“You know I think it’s quite wonderful, your scene,” she said to Ciccio.
He turned and looked down at her. His yellow, dusky-set eyes rested on her good-naturedly, without seeing her, his lip curled in a self-conscious, contemptuous sort of smile.
“Not without Madame,” he said, with the slow, half-sneering, stupid smile. “Without Madame—” he lifted his shoulders and spread his hands and tilted his brows—“fool’s play, you know.”
“No,” said Alvina. “I think Mr. May is good, considering. What does Madame do?” she asked a little jealously.
“Do?” He looked down at her with the same long, half-sardonic look of his yellow eyes, like a cat looking casually at a bird which flutters past. And again he made his shrugging motion. “She does it all, really. The others—they are nothing—what they are Madame has made them. And now they think they’ve done it all, you see. You see, that’s it.”
“But how has Madame made it all? Thought it out, you mean?”
“Thought it out, yes. And then done it. You should see her dance—ah! You should see her dance round the bear, when I bring him in! Ah, a beautiful thing, you know. She claps her hand—” And Ciccio stood still in the street, with his hat cocked a little on one side, rather common-looking, and he smiled along his fine nose at Alvina, and he clapped his hands lightly, and he tilted his eyebrows and his eyelids as if facially he were imitating a dance, and all the time his lips smiled stupidly. As he gave a little assertive shake of his head, finishing, there came a great yell of laughter from the opposite pavement, where a gang of pottery lasses, in aprons all spattered with grey clay, and hair and boots and skin spattered with pallid spots, had stood to watch. The girls opposite shrieked again, for all the world like a gang of grey baboons. Ciccio turned round and looked at them with a sneer along his nose. They yelled the louder. And he was horribly uncomfortable, walking there beside Alvina with his rather small and effeminately-shod feet.
“How stupid they are,” said Alvina. “I’ve got used to them.”
“They should be—” he lifted his hand with a sharp, vicious movement—“smacked,” he concluded, lowering his hand again.
“Who is going to do it?” said Alvina.
He gave a Neapolitan grimace, and twiddled the fingers of one hand outspread in the air, as if to say: “There you are! You’ve got to thank the fools who’ve failed to do it.”
“Why do you all love Madame so much?” Alvina asked.
“How, love?” he said, making a little grimace. “We like her—we love her—as if she were a mother. You say love—” He raised his shoulders slightly, with a shrug. And all the time he looked down at Alvina from under his dusky eyelashes, as if watching her sideways, and his mouth had the peculiar, stupid, self-conscious, half-jeering smile. Alvina was a little bit annoyed. But she felt that a great instinctive good-naturedness came out of him, he was self-conscious and constrained, knowing she did not follow his language of gesture. For him, it was not yet quite natural to express himself in speech. Gesture and grimace were instantaneous, and spoke worlds of things, if you would but accept them.
But certainly he was stupid, in her sense of the word. She could hear Mr. May’s verdict of him: “Like a child, you know, just as charming and just as tiresome and just as stupid.”
“Where is your home?” she asked him.
“In Italy.” She felt a fool.
“Which part?” she insisted.
“Naples,” he said, looking down at her sideways, searchingly.
“It must be lovely,” she said.
“Ha—!” He threw his head on one side and spread out his hands, as if to say—“What do you want, if you don’t find Naples lovely.”
“I should like to see it. But I shouldn’t like to die,” she said.
“What?”
“They say ‘See Naples and die,’ ” she laughed.
He opened his mouth, and understood. Then he smiled at her directly.
“You know what that means?” he said cutely. “It means see Naples and die afterwards. Don’t die before you’ve seen it.” He smiled with a knowing smile.
“I see! I see!” she cried. “I never thought of that.”
He was pleased with her surprise and amusement.
“Ah Naples!” he said. “She is lovely—” He spread his hand across the air in front of him—“The sea—and Posilippo—and Sorrento—and Capri—Ah‑h! You’ve never been out of England?”
“No,” she said. “I should love to go.”
He looked down into her eyes. It was his instinct to say at once he would take her.
“You’ve seen nothing—nothing,” he said to her.
“But if Naples is so lovely, how could you leave it?” she asked.
“What?”
She repeated her question. For answer, he looked at her, held out his hand, and rubbing the ball of his thumb across the tips of his fingers, said, with a fine, handsome smile:
“Pennies! Money! You can’t earn money in Naples. Ah, Naples is beautiful, but she is poor. You live in the sun, and you earn fourteen, fifteen pence a day—”
“Not enough,” she said.
He put his head on one side and tilted his brows, as if to say “What are you to do?” And the smile on his mouth was sad, fine, and charming. There was an indefinable air of sadness or wistfulness about him, something so robust and fragile at the same time, that she was drawn in a strange way.
“But you’ll go back?” she said.
“Where?”
“To Italy. To Naples.”
“Yes, I shall go back to Italy,” he said, as if unwilling to commit himself. “But perhaps I shan’t go back to Naples.”
“Never?”
“Ah, never! I don’t say never. I shall go to Naples, to see my mother’s sister. But I shan’t go to live—”
“Have you a mother and father?”
“I? No! I have a brother and two sisters—in America. Parents, none. They are dead.”
“And you wander about the world—” she said.
He looked at her, and made a slight, sad gesture, indifferent also.
“But you have Madame for a mother,” she said.
He made another gesture this time: pressed
