and loudly rings “cuckoo”
And sharply the nightingale’s “tsoo, tsoo, tsoo, tsoo”:
To say “God bless it” was all that I could do.
But now I know one sweeter
By far since the day Emily
Turned weeping back
To me, still happy me,
To ask forgiveness—
Yet smiled with half a certainty
To be forgiven—for what
She had never done; I knew not what it might be,
Nor could she tell me, having now forgot,
By rapture carried with me past all care
As to an isle in April lovelier
Than April’s self. “God bless you” I said to her.
The Barn
They should never have built a barn there, at all—
Drip, drip, drip!—under that elm tree,
Though then it was young. Now it is old
But good, not like the barn and me.
To-morrow they cut it down. They will leave
The barn, as I shall be left, maybe.
What holds it up? ’Twould not pay to pull down.
Well, this place has no other antiquity.
No abbey or castle looks so old
As this that Job Knight built in ’54,
Built to keep corn for rats and men.
Now there’s fowls in the roof, pigs on the floor.
What thatch survives is dung for the grass,
The best grass on the farm. A pity the roof
Will not bear a mower to mow it. But
Only fowls have foothold enough.
Starlings used to sit there with bubbling throats
Making a spiky beard as they chattered
And whistled and kissed, with heads in air,
Till they thought of something else that mattered.
But now they cannot find a place,
Among all those holes, for a nest any more.
It’s the turn of lesser things, I suppose.
Once I fancied ’twas starlings they built it for.
The Barn and the Down
It stood in the sunset sky
Like the straight-backed down,
Many a time—the barn
At the edge of the town,
So huge and dark that it seemed
It was the hill
Till the gable’s precipice proved
It impossible.
Then the great down in the west
Grew into sight,
A barn stored full to the ridge
With black of night;
And the barn fell to a barn
Or even less
Before critical eyes and its own
Late mightiness.
But far down and near barn and I
Since then have smiled,
Having seen my new cautiousness
By itself beguiled
To disdain what seemed the barn
Till a few steps changed
It past all doubt to the down;
So the barn was avenged.
The Child on the Cliffs
Mother, the root of this little yellow flower
Among the stones has the taste of quinine.
Things are strange to-day on the cliff. The sun shines so bright,
And the grasshopper works at his sewing-machine
So hard. Here’s one on my hand, mother, look;
I lie so still. There’s one on your book.
But I have something to tell more strange. So leave
Your book to the grasshopper, mother dear—
Like a green knight in a dazzling market-place—
And listen now. Can you hear what I hear
Far out? Now and then the foam there curls
And stretches a white arm out like a girl’s.
Fishes and gulls ring no bells. There cannot be
A chapel or church between here and Devon,
With fishes or gulls ringing its bell—hark!—
Somewhere under the sea or up in heaven.
“It’s the bell, my son, out in the bay
On the buoy. It does sound sweet to-day.”
Sweeter I never heard, mother, no, not in all Wales.
I should like to be lying under that foam,
Dead, but able to hear the sound of the bell,
And certain that you would often come
And rest, listening happily.
I should be happy if that could be.
Good Night
The skylarks are far behind that sang over the down;
I can hear no more those suburb nightingales;
Thrushes and blackbirds sing in the gardens of the town
In vain: the noise of man, beast, and machine prevails.
But the call of children in the unfamiliar streets
That echo with a familiar twilight echoing,
Sweet as the voice of nightingale or lark, completes
A magic of strange welcome, so that I seem a king
Among man, beast, machine, bird, child, and the ghost
That in the echo lives and with the echo dies.
The friendless town is friendly; homeless, I not lost;
Though I know none of these doors, and meet but strangers’ eyes.
Never again, perhaps, after to-morrow, shall
I see these homely streets, these church windows alight,
Not a man or woman or child among them all:
But it is All Friends’ Night, a traveller’s good night.
The Wasp Trap
This moonlight makes
The lovely lovelier
Than ever before lakes
And meadows were.
And yet they are not,
Though this their hour is, more
Lovely than things that were not
Lovely before.
Nothing on earth,
And in the heavens no star,
For pure brightness is worth
More than that jar,
For wasps meant, now
A star—long may it swing
From the dead apple-bough,
So glistening.
July
Naught moves but clouds, and in the glassy lake
Their doubles and the shadow of my boat.
The boat itself stirs only when I break
This drowse of heat and solitude afloat
To prove if what I see be bird or mote,
Or learn if yet the shore woods be awake.
Long hours since dawn grew—spread—and passed on high
And deep below—I have watched the cool reeds hung
Over images more cool in imaged sky:
Nothing there was worth thinking of so long;
All that the ring-doves say, far leaves among,
Brims my mind with content thus still to lie.
A Tale
There once the walls
Of the ruined cottage stood.
The periwinkle crawls
With flowers in its hair into the wood.
In flowerless hours
Never will the bank fail,
With everlasting flowers
On fragments of blue plates, to tell the tale.
Parting
The Past is a strange land, most strange.
Wind blows not there, nor does rain fall:
If they do, they cannot hurt at all.
Men of all kinds as equals range
The soundless fields and streets of it.
Pleasure and pain there have no sting,
The perished self not suffering
That lacks all blood and nerve and wit,
And is in shadow-land a shade.
Remembered joy and misery
Bring joy to the joyous equally;
Both sadden the sad. So memory made
Parting to-day a double pain:
First because it was parting; next
Because the ill it ended vexed
And mocked me from the Past again,
Not as what had been remedied
Had I gone on—not that, oh no!
But as itself no longer woe;
Sighs, angry word and look and deed
Being faded: rather a
