The Essays, therefore, are an entertaining soliloquy on every random topic that comes into his head; treating everything without ceremony, yet with masculine sense. There have been men with deeper insight; but, one would say, never a man with such abundance of thoughts; he is never dull, never insincere, and has the genius to make the reader care for all that he cares for.
The sincerity and marrow of the man reaches to his sentences. I know not anywhere the book that seems less written. It is the language of conversation transferred to a book. Cut these words, and they would bleed; they are vascular and alive. One has the same pleasure in it that we have in listening to the necessary speech of men about their work, when any unusual circumstance give momentary importance to the dialogue. For blacksmiths and teamsters do not trip in their speech; it is a shower of bullets. It is Cambridge men who correct themselves, and begin again at every half-sentence, and, moreover, will pun, and refine too much, and swerve from the matter to the expression. Montaigne talks with shrewdness, knows the world, and books, and himself, and uses the positive degree; never shrieks, or protests, or prays; no weakness, no convulsion, no superlative; does not wish to jump out of his skin, or play any antics, or annihilate space or time; but is stout and solid; tastes every moment of the day; likes pain, because it makes him feel himself, and realize things; as we pinch ourselves to know that we are awake. He keeps the plain; he rarely mounts or sinks; likes to feel solid ground, and the stones underneath. His writing has no enthusiasms, no aspiration; contented, self-respecting, and keeping the middle of the road. There is but one exception—in his love for Socrates. In speaking of him, for once his cheek flushes, and his style rises to passion.
Montaigne died of a quinsy, at the age of sixty, in 1592. When he came to die, he caused the mass to be celebrated in his chamber. At the age of thirty-three, he had been married. “But,” he says, “might I have had my own will, I would not have married Wisdom herself, if she would have had me; but ’tis to much purpose to evade it, the common custom and use of life will have it so. Most of my actions are guided by example, not choice.” In the hour of death he gave the same weight to custom. Que sais-je? What do I know.
This book of Montaigne the world has endorsed, by translating it into all tongues, and printing seventy-five editions of it in Europe; and that, too, a circulation somewhat chosen, namely, among courtiers, soldiers, princes, men of the world, and men of wit and generosity.
Shall we say that Montaigne has spoken wisely, and given the right and permanent expression of the human mind, on the conduct of life?
We are natural believers. Truth, or the connection between cause and effect, alone interests us. We are persuaded that a thread runs through all things; all worlds are strung on it, as beads; and men, and events, and life, come to us, only because of that thread; they pass and repass, only that we may know the direction and continuity of that line. A book or statement which goes to show that there is no line, but random and chaos, a calamity out of nothing, a prosperity and no account of it, a hero born from a fool, a fool from a hero—dispirits us. Seen or unseen, we believe the tie exists. Talent makes counterfeit ties; genius finds the real ones. We hearken to the man of science, because we anticipate the sequence in natural phenomena which he uncovers. We love whatever affirms, connects, preserves; and dislike what scatters or pulls down. One man appears whose nature is to all men’s eyes conserving and constructive; his presence supposes a well-ordered
