kind of bliss,
For there spiritualized it lay
In the perpetual yesterday
That naught can stir or stain like this.
Lovers
The two men in the road were taken aback.
The lovers came out shading their eyes from the sun,
And never was white so white, or black so black,
As her cheeks and hair. “There are more things than one
A man might turn into a wood for, Jack,”
Said George; Jack whispered: “He has not got a gun.
It’s a bit too much of a good thing, I say.
They are going the other road, look. And see her run.”—
She ran.—“What a thing it is, this picking may!”
That Girl’s Clear Eyes
That girl’s clear eyes utterly concealed all
Except that there was something to reveal.
And what did mine say in the interval?
No more: no less. They are but as a seal
Not to be broken till after I am dead;
And then vainly. Every one of us
This morning at our tasks left nothing said,
In spite of many words. We were sealed thus,
Like tombs. Nor until now could I admit
That all I cared for was the pleasure and pain
I tasted in the stony square sunlit,
Or the dark cloisters, or shade of airy plane,
While music blazed and children, line after line,
Marched past, hiding the “Seventeen Thirty-Nine.”
The Child in the Orchard
“He rolls in the orchard: he is stained with moss
And with earth, the solitary old white horse.
Where is his father and where is his mother
Among all the brown horses? Has he a brother?
I know the swallow, the hawk, and the hern;
But there are two million things for me to learn.
“Who was the lady that rode the white horse
With rings and bells to Banbury Cross?
Was there no other lady in England beside
That a nursery rhyme could take for a ride?
The swift, the swallow, the hawk, and the hern.
There are two million things for me to learn.
“Was there a man once who straddled across
The back of the Westbury White Horse
Over there on Salisbury Plain’s green wall?
Was he bound for Westbury, or had he a fall?
The swift, the swallow, the hawk, and the hern.
There are two million things for me to learn.
“Out of all the white horses I know three,
At the age of six; and it seems to me
There is so much to learn, for men,
That I dare not go to bed again.
The swift, the swallow, the hawk, and the hern.
There are millions of things for me to learn.”
The Source
All day the air triumphs with its two voices
Of wind and rain
As loud as if in anger it rejoices,
Drowning the sound of earth
That gulps and gulps in choked endeavour vain
To swallow the rain.
Half the night, too, only the wild air speaks
With wind and rain,
Till forth the dumb source of the river breaks
And drowns the rain and wind,
Bellows like a giant bathing in mighty mirth
The triumph of earth.
The Mountain Chapel
Chapel and gravestones, old and few,
Are shrouded by a mountain fold
From sound and view
Of life. The loss of the brook’s voice
Falls like a shadow. All they hear is
The eternal noise
Of wind whistling in grass more shrill
Than aught as human as a sword,
And saying still:
“ ’Tis but a moment since man’s birth
And in another moment more
Man lies in earth
For ever; but I am the same
Now, and shall be, even as I was
Before he came;
Till there is nothing I shall be.”
Yet there the sun shines after noon
So cheerfully
The place almost seems peopled, nor
Lacks cottage chimney, cottage hearth:
It is not more
In size than is a cottage, less
Than any other empty home
In homeliness.
It has a garden of wild flowers
And finest grass and gravestones warm
In sunshine hours
The year through. Men behind the glass
Stand once a week, singing, and drown
The whistling grass
Their ponies munch. And yet somewhere,
Near or far off, there’s a man could
Be happy here,
Or one of the gods perhaps, were they
Not of inhuman stature dire,
As poets say
Who have not seen them clearly; if
At sound of any wind of the world
In grass-blades stiff
They would not startle and shudder cold
Under the sun. When gods were young
This wind was old.
First Known When Lost
I never had noticed it until
’Twas gone—the narrow copse
Where now the woodman lops
The last of the willows with his bill.
It was not more than a hedge overgrown.
One meadow’s breadth away
I passed it day by day.
Now the soil was bare as a bone,
And black betwixt two meadows green,
Though fresh-cut faggot ends
Of hazel made some amends
With a gleam as if flowers they had been.
Strange it could have hidden so near!
And now I see as I look
That the small winding brook,
A tributary’s tributary, rises there.
The Word
There are so many things I have forgot,
That once were much to me, or that were not,
All lost, as is a childless woman’s child
And its child’s children, in the undefiled
Abyss of what can never be again.
I have forgot, too, names of the mighty men
That fought and lost or won in the old wars,
Of kings and fiends and gods, and most of the stars.
Some things I have forgot that I forget.
But lesser things there are, remembered yet,
Than all the others. One name that I have not—
Though ’tis an empty thingless name—forgot
Never can die because Spring after Spring
Some thrushes learn to say it as they sing.
There is always one at mid-day saying it clear
And tart—the name, only the name I hear.
While perhaps I am thinking of the elder scent
That is like food, or while I am content
With the wild rose scent that is like memory,
This name suddenly is cried out to me
From somewhere in the bushes by a bird
Over and over again, a pure thrush word.
These Things That Poets Said
These things that poets said
Of love seemed true to me
When I loved and I fed
On love and poetry equally.
But now I wish I knew
If theirs were love indeed,
Or if mine were the true
And theirs some other lovely weed:
For certainly not thus,
Then or thereafter, I
Loved ever. Between us
Decide, good Love, before I die.
Only, that once I loved
By this one argument
Is very