riverside were almost all wooden, and that they had been set fire to in three places, the fire spread quickly and enveloped the whole quarter with extraordinary rapidity. (The fire burnt, however, only at two ends; at the third spot it was extinguished almost as soon as it began to burn⁠—of which later.) But the Petersburg and Moscow papers exaggerated our calamity. Not more than a quarter, roughly speaking, of the riverside district was burnt down; possibly less indeed. Our fire brigade, though it was hardly adequate to the size and population of the town, worked with great promptitude and devotion. But it would not have been of much avail, even with the zealous cooperation of the inhabitants, if the wind had not suddenly dropped towards morning. When an hour after our flight from the ball I made my way to the riverside, the fire was at its height. A whole street parallel with the river was in flames. It was as light as day. I won’t describe the fire; everyone in Russia knows what it looks like. The bustle and crush was immense in the lanes adjoining the burning street. The inhabitants, fully expecting the fire to reach their houses, were hauling out their belongings, but had not yet left their dwellings, and were waiting meanwhile sitting on their boxes and feather beds under their windows. Part of the male population were hard at work ruthlessly chopping down fences and even whole huts which were near the fire and on the windward side. None were crying except the children, who had been waked out of their sleep, though the women who had dragged out their chattels were lamenting in singsong voices. Those who had not finished their task were still silent, busily carrying out their goods. Sparks and embers were carried a long way in all directions. People put them out as best they could. Some helped to put the fire out while others stood about, admiring it. A great fire at night always has a thrilling and exhilarating effect. This is what explains the attraction of fireworks. But in that case the artistic regularity with which the fire is presented and the complete lack of danger give an impression of lightness and playfulness like the effect of a glass of champagne. A real conflagration is a very different matter. Then the horror and a certain sense of personal danger, together with the exhilarating effect of a fire at night, produce on the spectator (though of course not in the householder whose goods are being burnt) a certain concussion of the brain and, as it were, a challenge to those destructive instincts which, alas, lie hidden in every heart, even that of the mildest and most domestic little clerk.⁠ ⁠… This sinister sensation is almost always fascinating. “I really don’t know whether one can look at a fire without a certain pleasure.” This is word for word what Stepan Trofimovitch said to me one night on returning home after he had happened to witness a fire and was still under the influence of the spectacle. Of course, the very man who enjoys the spectacle will rush into the fire himself to save a child or an old woman; but that is altogether a different matter.

Following in the wake of the crowd of sightseers, I succeeded, without asking questions, in reaching the chief centre of danger, where at last I saw Lembke, whom I was seeking at Yulia Mihailovna’s request. His position was strange and extraordinary. He was standing on the ruins of a fence. Thirty paces to the left of him rose the black skeleton of a two-storied house which had almost burnt out. It had holes instead of windows at each story, its roof had fallen in, and the flames were still here and there creeping among the charred beams. At the farther end of the courtyard, twenty paces away, the lodge, also a two-storied building, was beginning to burn, and the firemen were doing their utmost to save it. On the right the firemen and the people were trying to save a rather large wooden building which was not actually burning, though it had caught fire several times and was inevitably bound to be burnt in the end. Lembke stood facing the lodge, shouting and gesticulating. He was giving orders which no one attempted to carry out. It seemed to me that everyone had given him up as hopeless and left him. Anyway, though everyone in the vast crowd of all classes, among whom there were gentlemen, and even the cathedral priest, was listening to him with curiosity and wonder, no one spoke to him or tried to get him away. Lembke, with a pale face and glittering eyes, was uttering the most amazing things. To complete the picture, he had lost his hat and was bareheaded.

“It’s all incendiarism! It’s nihilism! If anything is burning, it’s nihilism!” I heard almost with horror; and though there was nothing to be surprised at, yet actual madness, when one sees it, always gives one a shock.

“Your Excellency,” said a policeman, coming up to him, “what if you were to try the repose of home?⁠ ⁠… It’s dangerous for your Excellency even to stand here.”

This policeman, as I heard afterwards, had been told off by the chief of police to watch over Andrey Antonovitch, to do his utmost to get him home, and in case of danger even to use force⁠—a task evidently beyond the man’s power.

“They will wipe away the tears of the people whose houses have been burnt, but they will burn down the town. It’s all the work of four scoundrels, four and a half! Arrest the scoundrel! He worms himself into the honour of families. They made use of the governesses to burn down the houses. It’s vile, vile! Aie, what’s he about?” he shouted, suddenly noticing a fireman at the top of the burning lodge, under whom the roof had almost burnt away and round whom the flames

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