is a decisive proof: he is like poor Pietranera, he always has all his pockets stuffed with weapons, and that day he was carrying only a wretched singled-barrelled gun, and even that he had borrowed from one of the workmen.

“I hate the Prince because he has betrayed me, and betrayed me in the most dastardly fashion; after his written pardon, he had the poor boy seized at Bologna, and all that. But I shall settle that account.” About five o’clock in the morning, the Duchessa, crushed by this prolonged fit of despair, rang for her women, who screamed. Seeing her on her bed, fully dressed, with her diamonds, pale as the sheet on which she lay and with closed eyes, it seemed to them as though they beheld her laid out in state after death. They would have supposed that she had completely lost consciousness had they not remembered that she had just rung for them. A few rare tears trickled from time to time down her insentient cheeks; her women gathered from a sign which she made that she wished to be put to bed.

Twice that evening after the party at the Minister Zurla’s, the Conte had called on the Duchessa; being refused admittance, he wrote to her that he wished to ask her advice as to his conduct. Ought he to retain his post after the insult that they had dared to offer him? The Conte went on to say: “The young man is innocent; but, were he guilty, ought they to arrest him without first informing me, his acknowledged protector?” The Duchessa did not see this letter until the following day.

The Conte had no virtue; one may indeed add that what the Liberals understand by “virtue” (seeking the greatest happiness of the greatest number) seemed to him silly; he believed himself bound to seek first and foremost the happiness of Conte Mosca della Rovere; but he was entirely honourable, and perfectly sincere when he spoke of his resignation. Never in his life had he told the Duchessa a lie; she, as it happened, did not pay the slightest attention to this letter; her attitude, and a very painful attitude it was, had been adopted: to pretend to forget Fabrizio; after that effort, nothing else mattered to her.

Next day, about noon, the Conte, who had called ten times at the palazzo Sanseverina, was at length admitted; he was appalled when he saw the Duchessa.⁠ ⁠… “She looks forty!” he said to himself; “and yesterday she was so brilliant, so young!⁠ ⁠… Everyone tells me that, during her long conversation with Clelia Conti, she looked every bit as young and far more attractive.”

The Duchessa’s voice, her tone were as strange as her personal appearance. This tone, divested of all passion, of all human interest, of all anger, turned the Conte pale; it reminded him of the manner of a friend of his who, a few months earlier, when on the point of death, and after receiving the Last Sacrament, had sent for him to talk to him.

After some minutes the Duchessa was able to speak to him. She looked at him, and her eyes remained dead.

“Let us part, my dear Conte,” she said to him in a faint but quite articulate voice which she tried to make sound friendly; “let us part, we must! Heaven is my witness that, for five years, my behaviour towards you has been irreproachable. You have given me a brilliant existence, in place of the boredom which would have been my sad portion at the castle of Grianta; without you I should have reached old age several years sooner.⁠ ⁠… For my part, my sole occupation has been to try to make you find happiness. It is because I love you that I propose to you this parting à l’amiable, as they say in France.”

The Conte did not understand; she was obliged to repeat her statement several times. He grew deadly pale, and, flinging himself on his knees by her bedside, said to her all the things that profound astonishment, followed by the keenest despair, can inspire in a man who is passionately in love. At every moment he offered to hand in his resignation and to follow his mistress to some retreat a thousand leagues from Parma.

“You dare to speak to me of departure, and Fabrizio is here!” she at length exclaimed, half rising. But seeing that the sound of Fabrizio’s name made a painful impression, she added after a moment’s quiet, gently pressing the Conte’s hand: “No, dear friend, I am not going to tell you that I have loved you with that passion and those transports which one no

Вы читаете The Charterhouse of Parma
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату