Fabrizio walked on without noticing the distance he was covering, and had reached this point in his vain reasonings when, raising his head, he saw the wall of his father’s garden. This wall, which supported a fine terrace, rose to a height of more than forty feet above the road, on its right. A cornice of wrought stone along the highest part, next to the balustrade, gave it a monumental air. “It is not bad,” Fabrizio said to himself dispassionately, “it is good architecture, a little in the Roman style”; he applied to it his recently acquired knowledge of antiquities. Then he turned his head away in disgust; his father’s severities, and especially the denunciation of himself by his brother Ascanio on his return from his wanderings in France, came back to his mind.
“That unnatural denunciation was the origin of my present existence; I may detest, I may despise it; when all is said and done, it has altered my destiny. What would have become of me once I had been packed off to Novara, and my presence barely tolerated in the house of my father’s agent, if my aunt had not made love to a powerful Minister? If the said aunt had happened to possess merely a dry, conventional heart instead of that tender and passionate heart which loves me with a sort of enthusiasm that astonishes me? Where should I be now if the Duchessa had had the heart of her brother the Marchese del Dongo?”
Oppressed by these cruel memories, Fabrizio began now to walk with an uncertain step; he came to the edge of the moat immediately opposite the magnificent façade of the castle. Scarcely did he cast a glance at that great building, blackened by time. The noble language of architecture left him unmoved, the memory of his brother and father stopped his heart to every sensation of beauty, he was attentive only to the necessity of keeping on his guard in the presence of hypocritical and dangerous enemies. He looked for an instant, but with a marked disgust, at the little window of the bedroom which he had occupied until 1815 on the third storey. His father’s character had robbed of all charm the memory of his early childhood. “I have not set foot in it,” he thought, “since the 7th of March, at eight o’clock in the evening. I left it to go and get the passport from Vasi, and next morning my fear of spies made me hasten my departure. When I passed through again after my visit to France, I had not time to go upstairs, even to look at my prints again, and that thanks to my brother’s denouncing me.”
Fabrizio turned away his head in horror. “Priore Blanès is eighty-three at the very least,” he said sorrowfully to himself; “he hardly ever comes to the castle now, from what my sister tells me; the infirmities of old age have had their effect on him. That heart, once so strong and noble, is frozen by age. Heaven knows how long it is since he last went up to his campanile! I shall hide myself in the cellar, under the vats or under the winepress, until he is awake; I shall not go in and disturb the good old man in his sleep; probably he will have forgotten my face, even; six years mean a great deal at his age! I shall find only the tomb of a friend! And it is really childish of me,” he added, “to have come here to provoke the disgust that the sight of my father’s castle gives me.”
Fabrizio now came to the little piazza in front of the church; it was with an astonishment bordering on delirium that he saw, on the second stage of the ancient campanile, the long and narrow window lighted by the little lantern of Priore Blanès. The Priore was in the habit of leaving it there, when he climbed to the cage of planks which formed his observatory, so that the light should not prevent him from reading the face of his planisphere. This chart of the heavens was stretched over a great jar of terra-cotta which had originally belonged to one of the orange trees at the castle. In the opening, at the bottom of the jar, burned the tiniest of lamps, the smoke of which was carried away from the jar through a little tin pipe, and the shadow of the pipe indicated the north on the chart. All these memories of things so simple in themselves deluged Fabrizio’s heart with emotions and filled him with happiness.
Almost without thinking, he put his hands to his lips and gave the little, short, low whistle which had formerly been the signal for his admission. At once he heard several tugs given to the cord which, from the observatory above, opened the latch of the campanile door. He dashed headlong up the staircase, moved to a transport of excitement; he found the Priore in his wooden armchair in his accustomed place; his eye was fixed on the little glass of a mural quadrant. With his left hand the Priore made a sign to Fabrizio not to interrupt him in his observation; a moment later, he wrote down a figure upon a playing card, then, turning
